MU-28 Exterior production truck

MU-28 REMI Broadcast Truck FAQ

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MU-28 REMI Truck: Frequently Asked Questions

What is a REMI production truck?

A REMI (Remote Integration Model) production truck is a mobile unit that handles field-level video acquisition, camera control, routing, and contribution without performing in-truck switching or live mixing. Instead, it sends feeds to centralized or cloud-based control rooms where production is completed. REMI trucks are ideal for at-home broadcasting, hybrid workflows, and distributed production models.

What makes the MU-28 different from a traditional OB truck?

Unlike traditional OB (Outside Broadcast) trucks, the MU-28 is built exclusively for REMI workflows. It features a non-expando design, a rear liftgate for fast load-ins, and a fully IP-native ST 2110 routing core. It focuses on efficient camera acquisition, multiviewing, and contribution—leaving switching and directing to a centralized control facility.

What kind of IP infrastructure does the MU-28 use?

MU-28 is powered by an EVS Strada ST 2110 router with a 144×144 IP matrix. It includes 36×8 multiview outputs, 24×24 frame syncs with UDC and HDR LUTs, and 12×12 fiber I/O. This enables native support for ST 2110 uncompressed video workflows and full integration with centralized or cloud-based broadcast environments.

MU-28 Interior

How many cameras can the MU-28 support?

MU-28 supports up to 16 CCU-controlled camera channels. The standard package includes 13 Sony HDC-2500 cameras and 2 Sony HDC-4300 cameras, with large lens adaptors and a wide range of ENG and box lenses. Additional configurations are available upon request.

Does the MU-28 support remote intercom and IFB systems?

Yes. The truck is equipped with a 64-port RTS ODIN digital matrix intercom and supports RVON (VoIP), DANTE audio, and powered PL/IFB channels. It includes RTS KP-32 panels, belt packs, IFB boxes, and an Innkeeper hybrid phone system for full remote integration.

What types of events is the MU-28 REMI truck ideal for?

MU-28 is designed for national sports coverage, touring concerts, corporate remote broadcasts, multi-city event capture, and hybrid live/remote studio workflows. Its compact design and IP-based infrastructure make it ideal for high-volume, decentralized productions.

Does the MU-28 require a full crew on site?

No. MU-28 is engineered for minimal on-site staffing. The truck handles acquisition, routing, and communication, while switching, graphics, and final output are managed remotely—reducing personnel and travel costs.

Can the MU-28 be used for ST 2110 remote production?

Absolutely. MU-28 is fully compliant with ST 2110, making it perfect for modern remote productions requiring IP video, audio, and metadata synchronization. It’s optimized for use in centralized REMI workflows, cloud control rooms, and SDNs.

Is the MU-28 available for rental or long-term deployment?

Yes. TNDV offers the MU-28 for both single-event rentals and extended remote broadcast contracts. It can be deployed as a primary REMI acquisition unit or as part of a larger hybrid production model.

What kind of cabling and fiber support does the MU-28 include?

MU-28 comes with 7000 feet of triax cable, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, and extensive coax and XLR inventory. It’s prewired to support high-density venue deployments and complex broadcast compound setups.

Does the MU-28 include an onboard audio console?

MU-28 is prewired for full field audio capture and routing, but does not include an onboard mixing console by default. It’s designed to integrate directly with remote or centralized audio mixing environments via MADI and DANTE.

How fast can MU-28 be deployed on site?

Thanks to its non-expando design and liftgate, MU-28 can be loaded in and operational quickly, even in tight or temporary locations. It’s optimized for fast-turn events where time and access are limited.

 

 

Mobile Unit Snapshot: MU-29 A Compact REMI Production Truck

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MU-29: A Compact REMI Production Truck Optimized for Scalable, At-Home Broadcast Workflows

As broadcast and streaming production continues to evolve toward leaner, decentralized models, mobile units must be more efficient, faster to deploy, and ready for remote integration from the ground up. That’s where the MU-29, Live Media’s 40-foot REMI-dedicated production truck, stands out. Built specifically for at-home production workflows, MU-29 brings the power of a full production control room—switching, camera control, audio, comms—into a smaller, more agile form factor, while handing off final broadcast elements to centralized facilities.

With a single-expando design, compact footprint, and 1-phase 200A power, MU-29 is purpose-built for productions where speed, efficiency, and signal control matter most. Whether you’re producing a mid-size sports event, a university game day stream, a corporate town hall, or a remote government or news feed, MU-29 provides a complete acquisition and contribution platform that’s easy to deploy, easy to operate, and remarkably capable.

Despite being the most compact REMI truck in TNDV’s fleet, MU-29 offers a working dimension of 40 feet long by 21 feet wide, expanding internally to provide generous operator space while keeping exterior footprint minimal. With a GVW of 65,000 lbs and an overall tractor length of 65 feet, it fits comfortably in urban broadcast lots, college campuses, and limited-space venues. And thanks to simple 1-phase power (208 volts, 200 amps, no neutral), this truck can be powered and deployed with ease at venues with limited infrastructure.

At the center of MU-29’s production capability is a Grass Valley K-Frame switcher, paired with a Karrera 3-stripe, 35-button control panel. This system supports 3.5 mix effects (M/E) with 64 video inputs and 48 outputs, enabling dynamic REMI switching with robust flexibility. Advanced features include FlexiKey™, Double Take, chroma key support, and four internal DPMs, along with an integrated image store for clip playout. While the truck hands off master switching to centralized control rooms, it provides field-level switching and monitoring capabilities to support live production coordination and preview.

The truck is wired for two 6-channel EVS LSM servers and one 4-channel spotbox, making it ideal for ISO ingest, replay support, and content capture in sports and entertainment events. While EVS servers are not always included by default, the infrastructure ensures rapid deployment when needed, and compatibility with centralized EVS environments over a networked connection.

Routing is handled via a NV8280 3G/HD NVision video router, with a 192×252 routing matrix and 48×48 audio embedding/de-embedding capabilities. MU-29 includes 30 For-A up/down/cross frame syncs with color correction support, allowing seamless signal alignment across mixed formats and source types. The multiview system provides a robust 160×32 viewing matrix, giving technical directors and engineers total visibility across live feeds, returns, ISO recordings, and remote sources.

MU-29’s camera system includes eight Grass Valley LDX86 WorldCam cameras, configured with five Super XPanders and seven-inch viewfinders for full-field and ENG-style production. The truck also includes eight LDK4426 fiber triax converters, providing flexible transport for live camera signals over long distances. The lens package combines long-zoom HD box lenses—including three Canon 88×8.8, one 77×9.5, and one 75×9.3—with lightweight ENG options such as the Canon 11×4.7 wide-angle lens, two Fujinon 22×7.6 zooms, and a 23×7.6 Fujinon unit. Wired for 8 CCUs, the MU-29 supports full remote paint and iris control from the field or centralized production hub.

For audio, MU-29 is outfitted with a Calrec Summa digital mixing console, powered by Bluefin2 processing. The console supports 48 faders, 180 DSP paths, and extensive connectivity options: 64×64 analog, 12×12 AES, 320×320 MADI, and 64×64 Dante IP audio integration. Whether operating standalone or feeding centralized mix and routing systems, the Summa provides studio-grade control, processing, and mixdown options.

Communications are built around a RTS ADAM-M digital matrix (150×150), fully IP-ready with support for 64 OMNEO channels, 16 RVON VoIP paths, 16 MADI ports, and eight powered PL and IFB channels each. The truck includes a complete comms kit: RTS BP325 dual listen belt packs, RTS 4030 IFB packs, and Beyer DT108/DT109 headsets, alongside telephone interfaces and QKT couplers. This infrastructure allows clean integration into central intercom systems and provides full field support for crews, directors, and talent alike.

MU-29’s A/V support gear is equally capable. It comes with HMD26 announcer headsets, Studio Tech announcer boxes, MD46 stick mics, and a collection of Sennheiser MKH series shotgun mics (MKH416, MKH807, MKH418) for booth and field audio capture. Four 15” and four 21” SDI monitors are included for field and control viewing, and an LED lighting kit supports impromptu or low-light broadcast scenarios.

Cable infrastructure includes 7000 feet of triax, a 6x triax mult, 3000 feet of XLR audio cable, 3000 feet of single coax, and 2100 feet of DT12 multicore. For fiber transport, MU-29 features one 250-foot TAC-12, three 450-foot TAC-12, and two 1000-foot TAC-12 runs, providing robust field connectivity for multi-venue, campus, or large-event scenarios.

Why MU-29 Is the Ultimate Compact REMI Truck for Scalable Live Production

With REMI workflows now essential to the future of sports, streaming, and corporate broadcasting, MU-29 represents a new standard in mobile efficiency and broadcast power. It offers full camera control, monitoring, switching, audio, and communications—while handing off master switching, replay, and graphics to centralized facilities. This reduces on-site crew, shrinks the physical footprint, and streamlines cost without sacrificing signal quality or production value.

If you’re producing university sports, mid-size concerts, government broadcasts, or cost-conscious remote events, MU-29 delivers. With a compact size, lightweight footprint, and REMI-first design, it’s the perfect mobile partner for hybrid, cloud, and IP-driven live production.

 

MU-28 Exterior production truck

Mobile Unit Snapshot: MU-28 – A High-Capacity REMI Broadcast Truck

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MU-28: A High-Capacity REMI Broadcast Truck with Full ST 2110 Routing and Liftgate Design

As live production continues to shift toward remote integration models (REMI), the need for mobile field units that support decentralized, scalable workflows has never been greater. Enter the MU-28, TNDV’s next-generation REMI-only broadcast truck, purpose-built to operate as a high-efficiency field acquisition unit for centralized and cloud-based production environments.

The MU-28 combines dense IP routing, full multiview capability, robust intercom integration, and up to 16 camera inputs into a non-expando, liftgate-equipped chassis. Its design is optimized for quick load-in/load-out, simplified operation, and seamless signal pass-through—making it the perfect truck for national sports coverage, entertainment tours, remote studio workflows, and high-profile corporate events.

MU-28 Interior Built for REMI Workflows from the Ground Up

The MU-28 is not a traditional mobile production truck. It’s not designed for in-truck switching or mix positions. Instead, it provides field-level acquisition, camera control, multiviewing, and signal routing—handing off pristine, synchronized signals to centralized master control environments. This approach reduces the need for large on-site crews, minimizes logistical overhead, and fits perfectly into hybrid and cloud-based production strategies.

With a non-expando body and liftgate, MU-28 measures 56 feet long operationally and 78 feet including the tractor. At 14 feet wide and with a GVW of 80,000 pounds, it offers a stable and spacious interior—yet remains agile enough for deployment in a wide range of environments, from sports arenas and outdoor venues to downtown media centers.

Full IP Routing Powered by EVS Strada

At the core of MU-28 is a 144×144 EVS Strada ST 2110 routing matrix, engineered to support dense, uncompressed IP signal transport. This IP backbone is complemented by 36×8 multiview outputs, 24×24 frame syncs with up/down/cross conversion, and integrated HDR LUTs for real-time color management. The truck also includes 12×12 fiber I/O, MADI ports for audio transport, and eight control panels for custom routing assignments and operator flexibility.

The entire routing system is built to support native ST 2110, making MU-28 an ideal truck for facilities already invested in IP or migrating toward it. With its Telestream sync generator and automatic failover, MU-28 ensures signal integrity even in mission-critical environments.

16-Camera Capability with Premium Sony Gear

MU-28 is preconfigured to support up to 16 CCU-controlled cameras, giving it the camera density required for major sports, concert, or entertainment productions. The standard camera package includes 13 Sony HDC-2500 multi-format HD cameras and two Sony HDC-4300 units with full BPU support. The package also includes eight Sony HDLA-1505 large lens adaptors with OLED viewfinders for studio-style operation.

Its lens arsenal includes long zooms and wide-angle options: one Fujinon 107×8.4 HD lens, five 99×8.4 lenses, two 88×8.8s, servo zooms in 22x and 18x ranges, and a 12x wide angle—giving crews the ability to cover everything from tight game shots to expansive stage and crowd visuals. The camera support system includes Vinten Vector 70s, Vector 75s, and Cartoni Gamma pan heads, giving teams the flexibility to configure pedestal, handheld, and jib positions.

Integrated Intercom for Centralized Control

The MU-28’s communications platform is built around a 64-port licensed RTS ODIN digital matrix, offering full VoIP, PL, IFB, and DANTE integration. With 32 four-wire ports, 16 RVON channels, and support for eight powered intercom and IFB channels, it can interface seamlessly with remote production hubs or other trucks in a compound.

Operators on-site have access to ten RTS KP-32 panels, along with a full set of BP325 belt packs, IFB packs, and headsets. An Innkeeper 4-channel hybrid interface is included for telephony, ensuring clear comms with talent, remote directors, or third-party control rooms. This comms system ensures tight integration and smooth coordination, even when much of the production staff is working hundreds—or thousands—of miles away.

Field-Ready Audio with Central Integration

MU-28 is prewired for full field audio capture, allowing it to send multichannel feeds back to centralized mixing consoles or broadcast hubs. While it doesn’t include an onboard audio console by default, the truck supports MADI and Dante signal routing, and it can easily integrate into larger AoIP environments.

The onboard AV support kit includes six HMD26 announcer headsets, six Studio Tech boxes, multiple stick mics, and a full range of Sennheiser MKH shotguns including MKH416, MKH807, and MKH418 stereo mics. Field monitoring is handled with SDI confidence monitors, and an LED lighting kit provides flexible booth or on-camera lighting for standups and commentary.

Simplified Load-In with Liftgate Design

One of the MU-28’s key advantages is its rear liftgate, which allows for fast, simple load-in of gear, cameras, and support equipment. This makes the truck ideal for venues with limited dock access or when working in fast-turnaround production windows. Combined with its non-expando design, the MU-28 is one of the fastest-deploying REMI units in the TNDV fleet.

Built-In Cable Infrastructure

MU-28 includes all the cabling needed to operate as a fully functioning field acquisition system. It comes with 7000 feet of triax, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, 1500 feet of XLR audio, and 2100 feet of four-pair XLR cable. Coax infrastructure includes 1000 feet of single coax and dual 150-foot 5-wire looms—perfect for video transport, sync, or intercom extension.

Why MU-28 Is the Future of IP-Ready REMI Production

The MU-28 REMI-only truck offers a powerful solution for producers, networks, and broadcasters who need to execute large-scale, multi-camera remote productions with the flexibility and efficiency of centralized workflows. It delivers the scale and quality of a traditional OB truck, but with none of the operational weight or redundancy.

If you’re producing national sports broadcasts, multi-venue concerts, or live hybrid events that blend on-site acquisition with remote mixing and switching, MU-28 provides everything needed in a single field acquisition unit. It’s lean, IP-native, ST 2110-compliant, and fully integrated for modern broadcast pipelines.