For more information about booking this mobile unit, please contact us 833.933.5483 or solutions@livemediagroup.com

MU-28 Exterior production truck

MU-28 REMI Broadcast Truck FAQ

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MU-28 REMI Truck: Frequently Asked Questions

What is a REMI production truck?

A REMI (Remote Integration Model) production truck is a mobile unit that handles field-level video acquisition, camera control, routing, and contribution without performing in-truck switching or live mixing. Instead, it sends feeds to centralized or cloud-based control rooms where production is completed. REMI trucks are ideal for at-home broadcasting, hybrid workflows, and distributed production models.

What makes the MU-28 different from a traditional OB truck?

Unlike traditional OB (Outside Broadcast) trucks, the MU-28 is built exclusively for REMI workflows. It features a non-expando design, a rear liftgate for fast load-ins, and a fully IP-native ST 2110 routing core. It focuses on efficient camera acquisition, multiviewing, and contribution—leaving switching and directing to a centralized control facility.

What kind of IP infrastructure does the MU-28 use?

MU-28 is powered by an EVS Strada ST 2110 router with a 144×144 IP matrix. It includes 36×8 multiview outputs, 24×24 frame syncs with UDC and HDR LUTs, and 12×12 fiber I/O. This enables native support for ST 2110 uncompressed video workflows and full integration with centralized or cloud-based broadcast environments.

MU-28 Interior

How many cameras can the MU-28 support?

MU-28 supports up to 16 CCU-controlled camera channels. The standard package includes 13 Sony HDC-2500 cameras and 2 Sony HDC-4300 cameras, with large lens adaptors and a wide range of ENG and box lenses. Additional configurations are available upon request.

Does the MU-28 support remote intercom and IFB systems?

Yes. The truck is equipped with a 64-port RTS ODIN digital matrix intercom and supports RVON (VoIP), DANTE audio, and powered PL/IFB channels. It includes RTS KP-32 panels, belt packs, IFB boxes, and an Innkeeper hybrid phone system for full remote integration.

What types of events is the MU-28 REMI truck ideal for?

MU-28 is designed for national sports coverage, touring concerts, corporate remote broadcasts, multi-city event capture, and hybrid live/remote studio workflows. Its compact design and IP-based infrastructure make it ideal for high-volume, decentralized productions.

Does the MU-28 require a full crew on site?

No. MU-28 is engineered for minimal on-site staffing. The truck handles acquisition, routing, and communication, while switching, graphics, and final output are managed remotely—reducing personnel and travel costs.

Can the MU-28 be used for ST 2110 remote production?

Absolutely. MU-28 is fully compliant with ST 2110, making it perfect for modern remote productions requiring IP video, audio, and metadata synchronization. It’s optimized for use in centralized REMI workflows, cloud control rooms, and SDNs.

Is the MU-28 available for rental or long-term deployment?

Yes. TNDV offers the MU-28 for both single-event rentals and extended remote broadcast contracts. It can be deployed as a primary REMI acquisition unit or as part of a larger hybrid production model.

What kind of cabling and fiber support does the MU-28 include?

MU-28 comes with 7000 feet of triax cable, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, and extensive coax and XLR inventory. It’s prewired to support high-density venue deployments and complex broadcast compound setups.

Does the MU-28 include an onboard audio console?

MU-28 is prewired for full field audio capture and routing, but does not include an onboard mixing console by default. It’s designed to integrate directly with remote or centralized audio mixing environments via MADI and DANTE.

How fast can MU-28 be deployed on site?

Thanks to its non-expando design and liftgate, MU-28 can be loaded in and operational quickly, even in tight or temporary locations. It’s optimized for fast-turn events where time and access are limited.

 

 

Mobile Unit Snapshot: MU-29 A Compact REMI Production Truck

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MU-29: A Compact REMI Production Truck Optimized for Scalable, At-Home Broadcast Workflows

As broadcast and streaming production continues to evolve toward leaner, decentralized models, mobile units must be more efficient, faster to deploy, and ready for remote integration from the ground up. That’s where the MU-29, Live Media’s 40-foot REMI-dedicated production truck, stands out. Built specifically for at-home production workflows, MU-29 brings the power of a full production control room—switching, camera control, audio, comms—into a smaller, more agile form factor, while handing off final broadcast elements to centralized facilities.

With a single-expando design, compact footprint, and 1-phase 200A power, MU-29 is purpose-built for productions where speed, efficiency, and signal control matter most. Whether you’re producing a mid-size sports event, a university game day stream, a corporate town hall, or a remote government or news feed, MU-29 provides a complete acquisition and contribution platform that’s easy to deploy, easy to operate, and remarkably capable.

Despite being the most compact REMI truck in TNDV’s fleet, MU-29 offers a working dimension of 40 feet long by 21 feet wide, expanding internally to provide generous operator space while keeping exterior footprint minimal. With a GVW of 65,000 lbs and an overall tractor length of 65 feet, it fits comfortably in urban broadcast lots, college campuses, and limited-space venues. And thanks to simple 1-phase power (208 volts, 200 amps, no neutral), this truck can be powered and deployed with ease at venues with limited infrastructure.

At the center of MU-29’s production capability is a Grass Valley K-Frame switcher, paired with a Karrera 3-stripe, 35-button control panel. This system supports 3.5 mix effects (M/E) with 64 video inputs and 48 outputs, enabling dynamic REMI switching with robust flexibility. Advanced features include FlexiKey™, Double Take, chroma key support, and four internal DPMs, along with an integrated image store for clip playout. While the truck hands off master switching to centralized control rooms, it provides field-level switching and monitoring capabilities to support live production coordination and preview.

The truck is wired for two 6-channel EVS LSM servers and one 4-channel spotbox, making it ideal for ISO ingest, replay support, and content capture in sports and entertainment events. While EVS servers are not always included by default, the infrastructure ensures rapid deployment when needed, and compatibility with centralized EVS environments over a networked connection.

Routing is handled via a NV8280 3G/HD NVision video router, with a 192×252 routing matrix and 48×48 audio embedding/de-embedding capabilities. MU-29 includes 30 For-A up/down/cross frame syncs with color correction support, allowing seamless signal alignment across mixed formats and source types. The multiview system provides a robust 160×32 viewing matrix, giving technical directors and engineers total visibility across live feeds, returns, ISO recordings, and remote sources.

MU-29’s camera system includes eight Grass Valley LDX86 WorldCam cameras, configured with five Super XPanders and seven-inch viewfinders for full-field and ENG-style production. The truck also includes eight LDK4426 fiber triax converters, providing flexible transport for live camera signals over long distances. The lens package combines long-zoom HD box lenses—including three Canon 88×8.8, one 77×9.5, and one 75×9.3—with lightweight ENG options such as the Canon 11×4.7 wide-angle lens, two Fujinon 22×7.6 zooms, and a 23×7.6 Fujinon unit. Wired for 8 CCUs, the MU-29 supports full remote paint and iris control from the field or centralized production hub.

For audio, MU-29 is outfitted with a Calrec Summa digital mixing console, powered by Bluefin2 processing. The console supports 48 faders, 180 DSP paths, and extensive connectivity options: 64×64 analog, 12×12 AES, 320×320 MADI, and 64×64 Dante IP audio integration. Whether operating standalone or feeding centralized mix and routing systems, the Summa provides studio-grade control, processing, and mixdown options.

Communications are built around a RTS ADAM-M digital matrix (150×150), fully IP-ready with support for 64 OMNEO channels, 16 RVON VoIP paths, 16 MADI ports, and eight powered PL and IFB channels each. The truck includes a complete comms kit: RTS BP325 dual listen belt packs, RTS 4030 IFB packs, and Beyer DT108/DT109 headsets, alongside telephone interfaces and QKT couplers. This infrastructure allows clean integration into central intercom systems and provides full field support for crews, directors, and talent alike.

MU-29’s A/V support gear is equally capable. It comes with HMD26 announcer headsets, Studio Tech announcer boxes, MD46 stick mics, and a collection of Sennheiser MKH series shotgun mics (MKH416, MKH807, MKH418) for booth and field audio capture. Four 15” and four 21” SDI monitors are included for field and control viewing, and an LED lighting kit supports impromptu or low-light broadcast scenarios.

Cable infrastructure includes 7000 feet of triax, a 6x triax mult, 3000 feet of XLR audio cable, 3000 feet of single coax, and 2100 feet of DT12 multicore. For fiber transport, MU-29 features one 250-foot TAC-12, three 450-foot TAC-12, and two 1000-foot TAC-12 runs, providing robust field connectivity for multi-venue, campus, or large-event scenarios.

Why MU-29 Is the Ultimate Compact REMI Truck for Scalable Live Production

With REMI workflows now essential to the future of sports, streaming, and corporate broadcasting, MU-29 represents a new standard in mobile efficiency and broadcast power. It offers full camera control, monitoring, switching, audio, and communications—while handing off master switching, replay, and graphics to centralized facilities. This reduces on-site crew, shrinks the physical footprint, and streamlines cost without sacrificing signal quality or production value.

If you’re producing university sports, mid-size concerts, government broadcasts, or cost-conscious remote events, MU-29 delivers. With a compact size, lightweight footprint, and REMI-first design, it’s the perfect mobile partner for hybrid, cloud, and IP-driven live production.

 

MU-28 Exterior production truck

Mobile Unit Snapshot: MU-28 – A High-Capacity REMI Broadcast Truck

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MU-28: A High-Capacity REMI Broadcast Truck with Full ST 2110 Routing and Liftgate Design

As live production continues to shift toward remote integration models (REMI), the need for mobile field units that support decentralized, scalable workflows has never been greater. Enter the MU-28, TNDV’s next-generation REMI-only broadcast truck, purpose-built to operate as a high-efficiency field acquisition unit for centralized and cloud-based production environments.

The MU-28 combines dense IP routing, full multiview capability, robust intercom integration, and up to 16 camera inputs into a non-expando, liftgate-equipped chassis. Its design is optimized for quick load-in/load-out, simplified operation, and seamless signal pass-through—making it the perfect truck for national sports coverage, entertainment tours, remote studio workflows, and high-profile corporate events.

MU-28 Interior Built for REMI Workflows from the Ground Up

The MU-28 is not a traditional mobile production truck. It’s not designed for in-truck switching or mix positions. Instead, it provides field-level acquisition, camera control, multiviewing, and signal routing—handing off pristine, synchronized signals to centralized master control environments. This approach reduces the need for large on-site crews, minimizes logistical overhead, and fits perfectly into hybrid and cloud-based production strategies.

With a non-expando body and liftgate, MU-28 measures 56 feet long operationally and 78 feet including the tractor. At 14 feet wide and with a GVW of 80,000 pounds, it offers a stable and spacious interior—yet remains agile enough for deployment in a wide range of environments, from sports arenas and outdoor venues to downtown media centers.

Full IP Routing Powered by EVS Strada

At the core of MU-28 is a 144×144 EVS Strada ST 2110 routing matrix, engineered to support dense, uncompressed IP signal transport. This IP backbone is complemented by 36×8 multiview outputs, 24×24 frame syncs with up/down/cross conversion, and integrated HDR LUTs for real-time color management. The truck also includes 12×12 fiber I/O, MADI ports for audio transport, and eight control panels for custom routing assignments and operator flexibility.

The entire routing system is built to support native ST 2110, making MU-28 an ideal truck for facilities already invested in IP or migrating toward it. With its Telestream sync generator and automatic failover, MU-28 ensures signal integrity even in mission-critical environments.

16-Camera Capability with Premium Sony Gear

MU-28 is preconfigured to support up to 16 CCU-controlled cameras, giving it the camera density required for major sports, concert, or entertainment productions. The standard camera package includes 13 Sony HDC-2500 multi-format HD cameras and two Sony HDC-4300 units with full BPU support. The package also includes eight Sony HDLA-1505 large lens adaptors with OLED viewfinders for studio-style operation.

Its lens arsenal includes long zooms and wide-angle options: one Fujinon 107×8.4 HD lens, five 99×8.4 lenses, two 88×8.8s, servo zooms in 22x and 18x ranges, and a 12x wide angle—giving crews the ability to cover everything from tight game shots to expansive stage and crowd visuals. The camera support system includes Vinten Vector 70s, Vector 75s, and Cartoni Gamma pan heads, giving teams the flexibility to configure pedestal, handheld, and jib positions.

Integrated Intercom for Centralized Control

The MU-28’s communications platform is built around a 64-port licensed RTS ODIN digital matrix, offering full VoIP, PL, IFB, and DANTE integration. With 32 four-wire ports, 16 RVON channels, and support for eight powered intercom and IFB channels, it can interface seamlessly with remote production hubs or other trucks in a compound.

Operators on-site have access to ten RTS KP-32 panels, along with a full set of BP325 belt packs, IFB packs, and headsets. An Innkeeper 4-channel hybrid interface is included for telephony, ensuring clear comms with talent, remote directors, or third-party control rooms. This comms system ensures tight integration and smooth coordination, even when much of the production staff is working hundreds—or thousands—of miles away.

Field-Ready Audio with Central Integration

MU-28 is prewired for full field audio capture, allowing it to send multichannel feeds back to centralized mixing consoles or broadcast hubs. While it doesn’t include an onboard audio console by default, the truck supports MADI and Dante signal routing, and it can easily integrate into larger AoIP environments.

The onboard AV support kit includes six HMD26 announcer headsets, six Studio Tech boxes, multiple stick mics, and a full range of Sennheiser MKH shotguns including MKH416, MKH807, and MKH418 stereo mics. Field monitoring is handled with SDI confidence monitors, and an LED lighting kit provides flexible booth or on-camera lighting for standups and commentary.

Simplified Load-In with Liftgate Design

One of the MU-28’s key advantages is its rear liftgate, which allows for fast, simple load-in of gear, cameras, and support equipment. This makes the truck ideal for venues with limited dock access or when working in fast-turnaround production windows. Combined with its non-expando design, the MU-28 is one of the fastest-deploying REMI units in the TNDV fleet.

Built-In Cable Infrastructure

MU-28 includes all the cabling needed to operate as a fully functioning field acquisition system. It comes with 7000 feet of triax, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, 1500 feet of XLR audio, and 2100 feet of four-pair XLR cable. Coax infrastructure includes 1000 feet of single coax and dual 150-foot 5-wire looms—perfect for video transport, sync, or intercom extension.

Why MU-28 Is the Future of IP-Ready REMI Production

The MU-28 REMI-only truck offers a powerful solution for producers, networks, and broadcasters who need to execute large-scale, multi-camera remote productions with the flexibility and efficiency of centralized workflows. It delivers the scale and quality of a traditional OB truck, but with none of the operational weight or redundancy.

If you’re producing national sports broadcasts, multi-venue concerts, or live hybrid events that blend on-site acquisition with remote mixing and switching, MU-28 provides everything needed in a single field acquisition unit. It’s lean, IP-native, ST 2110-compliant, and fully integrated for modern broadcast pipelines.

 

Mobile Unit Snapshot: MU-27 – A Purpose-Built REMI Production Truck

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MU-27: A Purpose-Built REMI Production Truck for the Future of At-Home Broadcasting

As the broadcast industry continues its shift toward decentralized production workflows, the demand for mobile units that support REMI (Remote Integration Model) and at-home broadcast strategies has exploded. Live Media’s MU-27 is purpose-engineered to meet that demand—offering a powerful, agile, and non-expando production platform that brings all the field infrastructure you need without the footprint and complexity of a traditional broadcast truck.

With the explosion of live event streaming, esports, regional sports, and hybrid studio workflows, the MU-27 gives production teams a mobile solution that does more with less. It’s designed to act as the perfect field acquisition companion, enabling remote switching, centralized graphics and replay, and full camera control—all while reducing deployment time, operational overhead, and total system weight.

At 53 feet in trailer length, with a non-expando body and a working width of 14 feet, the MU-27 is lean but incredibly capable. With an overall working length of 78 feet (including tractor) and a GVW of 80,000 lbs, this truck is road-legal, logistically manageable, and easy to deploy in urban, stadium, or venue-constrained settings. Power comes from a standard 3-phase 200A setup at 190–280 volts, and a 200-foot feeder cable ensures long-distance venue hookup is never a problem.

Unlike expando trucks with full switcher bays, MU-27 is designed to integrate seamlessly into REMI workflows. There’s no onboard production switcher by default (though field configuration is possible), allowing productions to pass signals directly from the field to centralized control rooms where switching, graphics, and directing can occur remotely. This minimizes crew size, shortens setup time, and enables cost-effective live production without compromising quality.

The routing infrastructure is anchored by a Ross Ultrix 48×48 3G video router, supporting full audio embedding/de-embedding and four integrated multiviewers. This provides flexible signal management from cameras to replay to comms. The router interfaces with 48×48 frame sync I/O and is equipped with 2×2 MADI ports for audio transport. Paired with a Ross Sync Generator with automatic failover, MU-27 is rock solid in any live scenario.

The camera package is designed for high-end acquisition in remote and hybrid workflows. MU-27 comes equipped with nine Grass Valley LDX80 Premiere cameras with triax backs, and one LDX86 that supports both dual triax and SMPTE fiber, giving producers flexibility across diverse field scenarios. With nine Grass Valley triax or SMPTE base stations and six LDK Super XPander kits, the truck supports large-scale camera builds, sideline kits, and shoulder operations. The lens package includes everything from long box zooms—like the Fujinon 88×9.3 and 77×9.3 lenses—to wide-angle ENG options like the 13×5.5 and 22×7.8 zooms. Wired for up to 10 CCUs, the camera setup makes MU-27 a full field studio on wheels.

For replay, MU-27 is wired to support two 6-channel EVS units and one 4-channel spotbox. While EVS units aren’t included by default, the infrastructure is pre-wired and integrated with an EVS XHub and routing backbone, allowing instant deployment of ingest and replay systems. This enables on-site ISO recording or remote-controlled replay from centralized hubs, depending on the production’s needs.

Audio operations are led by a Calrec Omega console with Bluefin DSP, providing 56 faders, 160 DSP channels, and support for 96 mic/line inputs, 96 outputs, 32×32 AES, and 128×128 MADI routing. With 20 mono or 10 stereo aux sends, multitrack outputs, and support for both stereo and 5.1 program audio, MU-27 delivers network-quality audio in a tight, remotely operable format. The suite includes a DK Audio phase monitor, DBX 1046 compressor/limiter, DigiCart playout systems, and Genelec/Wohler monitoring for control rooms and suites.

Communication is critical in any REMI operation, and MU-27 delivers with a 64-port licensed RTS ODIN matrix, providing deep VoIP, 4-wire, and IFB support. The truck includes 16 4-wire ports, 16 RVON channels, four RTS KP-32 intercom panels, and two KP-12 stations for flexible talkback assignments. It also features RTS TIF-2000 telephony interfaces, a JK Audio Innkeeper hybrid, belt packs, IFB packs, and both single and dual-muff Beyer headsets. This allows directors, operators, and remote talent to stay fully in sync—whether they’re on the truck, at a production hub, or joining via remote uplink.

MU-27’s AV support inventory includes all the tools needed for remote talent and sideline deployment: HMD26 announcer headsets, Studio Tech announcer boxes, Sennheiser MD46 stick mics, MKH416 shotguns, MKH807 long-range mics, and MKH418 stereo units. Monitoring is handled with 15” and 21” SDI field displays and an LED light kit for flexible mobile setups.

Cabling includes 7000 feet of triax camera cable, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, and 1500 feet of XLR plus 2100 feet of 4-pair audio mult. Two 5-wire coax mults, totaling 300 feet, are also included—giving engineers everything needed for remote integration over short or long distances.

Why MU-27 Is the REMI Truck for Today’s Broadcast Reality

With live events shifting toward hybrid, cloud, and REMI models, the MU-27 provides a forward-looking solution for teams seeking efficient, modular, and flexible broadcast support. It’s a full-featured field truck that hands off routing, audio, replay, and comms cleanly to centralized production facilities—reducing on-site crew sizes, gear transport needs, and turnaround times.

Whether you’re covering regional sports, streaming worship services, broadcasting corporate meetings, or producing news from the field, the MU-27 gives you professional-grade acquisition, audio, and signal control in a purpose-built, REMI-first package.

 

MU-24 Exterior Night 2

Mobile Unit Snapshot: MU-24 – A Compact, Capable Broadcast Truck

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MU-24: A Compact, Capable Broadcast Truck Built for Speed, Agility, and Full-Scale Performance

In today’s broadcast landscape, production teams are being asked to do more with less—less space, less setup time, and leaner crews. That’s where the MU-24 shines. Built by Live Media to address the evolving demands of regional broadcasts, mid-size live events, remote studios, and fast-paced field production, the MU-24 packs full broadcast-grade capabilities into a compact, single-expando format.

Measuring just 40 feet in length and expanding to a 48-foot operational bay, this mobile unit delivers a comprehensive toolset: multi-M/E switching, multi-camera acquisition, EVS replay, integrated routing, audio mixing, comms, and full signal transport. Whether you’re capturing a regional sporting event, streaming a corporate town hall, running a mobile news studio, or supporting a worship broadcast, MU-24 gives you big performance without a big footprint.

The truck’s compact design is matched with smart power infrastructure—a 3-phase, 208V setup drawing 150 amps, with no neutral required. The 150-foot feeder cable and Camlock connectors support flexible venue integration, allowing crews to get powered up quickly in urban, campus, or stadium environments.

At the heart of MU-24 is a Grass Valley K-Frame production switcher with a Kayenne 4-stripe, 35-button panel. Despite the unit’s compact form factor, the switcher supports 5 mix effects (M/E), 64 video inputs, and 32 outputs, enabling full-scale production for multi-camera shows. Features like FlexiKey™, Double Take, and full chroma keying give TDs the creative control needed for dynamic transitions, graphics layering, and live compositing. The system includes six internal DPMs and one external DPM, along with an image store for clip playback—ensuring MU-24 can deliver clean, network-quality content with minimal gear and crew.

MU-24 is also built for live replay, with a fully integrated EVS environment. The truck includes two EVS XT3 6-channel LSM servers, an EVS XS 4-channel spotbox with a Lance controller, and both an X-File3 and X-Hub for high-speed file transfer and media sharing. It’s configured to support three 10-channel replay positions and one 4-channel spotbox, giving sports, entertainment, and studio producers the instant playback and ISO ingest functionality they need for live event workflows.

Signal management is handled via a Grass Valley NVision 3G router, built around a 144×288 video matrix. With 32×32 embedding and de-embedding capabilities, the router ensures reliable audio-video signal alignment across multichannel workflows. The truck includes 16 AJA frame syncs and cross-converters for standards compliance and signal matching. Its multiview system supports 160 sources across 28 viewing windows—giving directors and engineers the confidence to manage all live and recorded feeds in real time. For tally integration, MU-24 includes a TSL TallyMan interface to manage camera and operator signaling.

On the acquisition side, MU-24 includes eight Grass Valley LDX80 Premiere cameras and six LDK4426 fiber triax converters, providing flexibility for long cable runs and efficient camera deployment. The unit also includes five Super XPander camera adapters with 7” viewfinders, giving operators full shoulder or pedestal support in the field. Its Fujinon lens kit features five 77×9.5 HD long-zoom field lenses, three 22x ENG lenses, one 17x ENG lens, and a 1x wide-angle lens—enabling coverage for everything from tight action shots to sweeping audience or stage views. MU-24 is wired for up to 10 camera control units (CCUs), delivering full paint and iris control for consistent, high-quality images.

Audio operations are driven by a Calrec Artemis Light digital console, offering 40 faders, 240 DSP inputs, and an extensive I/O suite that includes 64×64 analog, 128×128 AES digital, and 128×128 MADI routing. With built-in support for multichannel audio capture, routing, and live mixing, the Artemis console makes MU-24 a reliable hub for live concerts, spoken word, or fully immersive stereo broadcasts.

Communication is also robust. MU-24 comes equipped with a RTS ADAM intercom system, configured as an 80×80 matrix with support for 16 RVON channels, 12 powered PL channels, and 8 powered IFB outputs. RTS belt packs, IFB boxes, and Beyer headsets are included to keep the entire crew connected, whether on set, in the booth, or managing remote audio/video capture.

To support announcers and AV operators, MU-24 includes a thoughtful selection of gear: HMD26 announcer headsets, Studio Tech boxes, MD46 stick microphones, MKH416 shotguns, MKH807 long-range microphones, MKH418 stereo mics, and a variety of SDI field monitors for on-site control. LED light kits are available for quick booth or talent setups when ambient lighting falls short.

Despite its smaller size, MU-24 includes a comprehensive cabling infrastructure: 7000 feet of triax for camera connectivity, 4000 feet of DT12 audio multicore, a 1000-foot TAC-12 fiber run, and a 500-foot TAC-4 run—providing the signal distribution backbone for professional setups that span multiple venues, rooms, or stages.

Why MU-24 Is the Right Fit for Regional and Agile Broadcasts

The MU-24 shines in applications where full broadcast capability is required but space, time, or logistics are limited. Its single-expando design allows for rapid setup and teardown, making it ideal for regional sports broadcasts, corporate meetings, worship services, concerts, and town halls. It also functions beautifully as a flypack companion or standalone control room for live streaming productions, virtual events, or temporary studio builds.

Its smart layout, flexible power system, and proven GV + EVS + Calrec core make it a trusted tool for broadcast teams who need rock-solid signal integrity, multi-format support, and mission-ready agility. It’s smaller than flagship OB trucks but delivers where it counts—with broadcast-grade signal paths, multichannel replay, and UHD-ready camera systems, all in a right-sized form factor.

To book MU-24, please contact us at solutions@livemediagroup.com or 833.933.5843.

Mobile Unit Snapshot: MU-22 Compact Ku-Band Mobile Production + Transmission Truck

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MU-22: The Ultimate Compact Ku-Band Mobile Production + Transmission Truck for Remote Broadcasts

In a broadcast landscape where mobility, speed, and reliability are more critical than ever, the MU-22 emerges as a uniquely powerful solution. Built by TNDV and engineered with both field production and satellite transmission in mind, this 48-foot 3G double expando production truck brings together a robust live production control room with a fully integrated Ku-band satellite uplink—all in one compact, agile vehicle.

Whether you’re covering breaking news, broadcasting a live political debate, producing sports reports from remote locations, or delivering corporate events with limited infrastructure, MU-22 gives you full control from camera to satellite feed—without the need for a separate uplink truck or secondary facility. It’s the ultimate field-ready unit for broadcasters, agencies, government teams, and content creators looking for broadcast-grade flexibility in a single mobile platform.

The MU-22 is 48 feet in road mode and features dual expandable sides, bringing the working bay to 49 feet by 5 feet and allowing a total operational length of 75 feet. At 80,000 lbs GVW, it’s built for heavy-duty deployment while remaining maneuverable for tight lots and urban environments. The power infrastructure supports 3-phase 200A per leg at 190–240 volts, and a 150-foot feeder cable provides flexibility for external hookups.

MU-22 Exterio At the center of MU-22’s production capability is the Grass Valley K-Frame 3G video switcher, complete with a Kayenne 4-stripe, 35-button control panel. Supporting 5 M/E, 64 inputs, and 48 outputs, this switcher delivers the broadcast flexibility needed for multi-angle productions, complex mix effects, and quick-turn live workflows. Operators benefit from built-in FlexiKey and Double Take functionality, along with advanced chroma keying and an integrated image store for clip playout and real-time transitions.

MU-22’s replay system is built for ISO ingest, clip rollouts, and live replays, with a fleet of EVS XT3 servers configured for multiple use cases. The system includes one 8-channel LSM server, one 6-channel LSM server, one 12-channel unit set up as a 4-channel spotbox for dual-user control, plus an EVS X-file3 on a 10G file network and an EVS X-hub3 for media sharing. The truck is wired for three 6-channel and two 4-channel EVS servers, offering flexible replay architecture in a mid-sized unit.

Routing and signal management are handled through a Grass Valley Node 3G router, configured with a 144×144 matrix and 48×48 audio embedding/de-embedding. An integrated 384×384 audio router handles high-density audio paths, and signal synchronization is managed via 16 AJA 3G U/D/C frame synchronizers with embedded color correction. The multiview system offers a 162×18 display capacity, giving operators, directors, and tech teams complete visibility across live feeds, returns, ISO channels, and tally. Tally control is managed through the TSL Tallyman interface, supporting seamless integration across the board.

MU-22’s camera system includes ten Grass Valley LDX 86 WorldCam cameras, five Super XPanders with 7” viewfinders, and a versatile Canon HD/UHD lens kit. The lens inventory covers everything from tight field-of-view shots to wide-angle coverage, including two Canon 80x HDs, two 76x HDs, one 72x HD, four 22x ENG lenses, two 11×4.7 wide-angle models, and a Canon 17x ENG lens. Camera support is provided by five Vinten Vector 75 pan heads with tripods, and three ENG pan head kits. MU-22 is fully wired for 12 CCUs, and Grass Valley LDK 4426 single-mode triax adaptors are available for deployments requiring longer cable runs or fiber flexibility.

Audio production is powered by a Calrec Artemis Light console, featuring 48 faders across 12 dual-fader layers and Bluefin2 processing. The system includes MU-22 Floor Plan 64×64 analog I/O, 64×64 AES, 384×384 MADI, and 64×64 Dante IP connectivity—making it ideal for AoIP and multiformat environments. The console is integrated with a 64-channel Waves SoundGrid server for real-time audio shaping, mixing, and mastering.

MU-22’s communications system is anchored by an RTS Adam M 176×176 matrix intercom, with support for 64 OMNEO IP channels, 32 MADI paths, 16 RVON channels, and multiple powered PL and IFB lines. With RTS belt packs, IFB boxes, DT108/DT109 headsets, Innkeeper telephone interfaces, and ringdowns for point-to-point talkback, the truck supports fast, reliable communication from anywhere in the field.

But what sets MU-22 apart from most production trucks in its class is its integrated Ku-band satellite transmission system. This fully redundant, built-in uplink setup includes a 2.4-meter AVL Ku-band antenna, dual 125-watt Advantech hub-mount SSPBs, and Ericsson AVP3000 HD encoders paired with RX8200 IRDs. This setup allows for immediate field contribution, backup feeds, or primary network handoffs, all without waiting for an external uplink vehicle. It’s an ideal solution for breaking news, remote press events, or field-based multi-platform streaming and broadcast.

AV support gear includes HMD26 announcer headsets, Studio Tech boxes, MD46 stick mics, MKH416 shotguns, MKH8070 long shotguns, MKH418 stereo microphones, 15” and 21” SDI field monitors, and LED light kits—ensuring your crew and talent are fully equipped for field operations.

The cable infrastructure is equally robust, including 7000 feet of triax, 3000 feet of DT12 audio multicore, 3000 feet of single coax, XLR audio, and multiple fiber runs including TAC-12 and TAC-4. The truck also includes triax and coax looms, audio snakes, and SMPTE-compatible interfaces, supporting a wide variety of venue and field deployment scenarios.

Why MU-22 Is a Game-Changer in Mobile Broadcast

MU-22 is one of the most compact yet powerful mobile production and satellite uplink trucks on the market. With a full Grass Valley 3G core, complete EVS replay, Calrec audio, multiview and tally systems, and a fully integrated Ku-band uplink, it’s ready for deployment at any time, in any location. It’s especially suited for government events, public service broadcasts, crisis response communications, live political town halls, and sports broadcasting where traditional infrastructure isn’t available—or time is critical.

Whether you’re handling live content for national broadcast or creating a reliable backup path for OTT and linear feeds, MU-22 offers end-to-end signal control, contribution, and transmission in one unit. It delivers speed, agility, signal integrity, and redundancy, setting the standard for mobile units designed for today’s dynamic live media environment.

To book MU-22, please contact us at solutions@livemediagroup.com or 833-933-5483.

 

Mobile Unit Snapshot: MU-18 UHD-HDR Mobile Production Truck

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MU-18: A Versatile UHD-HDR Mobile Production Truck for Mid-to-Large-Scale Broadcasts

In today’s fast-paced world of live broadcasting, production teams are tasked with delivering pristine video, immersive audio, and seamless multi-camera workflows—often under tight timelines and in dynamic environments. That’s where the MU-18 from TNDV comes in. This 53-foot 3G single expando UHD-HDR production truck is purpose-built for broadcast professionals who need power, flexibility, and reliability in a compact yet fully featured platform.

As the demand for UHD and HDR content increases across sports, entertainment, streaming, and corporate sectors, the MU-18 stands out as a true workhorse. It delivers top-tier visuals, high-capacity replay, robust routing, and fully integrated audio and communications in a footprint that fits tight lots and fast turnarounds. Whether you’re producing a national sports event, a live music special, or a corporate townhall with remote uplinks, MU-18 offers a high-performance solution that scales with your production.

The MU-18 mobile unit measures 53 feet in road mode and expands to 49 feet by 5 feet, offering ample space for production crews, engineers, and talent. It supports a working length of 61 feet once fully deployed and operates on a 3-phase, 200-amp service at 190–280 volts, powered through a 200-foot feeder cable. With a gross vehicle weight of 80,000 pounds, it’s built for the road but operates like a full broadcast studio.

MU 18 Header The production switcher at the heart of MU-18 is a Grass Valley K-Frame 3G system with a Kayenne 4-stripe, 35-button panel. Supporting 5 M/Es, 104 inputs, and 56 outputs, it provides all the power needed for multi-layered video productions. Key features include FlexiKey™, Double Take, full chroma keying, and a deep library of DPMs for video layering and graphics integration. The switcher also includes an integrated image store and is M/E View enabled, allowing operators to quickly customize their workflows. RGB color correction across M/Es ensures vibrant, true-to-life picture quality across UHD and HDR formats.

Replay capabilities are another defining strength of MU-18. It’s equipped with four EVS XT4K 12-channel LSM servers, plus an EVS XT3 6-channel spotbox with a Lance Controller, allowing for high-volume clip playout, ISO ingest, and live replay. With an EVS X-file3 and XNET Hub3 integrated into a 10G file network, the unit is wired for 72 total EVS channels, making it ideal for high-speed live sports or entertainment events that demand instant access to every camera angle.

Routing and terminal infrastructure inside MU-18 is anchored by an Evertz EQX 3G Video Router with a 436×472 matrix and 96×96 embedding/de-embedding. This is paired with an Evertz EMR Audio Router boasting 1152×1152 MADI, 96×96 AES digital, and 192×192 analog mono support. The unit supports a multiview layout of 320×38, providing clear visibility into all incoming and outgoing feeds, replay channels, and ISO records. Frame sync and color correction are managed by 48 Cobalt 9905-MPx HDR frame synchronizers with 3D LUT support, five standalone color correctors, and four TX processors for UDC conversions, making this truck an ideal choice for multiformat, multiplatform content delivery.

For acquisition, MU-18 comes with ten Sony HDC-4300 UHD/HDR cameras, six Sony HDLA-1505 large lens adaptors with OLED viewfinders, and a premium Fujinon lens kit including long throw and wide-angle optics. The setup includes four stabilized Fujinon 107×8 UHD lenses, three 99×8.4 UHD units, HD lenses, servo zooms, and wide-angle options to cover everything from tight field-of-play shots to expansive audience or stage coverage. Six Vinten Vector 750 heads with HDT2 tripods and four Vinten 100 ENG systems support flexible positioning, while wiring for 16 cameras ensures the truck is ready for complex, multi-angle live productions.

Audio operations are just as robust. The MU-18 includes a Calrec Artemis Beam digital audio console with 64 faders, 96×96 analog I/O, 64×64 AES digital I/O, and 512×512 MADI routing. Integrated Waves Broadcast Suite tools provide additional processing flexibility, and an Enco audio playout server handles automation for complex programming needs. Whether you’re producing immersive surround sound for a concert or ensuring audio precision for a network broadcast, the MU-18 delivers.

For communication, the truck features a RTS Adam Matrix Intercom system with a 288×288 core, 64 OMNEO IP channels, 32 RVON VoIP channels, and 64 MU-18 Floorplan MADI channels. With 12 powered partyline and IFB paths, plus belt packs, IFB receivers, headsets, and telephone interfaces, it ensures that everyone from camera ops to production leads stays connected and in sync, regardless of location or broadcast complexity.

The MU-18 also includes a comprehensive A/V support package. It features HMD26 headsets, Studio Tech boxes, Sennheiser MD46 stick mics, MKH416 shotguns, MKH870 long shotguns, MKH418 stereo microphones, and both 15” and 21” SDI monitors for confidence viewing in the field. Portable LED lighting kits are included for low-light or impromptu talent setups.

Its cabling infrastructure includes 7000 feet of SMPTE fiber, additional SMPTE multiplex runs, 3000 feet of DT12 audio multicore, audio snakes, 5000 feet of coaxial cable, and TAC fiber options for long-distance signal distribution. Whether you’re rigging a sprawling festival site or a compact studio footprint, MU-18’s cable setup adapts with precision and reliability.

What sets the MU-18 UHD HDR production truck apart is its ability to deliver studio-grade production quality in a more compact and flexible package. Designed for deployment in urban environments, regional sports stadiums, mobile festival setups, and corporate spaces, it balances capability and footprint without sacrificing professional-grade results.

If your production requires high-capacity EVS replay, UHD/HDR camera workflows, real-time routing and multiviewing, and integrated broadcast audio, MU-18 is ready to roll. It brings the power of a full broadcast control room into a mobile platform designed for today’s most challenging, creative, and high-expectation productions.

 

To book MU-18, please contact us at solutions@livemediagroup.com or 833-933-5483.

 

Mobile Unit Snapshot: MU-21 48-Foot 3G Double Expando Production Truck

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MU-21: A Mobile Production and Satellite Uplink Powerhouse for Modern Live Broadcasts

In the fast-paced world of live television, sports coverage, remote news gathering, and multi-venue events, the need for integrated production and transmission solutions has never been more urgent. Enter the MU-21, a uniquely versatile 48-foot 3G double expando production truck that combines full broadcast switching, multichannel replay, and C-Band satellite uplink capabilities into a single, compact mobile platform.

Designed and operated by TNDV, a division of Live Media Group, the MU-21 is purpose-built for live events where signal integrity, connectivity, and agility are paramount. From national news coverage to sports broadcasting and political town halls, this production truck is the answer for productions that require a complete field control room and uplink facility in one self-sufficient footprint.

MU-21 Exterior At its core, MU-21 houses a Grass Valley K-Frame 3G production switcher with a powerful Kayenne 4-stripe, 35-button control panel. With 5 M/Es, 64 inputs, 48 outputs, and an advanced feature set including FlexiKey, Double Take, and full chroma key support, this truck is designed to handle high-volume, multi-angle productions with ease. The switcher includes 16 iDPM and 16 EDPM processors and a built-in image store, making real-time transitions, effects, and video layering highly efficient in fast-moving broadcast environments.

Replay power is driven by a robust EVS XTVia system—three 8-channel LSM servers, a 4-channel spotbox with Lance controller, and a 10G-connected EVS X-file3 for fast file transfer and archive management. The system is wired for five 6-channel EVS servers, enabling simultaneous ISO recording, clip playout, and live replay across multiple camera feeds. At the heart of this network is the EVS X-Hub3 media router, providing high-speed content sharing across all replay devices.

Routing is handled via a Grass Valley NVision 3G video router with a 252×378 matrix and 90×90 audio embed/de-embed capability. This is complemented by a dual-tier multiview system—216×24 for the main multiviewer and a 32×4 For-A auxiliary display—to give production teams precise oversight of all sources. The truck also includes 30 AJA 3G up/down/cross frame syncs with built-in color correction for format matching across multi-camera workflows. An integrated TSL Tallyman system keeps all tally states in sync for operators and talent across camera channels and control surfaces.

MU-21 features a high-end Grass Valley camera package, including 10 LDX 86 WorldCam units, which support global HD and UHD production standards, along with 5 Super XPander systems and 8 fiber triax converters. Its premium Canon lens inventory includes 95x and 80x long zoom lenses, several 22x ENG lenses, and wide-angle options like the 11x and 17x glass. Five Vinten Vector 75 pan heads and three handheld tripods provide stable support for all camera configurations, and the truck is wired to support up to 12 CCUs, ensuring complete remote control and shading flexibility.

Audio capabilities are built around the Calrec Artemis Light digital console with Bluefin2 processing. It offers 48 faders, 12 dual-fader layers, and a wide MU-21 Thumbnail range of connectivity including 64×64 analog, 64×64 AES, 384×384 MADI, and 64×64 Dante I/O—all processed through the integrated Waves SoundGrid broadcast suite for dynamic mixing, mastering, and processing. The truck also includes a Waves SoundGrid server for dedicated plugin hosting and advanced signal chain customization.

When it comes to communication, MU-21 keeps your crew connected with an RTS Adam M matrix intercom system configured with a 176×176 core. It supports 64 OMNEO IP channels, 32 MADI, and 16 RVON VoIP paths, along with 12 powered PL lines and 8 IFB circuits. The unit comes fully stocked with RTS belt packs, IFB units, telephone interfaces (including Innkeeper hybrid units), and Beyer headsets for complete internal and external communications control—even in the most complex multi-team workflows.

What truly sets the MU-21 apart from traditional production trucks is its integrated C-Band satellite uplink system. Built directly into the unit, this setup includes a 2.4-meter AVL C-Band uplink antenna and a pair of 400-watt Advantech SSPBs. Dual Adtec Affinity mux encoders, Ericsson modulators, and RX8200 receivers provide complete redundancy and flexibility for direct-to-air contributions, network feeds, and mission-critical signal paths. This level of transmission capability eliminates the need for separate satellite trucks and reduces setup time—making the MU-21 ideal for breaking news, remote sporting events, and on-location specials where production and uplink must be tightly integrated.

Beyond transmission and control, MU-21 supports AV operations with a deep equipment list that includes HMD26 headsets, Studio Tech boxes, MD46 stick mics, MKH416 shotguns, MKH8070 long shotguns, and MKH418 stereo options. Field monitoring is handled with 15” and 21” SDI monitors and LED light kits, ensuring operators and talent have clear visuals regardless of shooting conditions.

MU-21 Floorplan The cable infrastructure on board supports full deployment across multiple remote points, featuring 7000 feet of triax, 3000 feet of DT12 audio multicore, 3000 feet of single coax, and TAC fiber runs up to 1000 feet. With coax looms, triax looms, and extensive XLR and audio snake options, MU-21 is ready to meet nearly any site requirement—no matter how challenging the environment.

Why MU-21 Is the Broadcast Truck You’ve Been Waiting For

MU-21 redefines what a modern broadcast vehicle can be. It delivers production-grade switching, network-level replay, multi-camera UHD/HDR acquisition, studio-quality audio, and redundant satellite transmission—all in one 48-foot double-expando unit. It’s ideal for productions where space, power, and uptime are non-negotiable, and where live content must be captured and transmitted without delay. Whether you’re covering an international sports feed, streaming a live concert, or sending a breaking news feed to air, MU-21 brings the control room and uplink station directly to your event.

To book MU-22, please contact us at solutions@livemediagroup.com or 833-933-5483.

 

Mobile Unit Snapshot: MU-16 UHD / HDR 1220 IP Production Vehicle

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In the evolving world of live broadcast and large-scale production, staying ahead of the technology curve is essential. Enter MU-16, Live Media’s most advanced UHD HDR 2110 IP production truck. This 53-foot mobile, single expando powerhouse is engineered specifically for cutting-edge IP-based live broadcasts, large-scale sports, entertainment specials, music events, and mission-critical productions that demand flawless UHD HDR workflows and unparalleled reliability. As live events become more complex and global audiences expect higher quality, MU-16 is built to meet and exceed those demands.

MU-16: Next-Generation Mobile Production Truck

MU-16 is not just another production truck. It represents the latest evolution in mobile broadcast infrastructure, combining full ST 2110 IP routing with UHD HDR production capabilities, ST 2022-7 seamless redundancy, and unmatched signal flexibility. Whether you are producing a UHD sports broadcast, a global entertainment special, or a hybrid OTT and linear television simulcast, MU-16 delivers the performance, scalability, and reliability that today’s productions demand.

At the core of MU-16 is a comprehensive IP production backbone that provides a fully redundant, seamless protection switching network. The ST 2110 IP architecture ensures uncompressed video, audio, and data routing across the system with rock-solid reliability, supported by dual Red and Blue network paths. This design maximizes uptime and signal integrity, even in the most demanding live environments. With ST 2022-7 seamless protection switching and an EVS Strada IP core integrated with Cerebrum control and Neuron processing, MU-16 allows production teams to manage complex, multi-layered events with confidence.

The production switcher at the heart of MU-16 is the Grass Valley Kayenne XP, designed for UHD HDR and IP workflows. This 7 M/E switcher offers 94×48 IP routing along with 24×12 SDI local I/O, providing seamless hybrid operation for productions that require both legacy SDI and next-gen IP workflows. With advanced features like FlexiKey, Double Take, chroma keying, and extensive DPM effects engines, MU-16’s switcher is equipped to handle the most creative, technically demanding productions. A 128GB RAM image store and M/E View functionality ensure operators have all the tools needed for dynamic, real-time production management.

In today’s fast-paced production environments, replay and content management are critical. MU-16 delivers with a high-capacity EVS infrastructure, including five XTVia 12-channel LSM servers with dual-user capability, an XTVia 6-channel spotbox with Lance Controller, two X-file3 servers with a 10G file network, and two EVS IP Director systems. MU-16 is wired for 102 channels of EVS replay, providing the ability to capture, replay, and archive every moment, no matter how complex the production.

Camera operations on MU-16 are just as impressive, supporting twelve Sony HDC3500 UHD HDR cameras with four Sony HDLA1505 large lens adaptors for maximum versatility. The premium Canon and Fujinon lens package includes four Fujinon 107×8.4 UHD stabilized lenses for crystal-clear, long-range shots, four Fujinon 18×5.5 servo zoom lenses, and four Fujinon 14×4.5 wide-angle lenses for capturing immersive, ultra-wide visuals. With a combination of Vinten Vector 750 and Vinten 250 pan heads and tripods, the camera setup ensures smooth, stable shots for any application. The truck is wired for 18 CCUs, providing complete camera control for any scale of production.

Audio capabilities on MU-16 are equally impressive. The main console is the Calrec Argo Q digital surround sound console, featuring a 72 dual-fader surface with a powerful 1152-channel DSP core. This console offers extensive analog, AES, MADI, and DANTE I/O, along with 64-channel Waves integration for industry-leading audio processing. Complementing the main console is a Calrec Argo S submix console with a 48-fader surface, 256-channel DSP core, and full I/O integration. With redundant impulse cores and ST 2110 routing, MU-16 provides broadcast-grade audio for the most demanding live events, including sports, music, and entertainment productions.

Robust Communication Systems

Communications are another critical component of any mobile production, and MU-16 delivers with a robust RTS Adam2 Matrix Intercom system. Offering a 256×256 core, 384 OMNEO channels, 32 RVON+ channels, 8 powered PL channels, and 12 powered IFB channels, this system ensures flawless communication between crew, talent, and production teams. Additional equipment, including RTS belt packs, IFB systems, and high-quality Beyer headsets, ensures everyone stays connected, even during the most complex productions.

Comprehensive A/V Support Inventory

MU-16 also includes an extensive A/V support inventory, with HMD26 announcer headsets, Studio Tech announcer boxes, MD46 stick microphones, a range of Sennheiser MKH series shotgun microphones, confidence monitors, and portable LED light kits. With 9000 feet of SMPTE fiber, SMPTE looms, DT12 audio multicore, audio snakes, and coax infrastructure, MU-16 is fully prepared for large, distributed event setups, offering the cable and connectivity needed for flexible production layouts.

One of the standout features of MU-16 is its hybrid IP/SDI operation, which allows production teams to work seamlessly across legacy systems and next-generation IP networks. This flexibility is crucial for productions that span multiple locations, require simultaneous OTT, linear, and live streaming distribution, or demand seamless integration of UHD HDR content across diverse platforms.

The Ultimate UHD HDR 2110 IP Production Truck

MU-16 is the ideal UHD HDR 2110 IP production truck for events where failure is not an option. Whether it’s a global sports broadcast, a multi-stage music festival, a high-profile entertainment special, or a hybrid OTT and linear simulcast, MU-16 delivers scalable, future-proof performance. With redundant IP cores, seamless protection switching, powerful Cerebrum control, and a production environment built for today’s most challenging live events, MU-16 stands as the most capable mobile unit in Live Media’s fleet.

If your next project demands cutting-edge IP-based workflows, scalable UHD HDR production, and broadcast-grade reliability, MU-16 2110 IP UHD HDR production truck is ready to take your event to the next level.

Mobile Unit Snapshot: MU-15 UHD/HDR 3G Production Vehicle

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When it comes to large-scale live broadcasts, UHD and HDR productions, and multi-camera event coverage, having the right mobile production unit can make or break your show. That’s why MU-15, Live Media’s flagship UHD/HDR 3G single expando production truck, stands out as one of the most powerful and versatile mobile broadcast solutions available today. Purpose-built for the demands of modern live productions, MU-15 seamlessly integrates advanced switching technology, expansive routing, high-density EVS replay, and pristine audio control into a single mobile unit capable of tackling the most complex and high-capacity productions on the road.

MU-15 is designed from the ground up to support UHD and HDR workflows, enabling productions to meet the rising expectations of global audiences across sports, entertainment, streaming platforms, and corporate events. With its premium camera package, expansive routing capabilities, and multi-format support, this 53-foot UHD production truck is built to deliver studio-grade performance in the most challenging live environments.

At the heart of MU-15 is a powerful Grass Valley K-Frame 3G switcher with a Kayenne 4-stripe, 35-button panel. Offering 7 mix effects (M/E) with full UHD and HDR support, this production switcher delivers 128 inputs and 64 outputs, giving technical directors and vision mixers complete control over even the most complex, multi-layered shows. With built-in FlexiKey functionality, Double Take transitions, advanced chroma keying, 12 internal and 4 external digital picture manipulators (DPM), and an integrated image store, MU-15 offers unmatched switching flexibility and creative possibilities for UHD and HDR production workflows. The M/E View feature ensures operators have complete real-time visibility and control, allowing for smooth, dynamic production execution across sports broadcasts, award shows, live concerts, and corporate events.

The replay backbone of MU-15 is equally impressive. Featuring four EVS XTVia 12-channel LSM servers with dual-user capability, an EVS XT3 6-channel spotbox with Lance Controller, and an EVS X-file3 with a 10G file network, MU-15 provides robust, reliable replay functionality at scale. With wiring for up to 70 channels of EVS replay and integrated control through the EVS Via Xhub, this mobile unit gives production teams the ability to capture, replay, and archive every critical moment, ensuring seamless multi-angle coverage for sports events, entertainment specials, and live broadcasts.

Routing is managed through a massive GV NV8576 3G video router, configured with a 540×954 matrix, supporting UHD and HDR signal management across the production workflow. This system offers 176×160 channels of embedding and dis-embedding, 32×64 analog routing, 32×32 AES routing, and a 768×768 MADI backbone, providing the flexibility and redundancy needed for mission-critical productions. MU-15 also features a multiviewer system with 342×38 window capacity, along with 20 For-A HDR up/down/cross frame syncs with integrated color correction and 40 EVS Neuron HDR frame syncs with custom LUT and color correction support. This ensures signal consistency and production quality from acquisition through final output.

Camera acquisition is handled through a fleet of ten Sony HDC3500 UHD-HDR cameras, offering pristine image quality, reliability, and full HDR support. MU-15’s premium lens package includes four Fujinon 107×8.4 UHD lenses with stabilization, a mix of additional Fujinon UHD and HD zooms, and wide-angle options for capturing every detail, from wide crowd shots to tight action sequences. The camera system is supported by six Vinten Vector 750 pan heads, four Cartoni Focus 22 ENG tripods and pan heads, and wiring for up to 16 camera control units (CCUs). Additional camera and lens configurations are available, making MU-15 adaptable for productions of any size or complexity.

Audio facilities are led by the Calrec Apollo digital surround sound console, featuring 64 faders across eight dual-fader layers, providing pristine audio quality and control. With 96×96 analog I/O, 192×192 AES digital I/O, 512×512 MADI, and integrated Waves Broadcast Suite processing, MU-15 delivers broadcast-grade audio across multi-platform productions. The system also includes Daysequerra ILM-8 loudness metering, ensuring compliance with broadcast standards and providing consistent, professional sound quality.

Clear, reliable communications are critical for complex live productions, and MU-15 delivers with a 176×176 RTS Adam Matrix intercom system. With 64 OMNEO channels, 48 RVON channels, 64 MADI channels, and 12 powered PL and IFB circuits, this system ensures production teams remain connected and in sync across all departments. The truck is also stocked with RTS belt packs, IFB systems, and high-quality Beyer headsets for talent and crew, providing seamless, real-time communications for even the most demanding broadcast environments.

To support on-air talent, MU-15 carries a full A/V support inventory, including HMD26 announcer headsets, Studio Tech announcer boxes, MD46 stick microphones, a range of Sennheiser MKH series shotgun and stereo microphones, SDI confidence monitors, and LED light kits. The extensive cable infrastructure includes over 7000 feet of SMPTE fiber, triax cables, SMPTE looms, DT12 audio multicore, audio snakes, coaxial looms, and TAC fiber runs, ensuring flexible, reliable connectivity for even the largest, most complex event footprints.

MU-15’s flexible design, UHD and HDR capabilities, and comprehensive infrastructure make it the ideal production truck for high-profile sports broadcasts, multi-stage music festivals, national award shows, corporate events, and hybrid remote studio productions. The truck’s combination of high-density switching, scalable replay, pristine audio control, and advanced routing infrastructure provides unmatched versatility and reliability for productions where failure is not an option.

When your production demands UHD and HDR workflows, multi-camera coverage, advanced replay, and high-capacity routing in a road-ready, scalable platform, MU-15 delivers. Trusted by the industry’s leading sports networks, entertainment producers, and event organizers, MU-15 is the elite mobile broadcast truck built to meet today’s most demanding live production challenges.

If you’re planning your next large-scale UHD or HDR live event, trust MU-15 to provide the performance, flexibility, and production power your audience expects.