Demand for polished, broadcast-quality coverage at mid-sized live events is growing rapidly. Audiences expect high production values whether they’re tuning in to corporate conferences, sporting competitions, or entertainment productions. To meet these expectations, TNDV—part of Live Media Group Holdings—presents Destination 40’ HD Expando. Built with a powerful Ross Carbonite switcher, Sony HDC-1500 cameras, and the Soundcraft Si Expression console, Destination offers a streamlined workflow without compromising on quality or reliability.
Why Choose Destination 40’ HD Expando
Destination is engineered for flexibility, efficiency, and broadcast-ready results. The unit operates on a single-phase 150-amp (208V) power system, ensuring stable performance in a wide range of venues. Its expando design maximizes working space without adding excess weight or bulk, making setup and breakdown quick. In any mid-sized live environment—be it a sporting arena, corporate gathering, or entertainment venue—Destination excels at delivering a polished final product.
Key Features and Technology
Advanced Video Production
Ross Carbonite C3S Switcher
Three M/Es for multi-camera control
24 inputs and 10 outputs for versatile routing
Chroma keyers and still store for dynamic on-screen graphics
Ross Mira 8-Channel Replay Server
Provides instant replays for sports or real-time event highlights
AJA Recorders
AJA HELO H.264 recorder for live streaming
Up to six KiPro Rack Recorders (wired for 12) for reliable event archiving
High-End Camera System
Sony HDC-1500 Cameras
Supports 1080p, 1080i, and 720p at multiple frame rates
Five cameras included, wired for up to six CCUs
Fujinon Lenses
Two 20x ENG lenses for long-range coverage
Two 13×4.5 wide-angle lenses for broader scene capture
TAC Fiber Adapters
Expanded placement options without compromising signal quality
Professional Audio Mixing
Soundcraft Si Expression Console
24 faders and 96 DSP inputs
32×16 analog and 64×64 MADI support
Additional Audio Equipment
Fostex speakers, throwdown HD monitors, and SDI-HDMI converters
Decimator MD-Cross converters for precise audio signal handling
Robust Routing and Monitoring
NVision 64×64 HD Video Router
NV920 control system for streamlined video management
Two configurable multiviewer outputs to monitor multiple feeds in real time
Eight HD Frame Syncs
Helps maintain stable video signals and smooth transitions
Reliable Communication Infrastructure
RTS Zeus 24-Port Digital Matrix
Four RTS PL channels for internal crew communication
Telephone interfaces and VoIP lines for external coordination
Wet IFB channels and Biscuit Boxes for on-air talent communication
Common Pitfalls and How to Avoid Them
Power Overload: Always verify venue power specifications; use the included feeder cable and camlock connectors for secure setup.
Mismanaged Communication: Missing cues can derail a live show. RTS systems offer multiple channels and telephone interfaces to keep your crew in sync.
Insufficient Backup: Technical issues can happen. Built-in fail-safes—such as extra recorders and frame syncs—help minimize downtime.
Variable Audio Levels: Consistent sound is essential. The Soundcraft console’s metering and routing minimize inconsistencies.
Frequently Asked Questions
Q: How many cameras can the Destination 40’ HD Expando support? It is pre-wired for up to six CCUs and includes five Sony HDC-1500 cameras.
Q: Is it suitable for live streaming? Yes, the AJA HELO H.264 recorder allows real-time broadcasting of events.
Q: Which power requirements should be considered? Destination runs on a single-phase 150-amp (208V) setup and includes 200 feet of feeder cable with camlock connectors.
Q: Can it handle sports and corporate events equally well? Yes. Its versatile design and range of professional equipment make it suitable for sports broadcasts, corporate gatherings, entertainment, and more.
Conclusion
Destination 40’ HD Expando is a powerful mobile production unit that combines ease of transport with broadcast-quality capabilities. Whether covering a dynamic sports event, a polished corporate presentation, or a high-energy concert, its Ross Carbonite switcher, Sony HDC-1500 cameras, and Soundcraft Si Expression console deliver top-tier results. Backed by TNDV and Live Media Group, Destination unit ensures smooth and dependable operations for medium-scale live productions.
Book Destination today! Email us at contact@tndv.com or call 877.959.8638.
https://www.livemediagroup.com/wp-content/uploads/2019/08/Destination_Ext_2.jpg720960Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2026-05-12 09:15:032026-05-12 09:50:13Elevate Your Live Productions with Destination 40’ HD Expando
In live television and event production, there is no substitute for reliability, speed, and control. Whether the assignment is a major sporting event, a concert, a corporate broadcast, a television special, or a live community event, the production has to work the first time. That is why outside broadcast trucks continue to be one of the most important assets in the live production industry.
Outside broadcast trucks, often called OB trucks, serve as fully equipped mobile production control rooms that bring broadcast-level capabilities directly to the event location. They allow production teams to manage camera feeds, audio, graphics, replay, communications, recording, and transmission from one centralized environment on site. For broadcasters, rights holders, brands, and event producers, OB trucks remain the standard for high-quality remote production because they combine flexibility with performance in a way few other solutions can match.
Live Media Group positions its fleet around exactly that need, offering the most advanced mobile outside broadcast units in the industry, built for seamless live production at any scale, with multi-camera capabilities, flexible workflows, and full-service packaging. We have more than 30 mobile production units, fly pack capabilities, systems integration, cloud-based software solutions, 2 REMI control rooms, and the most experienced crews in the industry available through our internal packaging division – GameTime Productions.
What Are Outside Broadcast Trucks?
Outside broadcast trucks are mobile production units designed to bring the technical power of a control room directly to the venue. Instead of relying on a fixed studio, the truck is deployed wherever the event is taking place. That could be a stadium, arena, festival site, theater, convention center, house of worship, racetrack, red carpet location, or any outdoor event space.
Inside an OB truck, every major part of the live broadcast workflow can be managed in real time. Producers, directors, technical directors, audio engineers, replay operators, graphics operators, and engineering teams work together from dedicated positions inside the unit. The result is a broadcast environment built for speed, coordination, and reliability. I
That is especially important in live production because there is almost no margin for error. Camera switching must happen at the exact right moment. Commentary and natural sound must be balanced correctly. Graphics must appear on cue. Replay clips need to be ready when the story demands them. Signals must be routed and transmitted without interruption. OB trucks give live event teams a proven way to manage all of that under pressure.
Live Media Group’s fleet reflects this range and are fully customizable for specific needs of an event. We offer a mix of compact and full-size mobile broadcast units, including 53-foot expando trucks, smaller uplink-capable units, audio production support, B-units, and hybrid production/transmission configurations. We have units built for 3G, UHD, HDR, and REMI-oriented workflows.
Why OB Trucks Still Matter
Some people assume remote production has made outside broadcast trucks less relevant. In reality, the opposite is true. Modern live productions often depend on a blend of on-site infrastructure and remote integration. That means the best OB trucks now support both traditional field production and modern hybrid workflows.
An OB truck remains the most dependable way to establish a professional production footprint at the venue itself. It provides the physical space, routing, monitoring, communications, and technical backbone needed to execute complex live events. That matters when the venue does not have permanent broadcast infrastructure or when the production requires a self-contained control environment that can be deployed quickly.
At the same time, modern trucks are evolving with the industry. Our control rooms are integrated with our mobile TV production trucks for seamless REMI workflows, with Ross Video Ultrix Acuity platforms and XPression graphics as part of a centralized production approach. Based in Nashville, our control rooms can support live broadcasts from anywhere in the country.
This is one reason outside broadcast services remain so valuable. Clients need more than just a vehicle. They need a mobile production environment that can support traditional broadcast, remote integration, cloud-connected workflows, and streaming delivery without sacrificing reliability.
What Outside Broadcast Services Include
The phrase “outside broadcast services” covers more than just the truck itself. A professional broadcast company is expected to deliver the full production ecosystem that supports a live event from acquisition through transmission.
This starts with camera support and switching. OB trucks are designed to handle multi-camera productions with precise monitoring, switching, and signal management. Live Media Group’s units are designed to support multi-camera live production, advanced replay and ISO workflows, 3G, UHD, and HDR production environments, scalable routing and multiview systems, and dedicated audio control rooms.
Audio is another major component. Strong live production depends on commentator microphones, crowd sound, music, stage feeds, IFB, intercom, and mix-minus coordination all working together smoothly. We offer audio recording support through multitrack fly packs with MADI technology and up to 96-channel Pro Tools integration, including compact solutions that can work inside OB trucks or standalone environments.
Replay and graphics are also essential. For sports, replay is often central to storytelling. For entertainment and corporate productions, graphics help shape the viewer experience, reinforce branding, and support sponsor requirements. A strong OB workflow needs both.
Then there is transmission. This is where many mobile broadcast units prove their value. It is not enough to produce the event well; the signal also must get where it needs to go. Our OB trucks and mobile TV trucks can be equipped with Ku-band and C-band uplink services, and a LiveU bonded cellular backup helps ensure uninterrupted coverage. We do HD and 4K streaming over secure, high-speed connectivity for events ranging from intimate productions to global broadcasts.
The Advantage of a Diverse Mobile Broadcast Fleet
Not all live events require the same technical footprint. Some productions need a large-format double-expando truck with deep replay capacity and extensive routing. Others need compact mobile broadcast units that can fit into tighter spaces while still providing production and transmission capability.
The bottom line is that fleet diversity matters when evaluating outside broadcast services. Our fleet of over 30 vehicles includes 53-foot expando units along with 38- to 45-foot mobile production units with uplink capability.
This kind of range is important because it helps clients “right-size” the production. A high-profile national sports broadcast may require a massive mobile control room with extensive replay, comms, and camera support. A political town hall, public service event, or fast-turnaround field production may be better served by a compact production plus uplink hybrid. Live Media’s MU-21 and MU-22 and TNDV’s Aspiration35 trucks are specifically positioned for integrated production and satellite uplink in agile footprints.
The result is a better fit between technical needs, venue logistics, and production budget.
OB Trucks for Sports, Entertainment, Corporate, and More
Outside broadcast trucks are essential because they work across so many event categories. Sports broadcasting remains one of the clearest examples. Multi-camera live coverage, replay, graphics, announcer support, and fast turnaround all make OB trucks the natural choice.
But OB trucks are just as valuable for concerts, all sporting events, festivals, television specials, awards shows, corporate productions, worship events, red-carpet broadcasts, entertainment specials, corporate events, studio-style productions on location – any location that an event is taking place that needs to be broadcast live. OB trucks are the answer.
This is where experienced outside broadcast services make a difference. Different event types have different demands. A sports show may prioritize replay and booth audio. A concert may place more emphasis on multitrack audio, stage integration, and dynamic camera coverage. A corporate event may prioritize clean graphics, streaming stability, and presentation support. The best providers understand how to match the right mobile broadcast unit to the right production environment.
Why Experience Matters in Outside Broadcast
Technology matters, but great crews matter just as much. Even the most advanced OB truck depends on experienced professionals who know how to deploy, engineer, coordinate, and troubleshoot in real-world conditions.
Live Media Group has the most experienced crews in the industry. This matters because live production is always a moving target. Venue access changes. Power conditions vary. Weather affects timelines. Connectivity needs redundancy. Production requirements evolve right up to show time. Strong outside broadcast services are built not just on equipment but on engineering discipline and operational experience.
Experience is another reason OB trucks remain so important. They do not simply move gear from place to place. They provide a structured production environment where experienced teams can execute under pressure.
The Future of Outside Broadcast Trucks
Outside broadcast trucks are not going away. They are adapting. Today’s mobile broadcast units increasingly support HDR, UHD, REMI, centralized production, streaming, satellite transmission, bonded cellular backup, and modular flypack integration. The industry is moving toward flexible workflows, and OB trucks are evolving right along with it.
Live Media Group’s fleet of outside broadcast trucks can provide both UHD and HDR, advanced replay, scalable routing, audio control rooms, ARRI ALEXA 35 cameras, REMI integration, HD and 4K streaming, and uplink backup options. These offerings show why outside broadcast trucks still sit at the center of professional live event production.
For brands, broadcasters, leagues, and event producers, the real question is not whether OB trucks still matter. The real question is whether the production partner has the fleet, technology, and experience to deliver the right solution for the event. Live Media Group continues to position itself as a strong partner for organizations seeking dependable, scalable outside broadcast services backed by a broad fleet of mobile broadcast units and experienced crews. We continually expand our team, our capabilities, and our resources to provide the best possible outcomes for our clients.
When the event is live, quality depends on preparation, infrastructure, and execution. Outside broadcast trucks remain the backbone of that process because they bring all three together in one place.
https://www.livemediagroup.com/wp-content/uploads/2026/03/IMG_6947-scaled.jpg20352560Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2026-03-24 13:38:592026-05-13 08:53:21Why Outside Broadcast Trucks are Best for Live Productions
For sophisticated live production environments, engineering and operations teams need more than just switchers and servers—they need space to work, organize, and manage signals at scale. The MU-B5support unit was designed to meet that need. A 53-foot single-expando trailer, MU-B5 functions as a flexible workspace for broadcast engineers, comms operators, and audio supervisors who require operational clarity and physical separation from the main control room.
Built by Live Media Group, MU-B5 delivers field-ready infrastructure that supports remote productions, REMI workflows, festival coordination, and national-scale sports events. With 10 modular workstations, a climate-controlled environment, and per-show cabling configurations, MU-B5 ensures your crew has the room—and resources—they need to execute at the highest level.
Designed for Flexibility, Engineered for Productivity
MU-B5 features a full-length single expando that increases the trailer’s working width to nearly 20 feet, enabling a segmented but collaborative environment. The interior layout is divided into four core zones, each with a distinct purpose and infrastructure:
Chapman Storage Bay: Located at the rear, this load-out area features shelving and open space for flypacks, fiber drums, expendables, and camera gear. It’s accessible via both rear ramp and side door, allowing fast ingress and egress for field operations.
Engineering / Cushman Bay: A climate-controlled technical room optimized for system integration, patch management, and routing. It offers counter workspace and is ideal for broadcast engineers, tech managers, or EICs.
Audio / Office Room: A smaller enclosed room suited for comms control, audio coordination, or production management. It’s frequently used by A1s or production supervisors for show calling, comms routing, or IP phone integration.
Flex Work Zones 1 & 2: The heart of the expando section, these zones include seating for up to six operators and can be customized for fiber patching, IP routing, communications control, or event coordination.
This configuration makes MU-B5 ideal for shows that require technical modularity, clean signal paths, and flexible team coordination, whether operating REMI or centralized production workflows.
Custom Cabling for Custom Shows
No two shows are the same—and MU-B5 is built with that in mind. For each deployment, Live Media Group provisions the trailer with a custom cabling package that can include:
Triax Camera Cable for legacy compatibility
SMPTE Fiber for UHD and IP workflows
DT12 Audio Multicore for booth/stage feeds
TAC-12 Tactical Fiber for long-range connectivity
XLR and 4-Pair Audio for analog audio patches
5-Wire and 10-Wire Coaxial Looms for SDI and RF
The result is a fully customizable cable lab on wheels, ready to handle complex patching needs without disrupting the control room or main production vehicles.
Reliable Power & Climate Control
MU-B5 is powered by single-phase 208V service at 150 amps, making it compatible with venue drops or generator-based compounds. The onboard Camlock power input ensures rapid setup and clean integration with larger shows.
Inside, full HVAC ensures thermal stability for rack-mounted gear, patch bays, and personnel—crucial for long shoot days or temperature-sensitive operations.
Ideal Applications for MU-B5
MU-B5 shines in any high-capacity or distributed broadcast environment where field engineering, REMI integration, or offboard audio/comms require a dedicated space. Common use cases include:
REMI & hybrid production staging
Mobile comms and IFB coordination
Audio infrastructure for multi-stage festivals
Flypack launchpad for camera and fiber prep
Engineering zone during venue transitions
Overflow crew workstations when main trucks are at capacity
When deployed alongside units like MU-10, MU-14, or MU-28, MU-B5 acts as an infrastructure multiplier, giving tech crews the ability to offload cable management, routing, and equipment prep—without impacting core broadcast operations.
Why MU-B5 Stands Out
The MU-B5 fills a critical niche in today’s event production world. While many trucks focus on switching, replay, or transmission, MU-B5 focuses on the support systems that make them all work together. Its single-expando design strikes a balance between compact travel and expansive internal space. Its modular zones allow for precise team deployment, and its custom cable configuration adapts to your show’s needs.
For production teams juggling comms, fiber, patching, and IP management, MU-B5 becomes the quiet hero behind the scenes—making sure your signal arrives clean, clear, and on time.
FAQs for MU-B5
What is the MU-B5 trailer used for?
MU-B5 is a mobile support trailer used for engineering, audio, and production team operations during live broadcasts and REMI productions. It provides workstations, storage, and climate-controlled space near the truck compound.
Does MU-B5 include any switching or replay capabilities?
No. MU-B5 is not a production or replay truck. It is a support unit designed for offboard work such as patching, comms coordination, IP routing, and engineering support.
How many operators can work inside MU-B5?
MU-B5 has 10 configurable operator positions, including shared desk space and enclosed workrooms.
Is MU-B5 compatible with flypacks and REMI workflows?
Yes. MU-B5 is frequently deployed as a REMI staging trailer or flypack base, thanks to its modular cable design and work zones.
Can MU-B5’s cabling be customized for my event?
Absolutely. Live Media Group provisions MU-B5 with a custom cable inventory for each show, including SMPTE, DT12, TAC fiber, coax, and triax.
What kind of power does MU-B5 need?
MU-B5 runs on 208V single-phase power at 150 amps, using a Camlock connector for tie-in to generators or shore power.
Does MU-B5 offer climate control?
Yes. MU-B5 includes full HVAC support to keep gear and crew cool and operational—even in extreme environments.
https://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.png00Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2025-12-15 14:43:592026-02-16 05:22:35Mobile Unit Snapshot: B5 A Scalable, Single Expando Support Trailer Built for Live Broadcast Engineering, Audio, and REMI Workflows
As live broadcasts and remote productions scale in size and complexity, technical teams need more than just switching and camera trucks—they need structured, efficient support environments where operations can run smoothly. Enter MU-B3, a 53-foot straight support trailer from Live Media Group’s mobile infrastructure fleet.
Built to serve as an engineering, audio, or production annex, MU-B3 provides a climate-controlled workspace with 10 operator positions, segmented zones, and per-show cabling options. Whether used for REMI staging, audio system prep, engineering patching, or flypack support, this non-expanding trailer is the backbone for live event teams who require both mobility and reliability.
Purpose-Built for Technical Production Teams
MU-B3 is not a switching or replay truck. Instead, it’s where the support happens. Technical personnel, producers, and integrators can collaborate here without crowding the primary production vehicle. With its straightforward, modular layout and robust infrastructure capabilities, MU-B3 excels in environments where space, order, and cable control are vital.
It’s particularly useful for:
Engineering teams managing signal flow and fiber routes
Audio and comms leads prepping IFB and intercom systems
Production managers overseeing show documentation and tech plans
Flypack crews organizing camera builds, cases, and field gear
Interior Layout Designed for Workflow Efficiency
MU-B3’s internal layout mirrors that of its sister unit, MU-B1, with clearly segmented functional areas to avoid cross-talk, cable confusion, and workspace congestion.
Chapman Storage Room (Rear)
Accessible via ramp, this storage space includes shelving for flypack racks, cable drums, camera kits, and expendables. It serves as a secure gear landing zone.
Cushman and Audio/Office Room
An enclosed private space for audio prep, comms control, or production planning. Ideal for leads who require phone access, quiet comms coordination, or onsite management.
Main Production Bay
The center of MU-B3 features seven operator positions along a shared deskline. Perfect for technical directors, fiber patch engineers, or network support personnel to work side-by-side.
Engineering Bay (Front)
Positioned near the power distribution and environmental systems, this space is optimized for patching, signal monitoring, and infrastructure coordination.
This physical separation of disciplines allows your team to focus on their task without interference from other departments—all while working in proximity for fast communication and handoffs.
Mobile Cabling & Signal Infrastructure
MU-B3’s cabling is configured per project, ensuring that the trailer adapts to your event rather than the other way around. Standard cable packages available for deployment include:
Triax camera cable
DT12 audio multicore
SMPTE hybrid fiber
TAC-12 tactical fiber
Analog XLR audio
SDI coaxial looms (5- or 10-wire)
This makes MU-B3 incredibly versatile—serving as a mobile patch room, fiber terminus, or temporary production extension depending on the needs of the event.
Power and Environmental Design
Power: Single Phase, 208V @ 150A
Connection: Camlock input for integration with on-site generator or shore power
Cooling: Full HVAC climate control throughout the trailer
These specs support full-day field operations and ensure a stable environment for personnel and rack-mounted gear, even during high-temperature or high-traffic shows.
Ideal Applications for MU-B3
MU-B3 is a go-to solution when your crew needs structure, scalability, and flexibility on location. Use it as:
A mobile engineering annex during REMI productions
A production office for field supervisors and coordinators
A comms and audio prep room for IFB, PL, and routing
A patching and fiber hub for multi-camera or flypack shows
Overflow workspace when main control trucks are at capacity
Whether paired with trucks like MU-10, MU-14, or MU-28—or standing on its own—MU-B3 provides the infrastructure that keeps large events running smoothly.
Why MU-B3 Stands Out
MU-B3 is the backbone of technical coordination. While it doesn’t have switchers or EVS replay servers, it houses the people who control them, and it gives them the space to work clearly, effectively, and comfortably. Its non-expando format makes it easier to deploy in tighter truck compounds, while its modular zones and 10 operator positions deliver the capacity needed for modern production demands.
When multiple crews are working onsite or a centralized flypack strategy is in play, MU-B3 ensures that your engineering, audio, and production workflows have room to breathe.
FAQ for MU-B3
What is MU-B3 used for?
MU-B3 is a mobile support trailer used for engineering, audio, and production support during live events and remote broadcasts. It does not include switching or replay systems, but it provides workspace and infrastructure for technical teams.
How many people can work inside MU-B3?
MU-B3 supports 10 working positions across multiple zones, including a main production bay and private office areas.
Does MU-B3 include any built-in cabling?
Cable packages are custom-configured per show. Available options include Triax, DT12, SMPTE, TAC-12, XLR, and coaxial looms.
Can MU-B3 be used with REMI or flypack productions?
Yes. MU-B3 is ideal for REMI workflows and flypack integration. It often serves as a field engineering trailer or fiber patch hub.
Is MU-B3 climate-controlled?
Yes. MU-B3 features full HVAC to maintain a stable operating environment for equipment and staff.
Does MU-B3 have power requirements?
MU-B3 requires 208V single-phase power at 150 amps, with Camlock input for generator or shore power tie-in.
Can MU-B3 serve as a mobile production office?
Absolutely. The interior includes enclosed spaces and operator seating ideal for production management, comms coordination, or field admin work.
How is MU-B3 different from MU-B1?
MU-B3 shares a similar layout with MU-B1 but offers expanded scheduling flexibility and deployment across additional event zones.
MU-B3 is available for rental or integration planning. Cable sets, operator positions, and floorplans can be customized.
https://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.png00Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2025-12-15 14:42:122026-02-16 10:23:25Mobile Unit Snapshot: B3 A 53’ Straight Support Unit for Live Broadcast Engineering & Field Production
In today’s fast-paced live production landscape, mobile teams need more than just switchers, cameras, and uplink systems—they need space. Purpose-built to meet that need, the MU-B1 is a 53-foot straight support trailer engineered to give broadcast crews room to work, organize, stage, patch, coordinate, and collaborate without being crammed into control trucks or makeshift production tents.
Whether you’re running a REMI event, operating a multi-truck compound, or supplementing a flypack deployment, the MU-B1 functions as a mobile broadcast backbone, providing essential workspace for engineering, audio, and production support teams. With a non-expanding structure, internal climate control, power infrastructure, and custom cable configurations, MU-B1 is a must-have for shows that require more infrastructure than one truck can deliver.
A Dedicated Space for Offboard Broadcast Operations
MU-B1 isn’t a switcher truck or replay unit—it’s something different and equally important. It’s a support environment designed for the people and systems that make the rest of the show run smoothly. From engineering teams staging fiber routing and audio techs managing patch panels, to producers needing space to coordinate crews, this unit creates physical separation of functions while keeping everyone close to the action.
At 53 feet long, the trailer provides a recommended working footprint of 61 feet by 18 feet. Inside, there are 10 full workstations, including seating and access to power, networking, and audio cabling. The trailer includes clearly divided areas for production, engineering, audio coordination, and logistics, with internal air conditioning and custom layouts to meet the needs of different crews and event types.
Floorplan Built for Collaboration & Efficiency
The MU-B1’s interior layout is a key part of its utility. According to the official spec floorplan:
The Chapman Room is accessible via front-load ramp, offering easy storage and fast access for large equipment or cable runs.
The Cushman Area and adjacent Audio/Office zones offer quieter space for mix engineers, recordists, or producers who need to work on-site but away from the main production noise.
The Production Workspace includes multiple seated operator positions—ideal for REMI monitoring, ingest coordination, or broadcast scheduling.
The Engineering Bay at the rear of the trailer includes power access, HVAC controls, and critical routing infrastructure for triax, SMPTE, DT12, TAC, and coax.
This layout enables divided but collaborative workflows, letting audio, engineering, and production teams operate in parallel without stepping on each other.
Power and Climate Control Designed for All-Day Use
MU-B1 runs on a single-phase, 208V, 150A power draw, using a standard Camlock connection. That makes it easy to pair with other mobile production vehicles or shore power in venue-based applications. With internal air conditioning and zoned airflow, MU-B1 maintains comfortable working conditions for both crew and equipment—critical during long shoots or high-heat festival and sports environments.
Customizable Cable Infrastructure Per Show
MU-B1 doesn’t just provide space—it acts as a mobile cable and signal hub. Each deployment is custom-configured based on the production’s signal routing needs and compound layout. Common cable inventories include:
Triax for legacy camera infrastructure
SMPTE hybrid fiber for UHD/IP workflows
DT12 audio multicore for stage and booth feeds
XLR and 4-pair for analog and multichannel routing
TAC-12 tactical fiber for long-distance connectivity
Coax (SDI/RF) for video return and RF monitoring
This makes MU-B1 an essential patch and distribution point, especially when paired with high-capacity production trucks like MU-10, MU-11, or MU-28.
Use Cases: Where MU-B1 Really Shines
MU-B1 is not a one-trick pony—it’s a field operations chameleon that adapts to a range of live production demands. Ideal for:
Flypack system support: When your flypack team needs a clean, powered, climate-controlled workspace.
REMI staging: Pair with trucks like MU-27 or MU-29 to support camera, audio, and signal flow to centralized control rooms.
Overflow workspace: Add crew capacity during multi-truck shows or dense compounds.
Cable management: Serve as your central signal routing point and spool center.
Mobile broadcast HQ: Use MU-B1 as a command-and-control vehicle on large-scale entertainment, sports, or festival sites.
Why MU-B1 Is the Broadcast Utility Truck You Didn’t Know You Needed
MU-B1 isn’t flashy—but it’s essential. In an era of increasingly complex live production compounds, the ability to provide infrastructure, isolation, and organization makes all the difference between smooth execution and signal chaos. MU-B1 gives technical directors, broadcast engineers, A1s, and crew managers the tools and space they need to build robust shows without relying on cramped quarters or makeshift setups.
From major concerts and sports broadcasts to REMI production staging and hybrid compound deployments, MU-B1 is your mobile infrastructure solution—quietly powering the broadcast behind the broadcast.
For rental inquiries, custom cable configurations, or deployment details: Phone: 833.933.54483 Email: solutions@livemediagroup.com
https://www.livemediagroup.com/wp-content/uploads/2024/09/BUnit-Header-d9d9d9.png5002000Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2025-11-13 13:52:112025-12-15 15:01:23Mobile Unit Snapshot: B1- A Mobile Support Unit Built for Modern Broadcast Engineering, Audio, and REMI Workflows
In a broadcast environment that demands speed, versatility, and reliability, the MU-30 emerges as the perfect blend of live production capability and satellite transmission power—all packaged into a nimble, single-expando footprint. Designed by TNDV as a fully integrated 3G HD mobile production and uplink unit, MU-30 delivers studio-grade acquisition, switching, audio, and live satellite distribution in a space-saving, field-ready truck.
Built for mid-size sports, political events, public affairs coverage, and live news programming, MU-30 is ideal for production teams who need everything—camera capture, replay, audio, comms, and satellite uplink—in a single vehicle, ready to deploy wherever the story or action unfolds.
Built for On-Site Production & Instant Uplink
At just 46 feet in trailer length with a single-expando chassis, MU-30 offers a compact footprint but a powerful punch. Once deployed, it spans 21 feet wide and reaches a full height of 22 feet when the 2.4-meter AVL C-Band satellite dish is raised. Its 1-phase power requirement (200A @ 208V) and 150’ camlock feeder cable make it a perfect choice for quick-turn setups or venues with limited infrastructure.
The real differentiator? MU-30 doesn’t just capture content—it can transmit it live via satellite. Featuring dual 300-watt Advantech SSPBs, Adtec EN-100 encoders, and Adtec RD-70 receivers, MU-30’s satellite system supports redundant feeds, backup distribution, or primary live uplink, eliminating the need for auxiliary flypacks or separate uplink vehicles. This is true broadcast mobility.
Full Studio-Grade Production in a Mid-Sized Frame
MU-30 is powered by a Grass Valley K-Frame switcher paired with a Kayenne 4-stripe, 35-button panel, offering 5 M/Es, 64 inputs, and 48 outputs. The switcher supports FlexiKey™, Double Take, chroma keying, and advanced DPM layering with 16 iDPMs and a 2D DPM engine. An integrated ImageStore provides clip playout and transition capability, perfect for remote event coverage that demands dynamic visuals and transitions.
The multiview system supports 170×34 viewing capacity with dedicated monitor wall layouts for key positions including TD, Director, Producer, and AD—ensuring total visibility and confidence from every seat in the truck.
Replay & Playout Support
MU-30 includes a robust EVS suite to manage replay and playout:
(1) EVS XT3 6-Channel LSM Server
(1) EVS XT3 6-Channel Spotbox with Lance Controller
(1) EVS X-File3 for media transfers
Wired for up to three EVS servers, MU-30 supports instant highlight playback, ISO recording, and remote ingest—making it ready for sports and fast-paced live environments.
Advanced Routing & Frame Sync Infrastructure
Routing is managed through an NVision NV8280 3G/HD router, with a 242×360 matrix and 80×80 audio embedding/de-embedding. This provides the backbone for seamless switching, monitoring, and signal management. The truck includes (20) Cobalt 3G UDC frame syncs and (10) For-A 9600 frame syncs with integrated color correction—allowing for full signal alignment across sources. Tally is managed through an Image Video TSI-3000 controller to keep camera tally and crew communications in sync.
Camera Flexibility for Any Field Assignment
MU-30 includes a strong camera lineup with (8) Grass Valley LDX80 WorldCam cameras paired with fiber triax converters and five Super XPanders for full field deployment. The lens kit includes long throw and ENG options:
(3) Canon 86×9.3 HD box lenses
(1) Canon 72×9.3 box lens
(2) Canon 22×7.6 ENG zooms
(1) Canon 11×4.7 wide-angle
Wired for up to 10 CCUs, the camera package is ideal for news coverage, political stage events, small stadium sports, or press conferences.
Calrec Audio with Dante and MADI Backbone
Audio is handled by a Calrec Artemis Bluefin2 console, offering 48 faders and 240 DSP channels. The truck supports 96×120 analog I/O, 32×32 AES digital, 320×320 MADI, and 64×64 Dante IP audio. This gives MU-30 the power and routing flexibility to handle everything from live panel discussions and comms audio to multi-channel sports mixes.
Full Intercom Integration with RTS ADAM-M
The communications system is anchored by a RTS ADAM-M matrix with 166×166 ports. It supports 64 OMNEO channels, 16 RVON VoIP lines, and 12 powered channels for both intercom and IFB. The truck includes a full set of RTS BP325 belt packs, RTS 4030 IFB boxes, and a mix of Beyer single and dual muff headsets for robust field comms across engineering, talent, and production roles.
Satellite Uplink: Onboard, Redundant, and Ready
MU-30’s integrated 2.4m AVL C-Band antenna can transmit directly to satellite from the truck, enabling:
Live broadcast distribution
Redundant path coverage
Backup feeds in critical event scenarios
No separate uplink vehicle is required—saving cost, setup time, and footprint.
AV Support and Cabling
To support booth talent, sideline reporters, and camera ops, MU-30 carries a complete AV support kit including:
HMD26 headsets
Studio Tech boxes
MD46 stick microphones
MKH416, MKH807, and MKH418 shotgun mics
LED light kits
SDI monitors for field reference
Cable infrastructure includes 7000’ triax, 2100’ DT12 audio multicore, TAC-12 and TAC-4 fiber, and coax looms—ensuring signal integrity and distance flexibility for a wide range of deployments.
Why MU-30 Is the Smart Choice for Integrated Remote Production
With its single-expando footprint, studio-grade switcher, premium camera and audio package, and built-in C-Band uplink, MU-30 offers one of the most versatile, compact, and powerful mobile solutions for remote broadcast environments. It bridges the gap between OB van and uplink truck—reducing cost, complexity, and setup time.
Ideal for live political coverage, field news gathering, mid-sized sports, and redundant network feeds, MU-30 gives broadcast teams the power to produce and transmit from a single mobile command center.
For rental inquiries, custom cable configurations, or deployment details: Phone: 833.933.54483 Email: solutions@livemediagroup.com
https://www.livemediagroup.com/wp-content/uploads/2024/04/MU-30-Thumbnail.png655845Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2025-11-13 13:40:512025-12-15 14:47:36Mobile Unit Snapshot: MU-30 The Compact, All-in-One Broadcast + C-Band Uplink Truck for Remote Events
A REMI (Remote Integration Model) production truck is a mobile unit that handles field-level video acquisition, camera control, routing, and contribution without performing in-truck switching or live mixing. Instead, it sends feeds to centralized or cloud-based control rooms where production is completed. REMI trucks are ideal for at-home broadcasting, hybrid workflows, and distributed production models.
What makes the MU-28 different from a traditional OB truck?
Unlike traditional OB (Outside Broadcast) trucks, the MU-28 is built exclusively for REMI workflows. It features a non-expando design, a rear liftgate for fast load-ins, and a fully IP-native ST 2110 routing core. It focuses on efficient camera acquisition, multiviewing, and contribution—leaving switching and directing to a centralized control facility.
What kind of IP infrastructure does the MU-28 use?
MU-28 is powered by an EVS Strada ST 2110 router with a 144×144 IP matrix. It includes 36×8 multiview outputs, 24×24 frame syncs with UDC and HDR LUTs, and 12×12 fiber I/O. This enables native support for ST 2110 uncompressed video workflows and full integration with centralized or cloud-based broadcast environments.
How many cameras can the MU-28 support?
MU-28 supports up to 16 CCU-controlled camera channels. The standard package includes 13 Sony HDC-2500 cameras and 2 Sony HDC-4300 cameras, with large lens adaptors and a wide range of ENG and box lenses. Additional configurations are available upon request.
Does the MU-28 support remote intercom and IFB systems?
Yes. The truck is equipped with a 64-port RTS ODIN digital matrix intercom and supports RVON (VoIP), DANTE audio, and powered PL/IFB channels. It includes RTS KP-32 panels, belt packs, IFB boxes, and an Innkeeper hybrid phone system for full remote integration.
What types of events is the MU-28 REMI truck ideal for?
MU-28 is designed for national sports coverage, touring concerts, corporate remote broadcasts, multi-city event capture, and hybrid live/remote studio workflows. Its compact design and IP-based infrastructure make it ideal for high-volume, decentralized productions.
Does the MU-28 require a full crew on site?
No. MU-28 is engineered for minimal on-site staffing. The truck handles acquisition, routing, and communication, while switching, graphics, and final output are managed remotely—reducing personnel and travel costs.
Can the MU-28 be used for ST 2110 remote production?
Absolutely. MU-28 is fully compliant with ST 2110, making it perfect for modern remote productions requiring IP video, audio, and metadata synchronization. It’s optimized for use in centralized REMI workflows, cloud control rooms, and SDNs.
Is the MU-28 available for rental or long-term deployment?
Yes. TNDV offers the MU-28 for both single-event rentals and extended remote broadcast contracts. It can be deployed as a primary REMI acquisition unit or as part of a larger hybrid production model.
What kind of cabling and fiber support does the MU-28 include?
MU-28 comes with 7000 feet of triax cable, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, and extensive coax and XLR inventory. It’s prewired to support high-density venue deployments and complex broadcast compound setups.
Does the MU-28 include an onboard audio console?
MU-28 is prewired for full field audio capture and routing, but does not include an onboard mixing console by default. It’s designed to integrate directly with remote or centralized audio mixing environments via MADI and DANTE.
How fast can MU-28 be deployed on site?
Thanks to its non-expando design and liftgate, MU-28 can be loaded in and operational quickly, even in tight or temporary locations. It’s optimized for fast-turn events where time and access are limited.
MU-29: A Compact REMI Production Truck Optimized for Scalable, At-Home Broadcast Workflows
As broadcast and streaming production continues to evolve toward leaner, decentralized models, mobile units must be more efficient, faster to deploy, and ready for remote integration from the ground up. That’s where the MU-29, Live Media’s 40-foot REMI-dedicated production truck, stands out. Built specifically for at-home production workflows, MU-29 brings the power of a full production control room—switching, camera control, audio, comms—into a smaller, more agile form factor, while handing off final broadcast elements to centralized facilities.
With a single-expando design, compact footprint, and 1-phase 200A power, MU-29 is purpose-built for productions where speed, efficiency, and signal control matter most. Whether you’re producing a mid-size sports event, a university game day stream, a corporate town hall, or a remote government or news feed, MU-29 provides a complete acquisition and contribution platform that’s easy to deploy, easy to operate, and remarkably capable.
Despite being the most compact REMI truck in TNDV’s fleet, MU-29 offers a working dimension of 40 feet long by 21 feet wide, expanding internally to provide generous operator space while keeping exterior footprint minimal. With a GVW of 65,000 lbs and an overall tractor length of 65 feet, it fits comfortably in urban broadcast lots, college campuses, and limited-space venues. And thanks to simple 1-phase power (208 volts, 200 amps, no neutral), this truck can be powered and deployed with ease at venues with limited infrastructure.
At the center of MU-29’s production capability is a Grass Valley K-Frame switcher, paired with a Karrera 3-stripe, 35-button control panel. This system supports 3.5 mix effects (M/E) with 64 video inputs and 48 outputs, enabling dynamic REMI switching with robust flexibility. Advanced features include FlexiKey™, Double Take, chroma key support, and four internal DPMs, along with an integrated image store for clip playout. While the truck hands off master switching to centralized control rooms, it provides field-level switching and monitoring capabilities to support live production coordination and preview.
The truck is wired for two 6-channel EVS LSM servers and one 4-channel spotbox, making it ideal for ISO ingest, replay support, and content capture in sports and entertainment events. While EVS servers are not always included by default, the infrastructure ensures rapid deployment when needed, and compatibility with centralized EVS environments over a networked connection.
Routing is handled via a NV8280 3G/HD NVision video router, with a 192×252 routing matrix and 48×48 audio embedding/de-embedding capabilities. MU-29 includes 30 For-A up/down/cross frame syncs with color correction support, allowing seamless signal alignment across mixed formats and source types. The multiview system provides a robust 160×32 viewing matrix, giving technical directors and engineers total visibility across live feeds, returns, ISO recordings, and remote sources.
MU-29’s camera system includes eight Grass Valley LDX86 WorldCam cameras, configured with five Super XPanders and seven-inch viewfinders for full-field and ENG-style production. The truck also includes eight LDK4426 fiber triax converters, providing flexible transport for live camera signals over long distances. The lens package combines long-zoom HD box lenses—including three Canon 88×8.8, one 77×9.5, and one 75×9.3—with lightweight ENG options such as the Canon 11×4.7 wide-angle lens, two Fujinon 22×7.6 zooms, and a 23×7.6 Fujinon unit. Wired for 8 CCUs, the MU-29 supports full remote paint and iris control from the field or centralized production hub.
For audio, MU-29 is outfitted with a Calrec Summa digital mixing console, powered by Bluefin2 processing. The console supports 48 faders, 180 DSP paths, and extensive connectivity options: 64×64 analog, 12×12 AES, 320×320 MADI, and 64×64 Dante IP audio integration. Whether operating standalone or feeding centralized mix and routing systems, the Summa provides studio-grade control, processing, and mixdown options.
Communications are built around a RTS ADAM-M digital matrix (150×150), fully IP-ready with support for 64 OMNEO channels, 16 RVON VoIP paths, 16 MADI ports, and eight powered PL and IFB channels each. The truck includes a complete comms kit: RTS BP325 dual listen belt packs, RTS 4030 IFB packs, and Beyer DT108/DT109 headsets, alongside telephone interfaces and QKT couplers. This infrastructure allows clean integration into central intercom systems and provides full field support for crews, directors, and talent alike.
MU-29’s A/V support gear is equally capable. It comes with HMD26 announcer headsets, Studio Tech announcer boxes, MD46 stick mics, and a collection of Sennheiser MKH series shotgun mics (MKH416, MKH807, MKH418) for booth and field audio capture. Four 15” and four 21” SDI monitors are included for field and control viewing, and an LED lighting kit supports impromptu or low-light broadcast scenarios.
Cable infrastructure includes 7000 feet of triax, a 6x triax mult, 3000 feet of XLR audio cable, 3000 feet of single coax, and 2100 feet of DT12 multicore. For fiber transport, MU-29 features one 250-foot TAC-12, three 450-foot TAC-12, and two 1000-foot TAC-12 runs, providing robust field connectivity for multi-venue, campus, or large-event scenarios.
Why MU-29 Is the Ultimate Compact REMI Truck for Scalable Live Production
With REMI workflows now essential to the future of sports, streaming, and corporate broadcasting, MU-29 represents a new standard in mobile efficiency and broadcast power. It offers full camera control, monitoring, switching, audio, and communications—while handing off master switching, replay, and graphics to centralized facilities. This reduces on-site crew, shrinks the physical footprint, and streamlines cost without sacrificing signal quality or production value.
If you’re producing university sports, mid-size concerts, government broadcasts, or cost-conscious remote events, MU-29 delivers. With a compact size, lightweight footprint, and REMI-first design, it’s the perfect mobile partner for hybrid, cloud, and IP-driven live production.
https://www.livemediagroup.com/wp-content/uploads/2024/08/MU-29-Thumb.png280500Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2025-10-21 14:33:282025-11-03 08:10:00Mobile Unit Snapshot: MU-29 A Compact REMI Production Truck
MU-28: A High-Capacity REMI Broadcast Truck with Full ST 2110 Routing and Liftgate Design
As live production continues to shift toward remote integration models (REMI), the need for mobile field units that support decentralized, scalable workflows has never been greater. Enter the MU-28, TNDV’s next-generation REMI-only broadcast truck, purpose-built to operate as a high-efficiency field acquisition unit for centralized and cloud-based production environments.
The MU-28 combines dense IP routing, full multiview capability, robust intercom integration, and up to 16 camera inputs into a non-expando, liftgate-equipped chassis. Its design is optimized for quick load-in/load-out, simplified operation, and seamless signal pass-through—making it the perfect truck for national sports coverage, entertainment tours, remote studio workflows, and high-profile corporate events.
Built for REMI Workflows from the Ground Up
The MU-28 is not a traditional mobile production truck. It’s not designed for in-truck switching or mix positions. Instead, it provides field-level acquisition, camera control, multiviewing, and signal routing—handing off pristine, synchronized signals to centralized master control environments. This approach reduces the need for large on-site crews, minimizes logistical overhead, and fits perfectly into hybrid and cloud-based production strategies.
With a non-expando body and liftgate, MU-28 measures 56 feet long operationally and 78 feet including the tractor. At 14 feet wide and with a GVW of 80,000 pounds, it offers a stable and spacious interior—yet remains agile enough for deployment in a wide range of environments, from sports arenas and outdoor venues to downtown media centers.
Full IP Routing Powered by EVS Strada
At the core of MU-28 is a 144×144 EVS Strada ST 2110 routing matrix, engineered to support dense, uncompressed IP signal transport. This IP backbone is complemented by 36×8 multiview outputs, 24×24 frame syncs with up/down/cross conversion, and integrated HDR LUTs for real-time color management. The truck also includes 12×12 fiber I/O, MADI ports for audio transport, and eight control panels for custom routing assignments and operator flexibility.
The entire routing system is built to support native ST 2110, making MU-28 an ideal truck for facilities already invested in IP or migrating toward it. With its Telestream sync generator and automatic failover, MU-28 ensures signal integrity even in mission-critical environments.
16-Camera Capability with Premium Sony Gear
MU-28 is preconfigured to support up to 16 CCU-controlled cameras, giving it the camera density required for major sports, concert, or entertainment productions. The standard camera package includes 13 Sony HDC-2500 multi-format HD cameras and two Sony HDC-4300 units with full BPU support. The package also includes eight Sony HDLA-1505 large lens adaptors with OLED viewfinders for studio-style operation.
Its lens arsenal includes long zooms and wide-angle options: one Fujinon 107×8.4 HD lens, five 99×8.4 lenses, two 88×8.8s, servo zooms in 22x and 18x ranges, and a 12x wide angle—giving crews the ability to cover everything from tight game shots to expansive stage and crowd visuals. The camera support system includes Vinten Vector 70s, Vector 75s, and Cartoni Gamma pan heads, giving teams the flexibility to configure pedestal, handheld, and jib positions.
Integrated Intercom for Centralized Control
The MU-28’s communications platform is built around a 64-port licensed RTS ODIN digital matrix, offering full VoIP, PL, IFB, and DANTE integration. With 32 four-wire ports, 16 RVON channels, and support for eight powered intercom and IFB channels, it can interface seamlessly with remote production hubs or other trucks in a compound.
Operators on-site have access to ten RTS KP-32 panels, along with a full set of BP325 belt packs, IFB packs, and headsets. An Innkeeper 4-channel hybrid interface is included for telephony, ensuring clear comms with talent, remote directors, or third-party control rooms. This comms system ensures tight integration and smooth coordination, even when much of the production staff is working hundreds—or thousands—of miles away.
Field-Ready Audio with Central Integration
MU-28 is prewired for full field audio capture, allowing it to send multichannel feeds back to centralized mixing consoles or broadcast hubs. While it doesn’t include an onboard audio console by default, the truck supports MADI and Dante signal routing, and it can easily integrate into larger AoIP environments.
The onboard AV support kit includes six HMD26 announcer headsets, six Studio Tech boxes, multiple stick mics, and a full range of Sennheiser MKH shotguns including MKH416, MKH807, and MKH418 stereo mics. Field monitoring is handled with SDI confidence monitors, and an LED lighting kit provides flexible booth or on-camera lighting for standups and commentary.
Simplified Load-In with Liftgate Design
One of the MU-28’s key advantages is its rear liftgate, which allows for fast, simple load-in of gear, cameras, and support equipment. This makes the truck ideal for venues with limited dock access or when working in fast-turnaround production windows. Combined with its non-expando design, the MU-28 is one of the fastest-deploying REMI units in the TNDV fleet.
Built-In Cable Infrastructure
MU-28 includes all the cabling needed to operate as a fully functioning field acquisition system. It comes with 7000 feet of triax, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, 1500 feet of XLR audio, and 2100 feet of four-pair XLR cable. Coax infrastructure includes 1000 feet of single coax and dual 150-foot 5-wire looms—perfect for video transport, sync, or intercom extension.
Why MU-28 Is the Future of IP-Ready REMI Production
The MU-28 REMI-only truck offers a powerful solution for producers, networks, and broadcasters who need to execute large-scale, multi-camera remote productions with the flexibility and efficiency of centralized workflows. It delivers the scale and quality of a traditional OB truck, but with none of the operational weight or redundancy.
If you’re producing national sports broadcasts, multi-venue concerts, or live hybrid events that blend on-site acquisition with remote mixing and switching, MU-28 provides everything needed in a single field acquisition unit. It’s lean, IP-native, ST 2110-compliant, and fully integrated for modern broadcast pipelines.
https://www.livemediagroup.com/wp-content/uploads/2025/08/MU-28-Exterior-Header-1400x351-1.png3521400Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2025-10-16 14:48:062025-11-03 08:10:09Mobile Unit Snapshot: MU-28 – A High-Capacity REMI Broadcast Truck
MU-27: A Purpose-Built REMI Production Truck for the Future of At-Home Broadcasting
As the broadcast industry continues its shift toward decentralized production workflows, the demand for mobile units that support REMI (Remote Integration Model) and at-home broadcast strategies has exploded. Live Media’s MU-27 is purpose-engineered to meet that demand—offering a powerful, agile, and non-expando production platform that brings all the field infrastructure you need without the footprint and complexity of a traditional broadcast truck.
With the explosion of live event streaming, esports, regional sports, and hybrid studio workflows, the MU-27 gives production teams a mobile solution that does more with less. It’s designed to act as the perfect field acquisition companion, enabling remote switching, centralized graphics and replay, and full camera control—all while reducing deployment time, operational overhead, and total system weight.
At 53 feet in trailer length, with a non-expando body and a working width of 14 feet, the MU-27 is lean but incredibly capable. With an overall working length of 78 feet (including tractor) and a GVW of 80,000 lbs, this truck is road-legal, logistically manageable, and easy to deploy in urban, stadium, or venue-constrained settings. Power comes from a standard 3-phase 200A setup at 190–280 volts, and a 200-foot feeder cable ensures long-distance venue hookup is never a problem.
Unlike expando trucks with full switcher bays, MU-27 is designed to integrate seamlessly into REMI workflows. There’s no onboard production switcher by default (though field configuration is possible), allowing productions to pass signals directly from the field to centralized control rooms where switching, graphics, and directing can occur remotely. This minimizes crew size, shortens setup time, and enables cost-effective live production without compromising quality.
The routing infrastructure is anchored by a Ross Ultrix 48×48 3G video router, supporting full audio embedding/de-embedding and four integrated multiviewers. This provides flexible signal management from cameras to replay to comms. The router interfaces with 48×48 frame sync I/O and is equipped with 2×2 MADI ports for audio transport. Paired with a Ross Sync Generator with automatic failover, MU-27 is rock solid in any live scenario.
The camera package is designed for high-end acquisition in remote and hybrid workflows. MU-27 comes equipped with nine Grass Valley LDX80 Premiere cameras with triax backs, and one LDX86 that supports both dual triax and SMPTE fiber, giving producers flexibility across diverse field scenarios. With nine Grass Valley triax or SMPTE base stations and six LDK Super XPander kits, the truck supports large-scale camera builds, sideline kits, and shoulder operations. The lens package includes everything from long box zooms—like the Fujinon 88×9.3 and 77×9.3 lenses—to wide-angle ENG options like the 13×5.5 and 22×7.8 zooms. Wired for up to 10 CCUs, the camera setup makes MU-27 a full field studio on wheels.
For replay, MU-27 is wired to support two 6-channel EVS units and one 4-channel spotbox. While EVS units aren’t included by default, the infrastructure is pre-wired and integrated with an EVS XHub and routing backbone, allowing instant deployment of ingest and replay systems. This enables on-site ISO recording or remote-controlled replay from centralized hubs, depending on the production’s needs.
Audio operations are led by a Calrec Omega console with Bluefin DSP, providing 56 faders, 160 DSP channels, and support for 96 mic/line inputs, 96 outputs, 32×32 AES, and 128×128 MADI routing. With 20 mono or 10 stereo aux sends, multitrack outputs, and support for both stereo and 5.1 program audio, MU-27 delivers network-quality audio in a tight, remotely operable format. The suite includes a DK Audio phase monitor, DBX 1046 compressor/limiter, DigiCart playout systems, and Genelec/Wohler monitoring for control rooms and suites.
Communication is critical in any REMI operation, and MU-27 delivers with a 64-port licensed RTS ODIN matrix, providing deep VoIP, 4-wire, and IFB support. The truck includes 16 4-wire ports, 16 RVON channels, four RTS KP-32 intercom panels, and two KP-12 stations for flexible talkback assignments. It also features RTS TIF-2000 telephony interfaces, a JK Audio Innkeeper hybrid, belt packs, IFB packs, and both single and dual-muff Beyer headsets. This allows directors, operators, and remote talent to stay fully in sync—whether they’re on the truck, at a production hub, or joining via remote uplink.
MU-27’s AV support inventory includes all the tools needed for remote talent and sideline deployment: HMD26 announcer headsets, Studio Tech announcer boxes, Sennheiser MD46 stick mics, MKH416 shotguns, MKH807 long-range mics, and MKH418 stereo units. Monitoring is handled with 15” and 21” SDI field displays and an LED light kit for flexible mobile setups.
Cabling includes 7000 feet of triax camera cable, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, and 1500 feet of XLR plus 2100 feet of 4-pair audio mult. Two 5-wire coax mults, totaling 300 feet, are also included—giving engineers everything needed for remote integration over short or long distances.
Why MU-27 Is the REMI Truck for Today’s Broadcast Reality
With live events shifting toward hybrid, cloud, and REMI models, the MU-27 provides a forward-looking solution for teams seeking efficient, modular, and flexible broadcast support. It’s a full-featured field truck that hands off routing, audio, replay, and comms cleanly to centralized production facilities—reducing on-site crew sizes, gear transport needs, and turnaround times.
Whether you’re covering regional sports, streaming worship services, broadcasting corporate meetings, or producing news from the field, the MU-27 gives you professional-grade acquisition, audio, and signal control in a purpose-built, REMI-first package.
https://www.livemediagroup.com/wp-content/uploads/2024/08/MU-17-Header.png5002000Chris Sturgeonhttps://www.livemediagroup.com/wp-content/uploads/2024/09/Live-Media-Group-Logo-Padded-300x41.pngChris Sturgeon2025-09-12 07:54:532025-09-16 14:47:38Mobile Unit Snapshot: MU-27 – A Purpose-Built REMI Production Truck
