For more information about booking this mobile unit, please contact us 833.933.5483 or solutions@livemediagroup.com

Outside Broadcast Services: How TV Trucks Power Live Productions Anywhere

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In the era of on-demand video and live streaming, delivering high-quality content from anywhere in the world is no longer a luxury-it’s a necessity. Whether it’s a professional sports event, a political debate, a red-carpet premiere, or a major corporate conference, audiences expect smooth, real-time video coverage with exceptional quality.

This is where outside broadcast services come into play. At the core of these services are TV trucks, also known as outside broadcast trucks, television trucks, or mobile broadcast units. These vehicles house the technology, teams, and broadcasting systems required to produce and transmit live content from virtually any location.

At Live Media Group, we specialize in providing state-of-the-art outside broadcast services through one of the most versatile and technologically advanced fleets of production vehicles in North America. Whether you’re producing for broadcast television or digital platforms, our TV trucks and integrated broadcasting systems deliver reliable, scalable solutions.

What Are Outside Broadcast Services?

Outside broadcast services refer to the complete setup required to produce and transmit live television or streaming content from a location outside a traditional studio. These services typically include:

  • Multi-camera live video production
  • Audio mixing and synchronization
  • Replay and slow-motion systems
  • Intercom and communications infrastructure
  • Graphics and real-time overlays
  • Signal routing and distribution
  • Uplink and transmission to broadcasters or streaming platforms

The central hub of these services is the outside broadcast truck, a specialized television truck equipped with all the broadcasting systems necessary to manage a live production on-site.

Inside a Modern Outside Broadcast Truck

The days of minimal control gear in a small van are long gone. Today’s outside broadcast trucks are full-scale production facilities on wheels. Depending on the event scale, they range from compact flypack support units to full double-expando TV trucks equipped with dozens of workstations and UHD capabilities.

  • Typical systems inside a television truck include:
  • Production switchers (e.g., Grass Valley K-Frame, Kayenne)
  • Replay servers (e.g., EVS XT-VIA, XT3, or XFile3)
  • Multiviewer displays for directors and producers
  • Audio consoles (e.g., Calrec Artemis, Argo, or Apollo)
  • Comms platforms (e.g., RTS ADAM, ODIN, or Clear-Com Eclipse)
  • Video and audio routers (Evertz, Ross Ultrix, GV Node)
  • Uplink integration for satellite, fiber, or IP streaming
  • Power redundancy and HVAC for field reliability

These broadcasting systems ensure that every signal-video, audio, comms, or tally-is perfectly timed, routed, monitored, and delivered, whether it’s going to a national network or a global livestream.

Key Applications for TV Trucks and OB Services

Live productions are high-pressure environments that leave no room for error. That’s why the precision and mobility of outside broadcast trucks are in demand across a wide range of industries and events:

  1. Sports Broadcasting: From football stadiums and basketball arenas to motorsports tracks and Olympic venues, sports demand multi-camera coverage, live replay, and instant highlights. TV trucks serve as the central hub for camera feeds, announcer audio, and transmission uplinks.
  1. Entertainment and Festivals: Music festivals, award shows, and concert tours often occur in outdoor venues or pop-up locations. A television truck can act as the main production control room, integrating audio, video, and graphics on-site for both live screens and global streaming.
  1. Corporate Events: Large corporate events and keynotes need polished live video for internal broadcasts or customer-facing streams. Outside broadcast services deliver reliable multi-camera coverage with professional-grade mixing and branded overlays.
  1. Political and Government Coverage: Press conferences, debates, and elections require secure, high-quality production with fail-safe broadcast paths. OB trucks allow news teams to provide live feeds to multiple networks simultaneously.
  1. Remote Integration (REMI): In REMI workflows, cameras and audio feeds are captured on-site and sent to a centralized control room. Live Media Group’s mobile REMI units integrate perfectly with OB trucks to support scalable hybrid workflows.

Why Choose Live Media Group for Outside Broadcast Services?

At Live Media Group, we’ve invested in building a diverse fleet of mobile broadcast trucks, REMI-capable units, and support trailers to meet the growing complexity of live production. Our outside broadcast services offer:

  • UHD and HDR compatibility
  • IP and baseband hybrid infrastructures (ST2110, 12G, 3G)
  • Full redundancy in power, routing, and comms
  • Multi-platform distribution (TV, social, web)
  • Expert crews and nationwide deployment

Every mobile TV truck in our fleet is optimized for real-world conditions and prepped for fast setup, making it easy for crews to focus on delivering the highest-quality content without worrying about infrastructure.

What Sets a Broadcast Truck Apart from a Studio?

While studios offer fixed infrastructure, outside broadcast trucks provide studio-quality production capabilities wherever the event is happening. The benefits of using a mobile television truck include:

  • Mobility: The truck goes where the event is.
  • Speed: Setup is faster compared to temporary control rooms.
  • Cost-efficiency: No need to build out separate spaces or rent equipment piecemeal.
  • Consistency: Same team, same systems, every time.
  • Integrated transmission: Many units include satellite uplinks or IP delivery options.

When paired with support trailers (like Live Media Group’s MU-B1 or MU-B9), crews also get climate-controlled workspaces, cable prep zones, and overflow seating to support larger shows.

Frequently Asked Questions (FAQ)

What is an outside broadcast truck?

An outside broadcast truck (OB truck) is a mobile unit equipped with professional-grade video and audio production tools used to produce live events from remote locations. It acts as a mobile studio and control room.

How many cameras can a TV truck support?

Most TV trucks can support between 6 and 20+ cameras depending on the router size, switching capability, and available CCUs. Some units are expandable for even more complex coverage.

Can OB trucks be used for streaming?

Yes. Most modern outside broadcast services include integrated live streaming support alongside traditional broadcast transmission. Trucks are equipped with encoders and connectivity to stream to social platforms or OTT channels.

What is the difference between a production truck and a broadcast truck?

A production truck focuses on capturing and mixing video and audio signals, while a broadcast truck typically includes both production and transmission gear (e.g., satellite uplink or IP transport). Many modern vehicles combine both functions.

How are OB trucks powered?

Typically, OB trucks run on shore power or on-site generators. Power requirements usually include three-phase or single-phase 208V service, often with camlock inputs.

Book an OB Unit with Live Media Group

Whether you’re producing television, digital platforms, or internal enterprise networks, Live Media Group’s outside broadcast services offer the flexibility, technology, and support you need to execute flawlessly.

With TV trucks, television trucks, video production trucks, and full-service support vehicles available coast to coast, we are your partner in premium live content delivery.

Contact us at solutions@livemediagroup.com or call 833.933.5483 to speak with our team about configuring your next OB deployment.

The Role of Mobile TV Trucks in Modern Video Production

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In today’s fast-paced media landscape, the demand for high-quality live video content is greater than ever. From live sports broadcasts and music festivals to corporate events and breaking news coverage, producers require flexible, powerful, and reliable solutions to bring content to audiences in real time. This is where mobile TV trucks, also known as mobile broadcast trucks, OB (Outside Broadcast) units, and mobile video production trucks, play a crucial role.

At Live Media Group, we specialize in providing state-of-the-art mobile TV production trucks designed to deliver broadcast-quality video and audio from virtually any location. In this article, we’ll explore how these vehicles operate, the technology they house, and why they’re indispensable to modern video production workflows.

What Is a Mobile TV Truck?

A mobile TV truck is a specialized vehicle that serves as a mobile control room for live video and audio production. These trucks are fully outfitted with the equipment and personnel needed to produce, switch, mix, and transmit content from remote locations. Often referred to as OB trucks (short for Outside Broadcast), these units are the backbone of live event broadcasting and streaming.

At their core, mobile video production trucks offer the same capabilities as a traditional television studio-except everything is housed in a trailer or expando vehicle that can be driven directly to a venue. Whether it’s a concert in a stadium, a red-carpet premiere, or a government press conference, mobile production trucks are engineered to be deployed wherever the story unfolds.

Mobile Video Production Trucks: What’s Inside?

A high-end video production truck includes an array of cutting-edge technology that supports end-to-end content creation. At Live Media Group, our fleet includes everything from compact single-expando units to full double-expando production and transmission powerhouses.

  • Inside a typical mobile broadcast truck, you’ll find:
  • Production switchers such as Grass Valley Kayenne or K-Frame series
  • Multiview monitoring walls for directors, producers, and TDs
  • Audio consoles like Calrec Artemis, Apollo, or Argo for surround sound mixing
  • Replay systems such as EVS XT-Via or XT3 servers
  • Camera control units (CCUs) and tally systems
  • Routing infrastructure, including Evertz and Ross video/audio routers
  • Comms systems, including RTS ADAM or ODIN matrix intercoms
  • Power and environmental systems for field reliability
  • IP and baseband hybrid capabilities, including ST2110 and SMPTE routing

These trucks are staffed by directors, engineers, audio technicians, replay operators, shader techs, and production managers who collaborate in real time to produce a seamless broadcast or stream.

Why Use a Mobile Broadcast Truck?

The use of a mobile broadcast truck brings unmatched flexibility to productions that cannot be confined to a studio. Here’s why these units are so valuable:

  1. Remote Capability: OB trucks enable full-scale production in remote or temporary locations where permanent infrastructure does not exist. Whether it’s a beach, racetrack, mountain summit, or urban plaza, these trucks bring the studio to the scene.
  1. Time Efficiency: Live productions often operate on tight schedules. Mobile production trucks can be deployed quickly, set up efficiently, and strike rapidly post-show-saving crews valuable time and reducing logistical complexity.
  1. Scalability: From small single-camera events to massive multi-camera broadcasts with 20+ sources, mobile video production trucks can be scaled to meet the needs of the production. Trucks can also be paired with support units and flypacks to further extend functionality.
  1. Cost-Effective: Compared to building out a temporary control room from scratch, mobile TV trucks offer a cost-effective, all-in-one solution that reduces equipment rental, setup, and coordination overhead.
  1. Broadcast and Streaming Integration: Modern mobile TV trucks are equipped not only for broadcast transmission but also for simultaneous streaming, recording, and post-production handoff. This hybrid capability is crucial for today’s multi-platform distribution strategies.

Mobile TV Trucks and Live Media Group

At Live Media Group, we operate one of the most technically advanced and versatile fleets of mobile broadcast trucks in the United States. Our lineup includes:

  • UHD, HDR-ready mobile control units
  • Dedicated REMI (Remote Integration Model) trucks for decentralized workflows
  • OB trucks with integrated C-band and Ku-band uplink systems
  • Single and double expando vehicles
  • Audio-dedicated trucks with world-class consoles and multi-track recording
  • Support trailers with flypack staging, crew workstations, and engineering bays
  • Each mobile TV truck is built to support live television, event streaming, corporate AV, and government production workflows, with flexibility for IP, SDI, or hybrid infrastructures.

Outside Broadcast: Evolving with Technology

The concept of Outside Broadcast (OB) has existed for decades, but the technology within OB trucks continues to evolve. Today’s OB units support IP-based production, real-time remote contribution, and even virtualized control rooms. As production demands grow more complex, mobile production trucks have evolved into command centers capable of everything from local switching to cloud-based integration.

At Live Media Group, our OB solutions are future-ready-supporting 3G, 12G, ST2110, MADI, DANTE, and SMPTE 2110 signal types, along with advanced routing, monitoring, and comms systems for hybrid cloud-ground environments.

Choosing the Right Mobile Video Production Truck

When planning a production, choosing the right video production truck is critical. Consider the following factors:

  • Event scale (number of cameras, replay, graphics)
  • Transmission needs (broadcast, streaming, satellite uplink)
  • Audio requirements (surround mixing, multi-track, comms complexity)
  • Venue logistics (space constraints, power availability)
  • Crew size and workstation configuration

Live Media Group offers production planning and truck configuration consultation to help clients select the right unit-or combination of units-for each show.

Frequently Asked Questions (FAQ)

What is a mobile TV truck used for?

A mobile TV truck is used to produce, switch, mix, and broadcast or stream live video content from a remote location. It acts as a mobile studio control room.

What’s the difference between a mobile video production truck and an OB truck?

They are often the same thing. OB (Outside Broadcast) truck is the traditional term used in the broadcast industry, while “mobile video production truck” is more common in digital and hybrid workflows.

How many cameras can a mobile TV truck support?

It depends on the truck. Some support 4-6 cameras, while larger OB units can support 12-20+ cameras including specialty formats like super-slo-mo, RF, and POV.

Can mobile broadcast trucks handle live streaming?

Yes. Most modern mobile broadcast trucks are fully capable of integrating live streaming platforms alongside traditional broadcast transmission paths.

What types of events use OB trucks?

Live sports, music festivals, political events, conferences, red carpet shows, esports tournaments, and breaking news coverage all rely on OB trucks for reliable, high-quality live production.

How much does it cost to rent a mobile video production truck?

Costs vary based on truck size, duration, crew needs, and location. Live Media Group offers scalable solutions from compact REMI trucks to large UHD OB units-contact our team for pricing.

Bring the Studio to the Field with Live Media Group

Whether you need a mobile TV truck, an OB production unit, or a mobile broadcast truck integrated with satellite uplink and REMI capabilities, Live Media Group has the expertise and the fleet to deliver. Our team supports everything from high-profile live sports broadcasts to corporate communications and branded digital experiences-with a commitment to flexibility, reliability, and innovation.

 

To learn more about our mobile units, contact our production team directly at solutions@livemediagroup.com or call 833.933.5483.

Why Outside Broadcast Trucks are Best for Live Productions

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In live television and event production, there is no substitute for reliability, speed, and control. Whether the assignment is a major sporting event, a concert, a corporate broadcast, a television special, or a live community event, the production has to work the first time. That is why outside broadcast trucks continue to be one of the most important assets in the live production industry.

Outside broadcast trucks, often called OB trucks, serve as fully equipped mobile production control rooms that bring broadcast-level capabilities directly to the event location. They allow production teams to manage camera feeds, audio, graphics, replay, communications, recording, and transmission from one centralized environment on site. For broadcasters, rights holders, brands, and event producers, OB trucks remain the standard for high-quality remote production because they combine flexibility with performance in a way few other solutions can match.

Live Media Group positions its fleet around exactly that need, offering the most advanced mobile outside broadcast units in the industry, built for seamless live production at any scale, with multi-camera capabilities, flexible workflows, and full-service packaging. We have more than 30 mobile production units, fly pack capabilities, systems integration, cloud-based software solutions, 2 REMI control rooms, and the most experienced crews in the industry available through our internal packaging division – GameTime Productions.

What Are Outside Broadcast Trucks?

Outside broadcast trucks are mobile production units designed to bring the technical power of a control room directly to the venue. Instead of relying on a fixed studio, the truck is deployed wherever the event is taking place. That could be a stadium, arena, festival site, theater, convention center, house of worship, racetrack, red carpet location, or any outdoor event space.

Inside an OB truck, every major part of the live broadcast workflow can be managed in real time. Producers, directors, technical directors, audio engineers, replay operators, graphics operators, and engineering teams work together from dedicated positions inside the unit. The result is a broadcast environment built for speed, coordination, and reliability. I

That is especially important in live production because there is almost no margin for error. Camera switching must happen at the exact right moment. Commentary and natural sound must be balanced correctly. Graphics must appear on cue. Replay clips need to be ready when the story demands them. Signals must be routed and transmitted without interruption. OB trucks give live event teams a proven way to manage all of that under pressure.

Live Media Group’s fleet reflects this range and are fully customizable for specific needs of an event. We offer a mix of compact and full-size mobile broadcast units, including 53-foot expando trucks, smaller uplink-capable units, audio production support, B-units, and hybrid production/transmission configurations. We have units built for 3G, UHD, HDR, and REMI-oriented workflows.

Why OB Trucks Still Matter

Some people assume remote production has made outside broadcast trucks less relevant. In reality, the opposite is true. Modern live productions often depend on a blend of on-site infrastructure and remote integration. That means the best OB trucks now support both traditional field production and modern hybrid workflows.

An OB truck remains the most dependable way to establish a professional production footprint at the venue itself. It provides the physical space, routing, monitoring, communications, and technical backbone needed to execute complex live events. That matters when the venue does not have permanent broadcast infrastructure or when the production requires a self-contained control environment that can be deployed quickly.

At the same time, modern trucks are evolving with the industry. Our control rooms are integrated with our mobile TV production trucks for seamless REMI workflows, with Ross Video Ultrix Acuity platforms and XPression graphics as part of a centralized production approach. Based in Nashville, our control rooms can support live broadcasts from anywhere in the country.

This is one reason outside broadcast services remain so valuable. Clients need more than just a vehicle. They need a mobile production environment that can support traditional broadcast, remote integration, cloud-connected workflows, and streaming delivery without sacrificing reliability.

What Outside Broadcast Services Include

The phrase “outside broadcast services” covers more than just the truck itself. A professional broadcast company is expected to deliver the full production ecosystem that supports a live event from acquisition through transmission.

This starts with camera support and switching. OB trucks are designed to handle multi-camera productions with precise monitoring, switching, and signal management. Live Media Group’s units are designed to support multi-camera live production, advanced replay and ISO workflows, 3G, UHD, and HDR production environments, scalable routing and multiview systems, and dedicated audio control rooms.

Audio is another major component. Strong live production depends on commentator microphones, crowd sound, music, stage feeds, IFB, intercom, and mix-minus coordination all working together smoothly. We offer audio recording support through multitrack fly packs with MADI technology and up to 96-channel Pro Tools integration, including compact solutions that can work inside OB trucks or standalone environments.

Replay and graphics are also essential. For sports, replay is often central to storytelling. For entertainment and corporate productions, graphics help shape the viewer experience, reinforce branding, and support sponsor requirements. A strong OB workflow needs both.

Then there is transmission. This is where many mobile broadcast units prove their value. It is not enough to produce the event well; the signal also must get where it needs to go. Our OB trucks and mobile TV trucks can be equipped with Ku-band and C-band uplink services, and a LiveU bonded cellular backup helps ensure uninterrupted coverage. We do HD and 4K streaming over secure, high-speed connectivity for events ranging from intimate productions to global broadcasts.

The Advantage of a Diverse Mobile Broadcast Fleet

Not all live events require the same technical footprint. Some productions need a large-format double-expando truck with deep replay capacity and extensive routing. Others need compact mobile broadcast units that can fit into tighter spaces while still providing production and transmission capability.

The bottom line is that fleet diversity matters when evaluating outside broadcast services. Our fleet of over 30 vehicles includes 53-foot expando units along with 38- to 45-foot mobile production units with uplink capability.

This kind of range is important because it helps clients “right-size” the production. A high-profile national sports broadcast may require a massive mobile control room with extensive replay, comms, and camera support. A political town hall, public service event, or fast-turnaround field production may be better served by a compact production plus uplink hybrid. Live Media’s MU-21 and MU-22 and TNDV’s Aspiration35 trucks are specifically positioned for integrated production and satellite uplink in agile footprints.

The result is a better fit between technical needs, venue logistics, and production budget.

OB Trucks for Sports, Entertainment, Corporate, and More

Outside broadcast trucks are essential because they work across so many event categories. Sports broadcasting remains one of the clearest examples. Multi-camera live coverage, replay, graphics, announcer support, and fast turnaround all make OB trucks the natural choice.

But OB trucks are just as valuable for concerts, all sporting events, festivals, television specials, awards shows, corporate productions, worship events, red-carpet broadcasts, entertainment specials, corporate events, studio-style productions on location – any location that an event is taking place that needs to be broadcast live. OB trucks are the answer.

This is where experienced outside broadcast services make a difference. Different event types have different demands. A sports show may prioritize replay and booth audio. A concert may place more emphasis on multitrack audio, stage integration, and dynamic camera coverage. A corporate event may prioritize clean graphics, streaming stability, and presentation support. The best providers understand how to match the right mobile broadcast unit to the right production environment.

Why Experience Matters in Outside Broadcast

Technology matters, but great crews matter just as much. Even the most advanced OB truck depends on experienced professionals who know how to deploy, engineer, coordinate, and troubleshoot in real-world conditions.

Live Media Group has the most experienced crews in the industry. This matters because live production is always a moving target. Venue access changes. Power conditions vary. Weather affects timelines. Connectivity needs redundancy. Production requirements evolve right up to show time. Strong outside broadcast services are built not just on equipment but on engineering discipline and operational experience.

Experience is another reason OB trucks remain so important. They do not simply move gear from place to place. They provide a structured production environment where experienced teams can execute under pressure.

The Future of Outside Broadcast Trucks

Outside broadcast trucks are not going away. They are adapting. Today’s mobile broadcast units increasingly support HDR, UHD, REMI, centralized production, streaming, satellite transmission, bonded cellular backup, and modular flypack integration. The industry is moving toward flexible workflows, and OB trucks are evolving right along with it.

Live Media Group’s fleet of outside broadcast trucks can provide both UHD and HDR, advanced replay, scalable routing, audio control rooms, ARRI ALEXA 35 cameras, REMI integration, HD and 4K streaming, and uplink backup options. These offerings show why outside broadcast trucks still sit at the center of professional live event production.

For brands, broadcasters, leagues, and event producers, the real question is not whether OB trucks still matter. The real question is whether the production partner has the fleet, technology, and experience to deliver the right solution for the event. Live Media Group continues to position itself as a strong partner for organizations seeking dependable, scalable outside broadcast services backed by a broad fleet of mobile broadcast units and experienced crews. We continually expand our team, our capabilities, and our resources to provide the best possible outcomes for our clients.

When the event is live, quality depends on preparation, infrastructure, and execution. Outside broadcast trucks remain the backbone of that process because they bring all three together in one place.

Satellite TV Trucks and Mobile Production: The Power Behind Live Broadcasts

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In the world of live broadcast production, mobility, reliability, and signal reach are the defining factors that separate average productions from premium ones. Whether it’s a national sports broadcast, a breaking news update, a red-carpet event, or a live concert, the ability to produce and transmit high-quality, live video from anywhere is essential.

This is where satellite TV trucks, mobile TV trucks, and production trucks come into play. These vehicles serve as fully operational mobile control rooms and transmission hubs, equipped with cutting-edge technology that enables remote video acquisition, real-time switching, professional audio mixing, and secure signal delivery to operation centers, networks or digital platforms.

Live Media Group has two mobile production truck divisions – Live Media (Columbus, Ohio) and TNDV (Nashville, TN) providing end-to-end solutions for over 20 years.  Our growing fleet of modern production trucks and satellite-enabled vehicles that meet the demands of broadcast, streaming, and hybrid content distribution. Whether you’re renting a mobile production truck for a single-day event or deploying a full compound with satellite uplink, we bring it all to your location.

And with our REMI workflow, we can leverage advanced communication and transmission technologies from an event to our centralized production hub, reducing the amount of on-site equipment and personnel, bringing cost savings and efficiency to our clients’ productions.

What Is a Satellite TV Truck?

A satellite TV truck, sometimes referred to as a mobile uplink unit or broadcast uplink truck, is a specialized vehicle equipped with a satellite dish and transmission equipment designed to send live video and audio signals to television networks or streaming distribution platforms. These trucks are essential for events where fiber connectivity is not available or when redundancy is required for mission-critical transmissions.

Equipped with C-band or Ku-band satellite antennas, encoders, modulators, and power management systems, these trucks establish uplink connections from virtually anywhere, enabling reliable contribution of live content to remote master control rooms or cloud-based ingest systems.

Live Media Group offers multiple satellite-enabled vehicles, including trucks with:

  • 4-meter C-band and Ku-band AVL antennas
  • Adtec and Ericsson encoder/decoder chains
  • High-powered SSPBs (Solid State Power Block amplifiers)
  • Redundant systems for primary and backup paths

These satellite TV trucks can function as standalone transmission vehicles or as part of a larger production workflow when paired with control room-equipped mobile TV trucks.

The Value of Production Truck Rentals

Not every production team needs to own a full production vehicle fleet. That’s where production truck rental comes in.

Renting a production truck gives your team access to broadcast-grade infrastructure without the capital investment or long-term maintenance obligations. And with rentals, you know the equipment will be kept current and operational. Whether you’re producing a one-off event or expanding capacity for a multi-day show, production truck rentals from Live Media Group offer a turnkey solution.

Each rental includes:

  • A fully prepped truck based on event needs (from compact REMI units to full double-expandos and support vehicles for both audio and video)
  • Configurable production switchers (Grass Valley K-Frame, Kayenne, Karrera)
  • Replay systems (EVS XT-VIA, XT3)
  • Audio consoles (Calrec Artemis, Apollo, or Argo
  • Router and signal distribution gear (Evertz, Ross, GV Node)
  • Comms systems (RTS ADAM, ODIN)
  • Optional satellite uplink pairing or IP delivery integration
  • Engineering crew, tech manager, or A1/A2 (as needed)

We also offer ARRI ALEXA35 cinematic cameras for an even more immersive experience and creative options for your event.  From a small corporate stream to a major sports league broadcast, production truck rental allows you to scale quickly and professionally, without compromising on gear, signal flow, or workflow design.

Inside a Modern Mobile TV Truck

Also known as an outside broadcast truck, today’s mobile TV trucks are more than just transport vehicles with control panels. They are self-contained, climate-controlled mobile broadcast facilities that rival in-house studio control rooms. When you rent or deploy one of Live Media Group’s production trucks, you get access to the latest technology and infrastructure needed to run an entire live show on site.

Key capabilities include:

  • Multi-camera integration: Wired for 6 to 20+ cameras, including RF, robotic, and slo-mo units
  • Replay and playout: EVS support with ISO recording and highlight packages
  • Live audio mixing: Surround sound capability, comms routing, and mix-minus outputs
  • Graphics insertion: Integration with Chyron, Ross XPression, and custom graphics servers
  • Signal routing: 3G, 12G, and IP routing options
  • Multiview monitoring: Configurable walls for TD, director, producer, and shaders
  • Transmission ready: Satellite uplink, bonded cellular, fiber, or IP-based streaming

These trucks support a wide range of applications including sports, music, entertainment, corporate events, esports, government productions, and religious broadcasts.

Use Cases for Satellite and Mobile TV Trucks

The combination of mobile production capability and transmission infrastructure is what makes satellite TV trucks and mobile video production trucks so valuable. Use cases include:

  1. Remote Locations

For events in stadium parking lots, rural communities, or festival grounds with no hardline connectivity, satellite broadcast trucks provide a direct pipeline to viewers. Often, music venues do not have broadcast capabilities and bring in a mobile unit for events that are to be broadcast or streamed.

  1. Disaster Recovery and Redundancy

Even in areas with fiber, satellite uplinks serve as a mission-critical backup feed in the event of failure or congestion. Broadcasters use uplink trucks to ensure signal reliability for high-stakes events.

  1. Network Contribution

Many news and sports networks rely on television trucks with satellite capacity to contribute live feeds to their control rooms or cloud distribution networks.

  1. Multi-City Tours

For event tours across multiple cities, renting a production truck ensures consistent technical workflows from stop to stop without building out temporary control rooms.

Why Live Media Group?

Live Media Group operates one of the most advanced and versatile fleets of mobile TV trucks, satellite-enabled broadcast vehicles, and support trailers in the U.S. Our trucks are built to serve a variety of live event formats, from small-scale productions to network-level shows.

We offer:

  • UHD/HDR ready production infrastructure
  • REMI-capable and hybrid workflow support
  • Onboard and flypack satellite uplinks
  • IP and baseband flexibility (ST2110, MADI, Dante, 12G)
  • Nationwide deployment

Our GameTime Productions division offers end-to-end packaging, including production and technical crews, from engineers and editors to operators and high-caliber, senior level producers, writers and directors.

Whether you need a full-service production compound or a flexible uplink solution, we design workflows that meet your needs, your venue, and your budget.

Frequently Asked Questions (FAQ)

What is a satellite TV truck?

A satellite TV truck is a mobile vehicle equipped with a satellite dish and transmission gear used to uplink live video and audio feeds from a remote location to a network or streaming platform.

Can a satellite truck also handle production?

Some trucks are dedicated to uplink, while others combine production and transmission. Live Media Group offers both types and can pair a satellite truck with a production unit for a complete workflow.

What kind of events require mobile TV trucks?

Sports, entertainment, corporate events, concerts, red carpets, and news coverage all use mobile TV trucks for live production and distribution.

What’s the difference between fiber and satellite transmission?

Fiber provides faster, low-latency, high-bandwidth signal transport but is location-dependent, since fiber requires connectivity via underground cables. Satellite offers global reach and field flexibility, making it essential for mobile production environments where a wired infrastructure isn’t available.

How much does a production truck rental cost?

Cost depends on truck type, duration, crew needs, and travel. Basic REMI trucks cost less, while full UHD OB units with EVS and satellite integration represent a higher tier. Contact Live Media Group for quotes – solutions@livemediagroup.com or call us 833-933-5483.

Mobile Unit Snapshot: MU-B8 A 53′ Support Trailer for REMI and Engineering Teams

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Field Production Support Trailer with 10 Workstations and Modular Cable Infrastructure

The MU-B8 is a 53-foot straight support trailer engineered for live production teams requiring dedicated technical workspace in the field. With a climate-controlled, non-expanding design and 10 operator positions, MU-B8 provides efficient and reliable infrastructure for engineering, audio, comms, and production coordination. Its internal layout is designed to accommodate multiple disciplines without overlap, making it an essential tool for REMI workflows, hybrid events, and mobile production compounds.

This mobile trailer is structured to support flypack deployment, crew overflow, signal management, and cable routing without the overhead of a full production switcher. Built for efficiency and designed to integrate seamlessly with larger production trucks, MU-B8 delivers utility and performance in a compact, high-function format.

Interior Layout and Functional Zones

The MU-B8 trailer is segmented into four operational zones to enable parallel workflows. The rear storage room includes shelving and open space for flypacks, fiber drums, expendables, and engineering carts, accessible via rear entry stairs. Adjacent to the storage room is the audio room, an acoustically treated workspace for A2 support, comms coordination, or clean feed monitoring. At the center of the trailer is the engineering bay, which provides three workstations for patching, system control, and network management. The front of the trailer contains the production area, equipped with four operator desks ideal for producers, show callers, or control staff. This layout ensures separation between departments while maintaining connectivity across disciplines.

Power and Climate Support

MU-B8 operates on single-phase 208-volt power at 150 amps and connects via Camlock input to generator or shore power sources. Rear-mounted HVAC units provide stable climate control across all internal zones. This power and environmental configuration allows MU-B8 to maintain optimal conditions for both personnel and rack-mounted gear during extended deployments.

Cable Infrastructure and Customization

The MU-B8 trailer is built with modular cable capacity. Cable sets are pre-configured per event and may include Triax, DT12 audio multicore, SMPTE hybrid fiber, TAC-12 tactical fiber, XLR audio, and coaxial looms in both 5-wire and 10-wire configurations. This makes MU-B8 highly adaptable to a wide range of production formats and integration scenarios. It can be configured as a patch bay, cable landing zone, fiber terminus, or system prep room depending on show requirements.

Use Cases and Deployment Scenarios

MU-B8 is frequently deployed in support of REMI productions, flypack staging, and overflow crew operations during large-scale live events. It serves as a central hub for engineering, audio support, and production coordination. Ideal use cases include sports broadcasting, touring concerts, government events, town halls, music festivals, hybrid corporate shows, and distributed control workflows. Its compact footprint enables quick deployment and efficient use of compound space, especially in environments where primary expando trucks are already at capacity.

Why MU-B8 Stands Out in the Field

What sets MU-B8 apart is its focused design as a dedicated support unit. Unlike full production trucks, it does not include a switcher, router, or replay systems, which frees up interior space for teams that handle infrastructure, logistics, and support systems. It is commonly paired with production units like MU-10, MU-14, or MU-28 to offload comms, fiber management, and auxiliary control functions. The clear departmental separation and operator comfort make MU-B8 an essential tool for any production that requires reliable support in the field.

Specifications Summary

Trailer Length: 53 feet
Working Area: 61.5 feet long by 18 feet wide
Structure Type: Straight, non-expando
Operator Positions: 10
Power: 208 Volts, Single Phase, 150 Amps
Cooling: Rear-mounted A/C units
Cable Types: Triax, DT12, SMPTE, TAC-12, XLR, 5-wire and 10-wire coax
Integration: Camlock connectors for generator or shore power
Gross Vehicle Weight: Not specified (standard class for 53-foot support units)

Contact for Booking or Custom Configuration

To schedule MU-B8 for your next broadcast or production event, or to request custom cable loads and workstation configurations, contact Live Media Group directly:

Phone: 833.933.54483
Email: solutions@livemediagroup.com
Please reference MU-B8 when inquiring.

Mobile Unit Snapshot: MU-B9 A 53′ Advanced Support Unit for REMI and Hybrid Workflows

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MU-B9 | 53-Foot Single Expando Broadcast Support Trailer

Modular Mobile Work Trailer for Engineering, Production, and REMI Workflows

The MU-B9 is a 53-foot single-expando support trailer purpose-built to provide technical workspaces, engineering infrastructure, and overflow capacity for complex live production environments. Designed for maximum functionality in remote and hybrid broadcast workflows, MU-B9 delivers 10 fully equipped operator workstations, dual climate zones, and a segmented interior layout to support multiple departments simultaneously. It is ideal for REMI deployments, flypack integration, broadcast truck compounds, or any large-scale event requiring flexible work and coordination space in the field.

With a footprint of 60 feet by 23 feet when fully expanded, MU-B9 offers dedicated spaces for engineering staff, show callers, production leads, A1 audio techs, data engineers, and comms personnel. Its zone-based layout and robust cable infrastructure make it a versatile companion to mobile control rooms and production vehicles such as MU-14, MU-16, or MU-28.

Key Specifications

Trailer Length: 53 feet
Working Footprint (Expanded): 60 ft (L) x 23 ft (W)
Structure Type: Single Expando
Operator Positions: 10 Configurable Workstations
Power: Single Phase, 208V, 150 Amps
Power Connection: Camlock connectors (shore or generator)
Air Conditioning: Dual HVAC Units (rear and mid-trailer)
Recommended Setup Area: 60 ft x 23 ft
Gross Vehicle Weight: Not specified (standard class for 53-foot support units)

Interior Floorplan and Work Zones

MU-B9 is designed around five independent work zones that keep technical, production, and audio workflows separated but connected:

  • Production Zone: Features seven operator seats in a shared deskline. This area is used for producers, show callers, technical directors, EICs, and coordination staff. It offers a collaborative layout for managing onsite operations.
  • Engineering Room (ENG): Includes two workstations for routing, signal integrity, fiber patching, or system monitoring. It is designed to isolate technical workflows and reduce noise interference.
  • Audio Bay: Centrally located and acoustically treated, the audio bay supports A1 engineers, intercom leads, and monitoring roles. It provides a quiet environment for precision audio operations.
  • Flex Zones 2 and 3: Floating workspaces ideal for data techs, IT staff, network engineers, and overflow crew. These spaces support network control, IP management, or comms operations.

Multiple entry points provide direct access to key areas of the trailer, reducing traffic through signal-sensitive zones and improving efficiency during high-demand show operations.

Cable Infrastructure

MU-B9 includes customizable cable infrastructure based on project needs. Live Media Group configures each deployment with the appropriate inventory, including:

  • SMPTE hybrid fiber
  • DT12 audio multicore
  • TAC-12 tactical fiber
  • Triax camera cable
  • Analog XLR audio
  • 5-wire and 10-wire coaxial looms

The trailer is commonly deployed as a cable patch hub or fiber termination point, supporting both truck-based and flypack-based systems in live production environments.

Use Cases

MU-B9 is engineered to serve a wide range of remote production needs, including:

  • Technical overflow during multi-unit productions
  • REMI support for switching and replay housed in centralized facilities
  • Onsite engineering and routing control
  • Production management and show calling in large venues
  • Signal patching, network monitoring, and fiber management
  • Audio comms and intercom prep
  • Temporary control or recovery environments for mission-critical live broadcasts

Why MU-B9 Stands Out

MU-B9 is more than a workspace—it’s a production-critical asset that expands a crew’s operational capacity without requiring a full mobile control room. Its single-expando design offers expanded square footage with easier deployment logistics than dual-expandos. The trailer’s climate control, dedicated audio and engineering bays, and flexible workstation setup make it indispensable in large, complex shows where additional headcount and infrastructure are required.

MU-B9 is an ideal companion to REMI broadcast trucks, central control rooms, and multi-city live productions, enabling teams to scale quickly while maintaining signal integrity, crew efficiency, and workflow separation.

Contact for Booking or Custom Configuration

To schedule MU-B9 or request a custom cable configuration:

Phone: 833.933.54483
Email: solutions@livemediagroup.com
Reference MU-B9 in your inquiry.

 

Mobile Unit Snapshot: B5 A Scalable, Single Expando Support Trailer Built for Live Broadcast Engineering, Audio, and REMI Workflows

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For sophisticated live production environments, engineering and operations teams need more than just switchers and servers—they need space to work, organize, and manage signals at scale. The MU-B5 support unit was designed to meet that need. A 53-foot single-expando trailer, MU-B5 functions as a flexible workspace for broadcast engineers, comms operators, and audio supervisors who require operational clarity and physical separation from the main control room.

Built by Live Media Group, MU-B5 delivers field-ready infrastructure that supports remote productions, REMI workflows, festival coordination, and national-scale sports events. With 10 modular workstations, a climate-controlled environment, and per-show cabling configurations, MU-B5 ensures your crew has the room—and resources—they need to execute at the highest level.

Designed for Flexibility, Engineered for Productivity

MU-B5 features a full-length single expando that increases the trailer’s working width to nearly 20 feet, enabling a segmented but collaborative environment. The interior layout is divided into four core zones, each with a distinct purpose and infrastructure:

  • Chapman Storage Bay: Located at the rear, this load-out area features shelving and open space for flypacks, fiber drums, expendables, and camera gear. It’s accessible via both rear ramp and side door, allowing fast ingress and egress for field operations.
  • Engineering / Cushman Bay: A climate-controlled technical room optimized for system integration, patch management, and routing. It offers counter workspace and is ideal for broadcast engineers, tech managers, or EICs.
  • Audio / Office Room: A smaller enclosed room suited for comms control, audio coordination, or production management. It’s frequently used by A1s or production supervisors for show calling, comms routing, or IP phone integration.
  • Flex Work Zones 1 & 2: The heart of the expando section, these zones include seating for up to six operators and can be customized for fiber patching, IP routing, communications control, or event coordination.

This configuration makes MU-B5 ideal for shows that require technical modularity, clean signal paths, and flexible team coordination, whether operating REMI or centralized production workflows.

Custom Cabling for Custom Shows

No two shows are the same—and MU-B5 is built with that in mind. For each deployment, Live Media Group provisions the trailer with a custom cabling package that can include:

  • Triax Camera Cable for legacy compatibility
  • SMPTE Fiber for UHD and IP workflows
  • DT12 Audio Multicore for booth/stage feeds
  • TAC-12 Tactical Fiber for long-range connectivity
  • XLR and 4-Pair Audio for analog audio patches
  • 5-Wire and 10-Wire Coaxial Looms for SDI and RF

The result is a fully customizable cable lab on wheels, ready to handle complex patching needs without disrupting the control room or main production vehicles.

Reliable Power & Climate Control

MU-B5 is powered by single-phase 208V service at 150 amps, making it compatible with venue drops or generator-based compounds. The onboard Camlock power input ensures rapid setup and clean integration with larger shows.

Inside, full HVAC ensures thermal stability for rack-mounted gear, patch bays, and personnel—crucial for long shoot days or temperature-sensitive operations.

Ideal Applications for MU-B5

MU-B5 shines in any high-capacity or distributed broadcast environment where field engineering, REMI integration, or offboard audio/comms require a dedicated space. Common use cases include:

  • REMI & hybrid production staging
  • Mobile comms and IFB coordination
  • Audio infrastructure for multi-stage festivals
  • Flypack launchpad for camera and fiber prep
  • Engineering zone during venue transitions
  • Overflow crew workstations when main trucks are at capacity

When deployed alongside units like MU-10, MU-14, or MU-28, MU-B5 acts as an infrastructure multiplier, giving tech crews the ability to offload cable management, routing, and equipment prep—without impacting core broadcast operations.

Why MU-B5 Stands Out

The MU-B5 fills a critical niche in today’s event production world. While many trucks focus on switching, replay, or transmission, MU-B5 focuses on the support systems that make them all work together. Its single-expando design strikes a balance between compact travel and expansive internal space. Its modular zones allow for precise team deployment, and its custom cable configuration adapts to your show’s needs.

For production teams juggling comms, fiber, patching, and IP management, MU-B5 becomes the quiet hero behind the scenes—making sure your signal arrives clean, clear, and on time.

FAQs for MU-B5

What is the MU-B5 trailer used for?
MU-B5 is a mobile support trailer used for engineering, audio, and production team operations during live broadcasts and REMI productions. It provides workstations, storage, and climate-controlled space near the truck compound.

Does MU-B5 include any switching or replay capabilities?
No. MU-B5 is not a production or replay truck. It is a support unit designed for offboard work such as patching, comms coordination, IP routing, and engineering support.

How many operators can work inside MU-B5?
MU-B5 has 10 configurable operator positions, including shared desk space and enclosed workrooms.

Is MU-B5 compatible with flypacks and REMI workflows?
Yes. MU-B5 is frequently deployed as a REMI staging trailer or flypack base, thanks to its modular cable design and work zones.

Can MU-B5’s cabling be customized for my event?
Absolutely. Live Media Group provisions MU-B5 with a custom cable inventory for each show, including SMPTE, DT12, TAC fiber, coax, and triax.

What kind of power does MU-B5 need?
MU-B5 runs on 208V single-phase power at 150 amps, using a Camlock connector for tie-in to generators or shore power.

Does MU-B5 offer climate control?
Yes. MU-B5 includes full HVAC support to keep gear and crew cool and operational—even in extreme environments.

Is MU-B5 available for rental?
Yes. Contact Live Media Group at 833.933.54483 or email solutions@livemediagroup.com for availability and scheduling.

Mobile Unit Snapshot: B3 A 53’ Straight Support Unit for Live Broadcast Engineering & Field Production

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As live broadcasts and remote productions scale in size and complexity, technical teams need more than just switching and camera trucks—they need structured, efficient support environments where operations can run smoothly. Enter MU-B3, a 53-foot straight support trailer from Live Media Group’s mobile infrastructure fleet.

Built to serve as an engineering, audio, or production annex, MU-B3 provides a climate-controlled workspace with 10 operator positions, segmented zones, and per-show cabling options. Whether used for REMI staging, audio system prep, engineering patching, or flypack support, this non-expanding trailer is the backbone for live event teams who require both mobility and reliability.

Purpose-Built for Technical Production Teams

MU-B3 is not a switching or replay truck. Instead, it’s where the support happens. Technical personnel, producers, and integrators can collaborate here without crowding the primary production vehicle. With its straightforward, modular layout and robust infrastructure capabilities, MU-B3 excels in environments where space, order, and cable control are vital.

It’s particularly useful for:

  • Engineering teams managing signal flow and fiber routes
  • Audio and comms leads prepping IFB and intercom systems
  • Production managers overseeing show documentation and tech plans
  • Flypack crews organizing camera builds, cases, and field gear

Interior Layout Designed for Workflow Efficiency

MU-B3’s internal layout mirrors that of its sister unit, MU-B1, with clearly segmented functional areas to avoid cross-talk, cable confusion, and workspace congestion.

  • Chapman Storage Room (Rear)
    Accessible via ramp, this storage space includes shelving for flypack racks, cable drums, camera kits, and expendables. It serves as a secure gear landing zone.
  • Cushman and Audio/Office Room
    An enclosed private space for audio prep, comms control, or production planning. Ideal for leads who require phone access, quiet comms coordination, or onsite management.
  • Main Production Bay
    The center of MU-B3 features seven operator positions along a shared deskline. Perfect for technical directors, fiber patch engineers, or network support personnel to work side-by-side.
  • Engineering Bay (Front)
    Positioned near the power distribution and environmental systems, this space is optimized for patching, signal monitoring, and infrastructure coordination.

This physical separation of disciplines allows your team to focus on their task without interference from other departments—all while working in proximity for fast communication and handoffs.

Mobile Cabling & Signal Infrastructure

MU-B3’s cabling is configured per project, ensuring that the trailer adapts to your event rather than the other way around. Standard cable packages available for deployment include:

  • Triax camera cable
  • DT12 audio multicore
  • SMPTE hybrid fiber
  • TAC-12 tactical fiber
  • Analog XLR audio
  • SDI coaxial looms (5- or 10-wire)

This makes MU-B3 incredibly versatile—serving as a mobile patch room, fiber terminus, or temporary production extension depending on the needs of the event.

Power and Environmental Design

  • Power: Single Phase, 208V @ 150A
  • Connection: Camlock input for integration with on-site generator or shore power
  • Cooling: Full HVAC climate control throughout the trailer

These specs support full-day field operations and ensure a stable environment for personnel and rack-mounted gear, even during high-temperature or high-traffic shows.

Ideal Applications for MU-B3

MU-B3 is a go-to solution when your crew needs structure, scalability, and flexibility on location. Use it as:

  • A mobile engineering annex during REMI productions
  • A production office for field supervisors and coordinators
  • A comms and audio prep room for IFB, PL, and routing
  • A patching and fiber hub for multi-camera or flypack shows
  • Overflow workspace when main control trucks are at capacity

Whether paired with trucks like MU-10, MU-14, or MU-28—or standing on its own—MU-B3 provides the infrastructure that keeps large events running smoothly.

Why MU-B3 Stands Out

MU-B3 is the backbone of technical coordination. While it doesn’t have switchers or EVS replay servers, it houses the people who control them, and it gives them the space to work clearly, effectively, and comfortably. Its non-expando format makes it easier to deploy in tighter truck compounds, while its modular zones and 10 operator positions deliver the capacity needed for modern production demands.

When multiple crews are working onsite or a centralized flypack strategy is in play, MU-B3 ensures that your engineering, audio, and production workflows have room to breathe.

FAQ for MU-B3

What is MU-B3 used for?
MU-B3 is a mobile support trailer used for engineering, audio, and production support during live events and remote broadcasts. It does not include switching or replay systems, but it provides workspace and infrastructure for technical teams.

How many people can work inside MU-B3?
MU-B3 supports 10 working positions across multiple zones, including a main production bay and private office areas.

Does MU-B3 include any built-in cabling?
Cable packages are custom-configured per show. Available options include Triax, DT12, SMPTE, TAC-12, XLR, and coaxial looms.

Can MU-B3 be used with REMI or flypack productions?
Yes. MU-B3 is ideal for REMI workflows and flypack integration. It often serves as a field engineering trailer or fiber patch hub.

Is MU-B3 climate-controlled?
Yes. MU-B3 features full HVAC to maintain a stable operating environment for equipment and staff.

Does MU-B3 have power requirements?
MU-B3 requires 208V single-phase power at 150 amps, with Camlock input for generator or shore power tie-in.

Can MU-B3 serve as a mobile production office?
Absolutely. The interior includes enclosed spaces and operator seating ideal for production management, comms coordination, or field admin work.

How is MU-B3 different from MU-B1?
MU-B3 shares a similar layout with MU-B1 but offers expanded scheduling flexibility and deployment across additional event zones.

 

MU-B3 is available for rental or integration planning. Cable sets, operator positions, and floorplans can be customized.

Phone: 833.933.54483
Email: solutions@livemediagroup.com

Mobile Unit Snapshot: B1- A Mobile Support Unit Built for Modern Broadcast Engineering, Audio, and REMI Workflows

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In today’s fast-paced live production landscape, mobile teams need more than just switchers, cameras, and uplink systems—they need space. Purpose-built to meet that need, the MU-B1 is a 53-foot straight support trailer engineered to give broadcast crews room to work, organize, stage, patch, coordinate, and collaborate without being crammed into control trucks or makeshift production tents.

Whether you’re running a REMI event, operating a multi-truck compound, or supplementing a flypack deployment, the MU-B1 functions as a mobile broadcast backbone, providing essential workspace for engineering, audio, and production support teams. With a non-expanding structure, internal climate control, power infrastructure, and custom cable configurations, MU-B1 is a must-have for shows that require more infrastructure than one truck can deliver.

A Dedicated Space for Offboard Broadcast Operations

MU-B1 isn’t a switcher truck or replay unit—it’s something different and equally important. It’s a support environment designed for the people and systems that make the rest of the show run smoothly. From engineering teams staging fiber routing and audio techs managing patch panels, to producers needing space to coordinate crews, this unit creates physical separation of functions while keeping everyone close to the action.

At 53 feet long, the trailer provides a recommended working footprint of 61 feet by 18 feet. Inside, there are 10 full workstations, including seating and access to power, networking, and audio cabling. The trailer includes clearly divided areas for production, engineering, audio coordination, and logistics, with internal air conditioning and custom layouts to meet the needs of different crews and event types.

Floorplan Built for Collaboration & Efficiency

The MU-B1’s interior layout is a key part of its utility. According to the official spec floorplan:

  • The Chapman Room is accessible via front-load ramp, offering easy storage and fast access for large equipment or cable runs.
  • The Cushman Area and adjacent Audio/Office zones offer quieter space for mix engineers, recordists, or producers who need to work on-site but away from the main production noise.
  • The Production Workspace includes multiple seated operator positions—ideal for REMI monitoring, ingest coordination, or broadcast scheduling.
  • The Engineering Bay at the rear of the trailer includes power access, HVAC controls, and critical routing infrastructure for triax, SMPTE, DT12, TAC, and coax.

This layout enables divided but collaborative workflows, letting audio, engineering, and production teams operate in parallel without stepping on each other.

Power and Climate Control Designed for All-Day Use

MU-B1 runs on a single-phase, 208V, 150A power draw, using a standard Camlock connection. That makes it easy to pair with other mobile production vehicles or shore power in venue-based applications. With internal air conditioning and zoned airflow, MU-B1 maintains comfortable working conditions for both crew and equipment—critical during long shoots or high-heat festival and sports environments.

Customizable Cable Infrastructure Per Show

MU-B1 doesn’t just provide space—it acts as a mobile cable and signal hub. Each deployment is custom-configured based on the production’s signal routing needs and compound layout. Common cable inventories include:

  • Triax for legacy camera infrastructure
  • SMPTE hybrid fiber for UHD/IP workflows
  • DT12 audio multicore for stage and booth feeds
  • XLR and 4-pair for analog and multichannel routing
  • TAC-12 tactical fiber for long-distance connectivity
  • Coax (SDI/RF) for video return and RF monitoring

This makes MU-B1 an essential patch and distribution point, especially when paired with high-capacity production trucks like MU-10, MU-11, or MU-28.

Use Cases: Where MU-B1 Really Shines

MU-B1 is not a one-trick pony—it’s a field operations chameleon that adapts to a range of live production demands. Ideal for:

  • Flypack system support: When your flypack team needs a clean, powered, climate-controlled workspace.
  • REMI staging: Pair with trucks like MU-27 or MU-29 to support camera, audio, and signal flow to centralized control rooms.
  • Overflow workspace: Add crew capacity during multi-truck shows or dense compounds.
  • Cable management: Serve as your central signal routing point and spool center.
  • Mobile broadcast HQ: Use MU-B1 as a command-and-control vehicle on large-scale entertainment, sports, or festival sites.

Why MU-B1 Is the Broadcast Utility Truck You Didn’t Know You Needed

MU-B1 isn’t flashy—but it’s essential. In an era of increasingly complex live production compounds, the ability to provide infrastructure, isolation, and organization makes all the difference between smooth execution and signal chaos. MU-B1 gives technical directors, broadcast engineers, A1s, and crew managers the tools and space they need to build robust shows without relying on cramped quarters or makeshift setups.

From major concerts and sports broadcasts to REMI production staging and hybrid compound deployments, MU-B1 is your mobile infrastructure solution—quietly powering the broadcast behind the broadcast.

For rental inquiries, custom cable configurations, or deployment details:
Phone: 833.933.54483
Email: solutions@livemediagroup.com

Mobile Unit Snapshot: MU-30 The Compact, All-in-One Broadcast + C-Band Uplink Truck for Remote Events

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In a broadcast environment that demands speed, versatility, and reliability, the MU-30 emerges as the perfect blend of live production capability and satellite transmission power—all packaged into a nimble, single-expando footprint. Designed by TNDV as a fully integrated 3G HD mobile production and uplink unit, MU-30 delivers studio-grade acquisition, switching, audio, and live satellite distribution in a space-saving, field-ready truck.

Built for mid-size sports, political events, public affairs coverage, and live news programming, MU-30 is ideal for production teams who need everything—camera capture, replay, audio, comms, and satellite uplink—in a single vehicle, ready to deploy wherever the story or action unfolds.

Built for On-Site Production & Instant Uplink

At just 46 feet in trailer length with a single-expando chassis, MU-30 offers a compact footprint but a powerful punch. Once deployed, it spans 21 feet wide and reaches a full height of 22 feet when the 2.4-meter AVL C-Band satellite dish is raised. Its 1-phase power requirement (200A @ 208V) and 150’ camlock feeder cable make it a perfect choice for quick-turn setups or venues with limited infrastructure.

The real differentiator? MU-30 doesn’t just capture content—it can transmit it live via satellite. Featuring dual 300-watt Advantech SSPBs, Adtec EN-100 encoders, and Adtec RD-70 receivers, MU-30’s satellite system supports redundant feeds, backup distribution, or primary live uplink, eliminating the need for auxiliary flypacks or separate uplink vehicles. This is true broadcast mobility.

Full Studio-Grade Production in a Mid-Sized Frame

MU-30 is powered by a Grass Valley K-Frame switcher paired with a Kayenne 4-stripe, 35-button panel, offering 5 M/Es, 64 inputs, and 48 outputs. The switcher supports FlexiKey™, Double Take, chroma keying, and advanced DPM layering with 16 iDPMs and a 2D DPM engine. An integrated ImageStore provides clip playout and transition capability, perfect for remote event coverage that demands dynamic visuals and transitions.

The multiview system supports 170×34 viewing capacity with dedicated monitor wall layouts for key positions including TD, Director, Producer, and AD—ensuring total visibility and confidence from every seat in the truck.

Replay & Playout Support

MU-30 includes a robust EVS suite to manage replay and playout:

  • (1) EVS XT3 6-Channel LSM Server
  • (1) EVS XT3 6-Channel Spotbox with Lance Controller
  • (1) EVS X-File3 for media transfers

Wired for up to three EVS servers, MU-30 supports instant highlight playback, ISO recording, and remote ingest—making it ready for sports and fast-paced live environments.

Advanced Routing & Frame Sync Infrastructure

Routing is managed through an NVision NV8280 3G/HD router, with a 242×360 matrix and 80×80 audio embedding/de-embedding. This provides the backbone for seamless switching, monitoring, and signal management. The truck includes (20) Cobalt 3G UDC frame syncs and (10) For-A 9600 frame syncs with integrated color correction—allowing for full signal alignment across sources. Tally is managed through an Image Video TSI-3000 controller to keep camera tally and crew communications in sync.

Camera Flexibility for Any Field Assignment

MU-30 includes a strong camera lineup with (8) Grass Valley LDX80 WorldCam cameras paired with fiber triax converters and five Super XPanders for full field deployment. The lens kit includes long throw and ENG options:

  • (3) Canon 86×9.3 HD box lenses
  • (1) Canon 72×9.3 box lens
  • (2) Canon 22×7.6 ENG zooms
  • (1) Canon 11×4.7 wide-angle

Wired for up to 10 CCUs, the camera package is ideal for news coverage, political stage events, small stadium sports, or press conferences.

Calrec Audio with Dante and MADI Backbone

Audio is handled by a Calrec Artemis Bluefin2 console, offering 48 faders and 240 DSP channels. The truck supports 96×120 analog I/O, 32×32 AES digital, 320×320 MADI, and 64×64 Dante IP audio. This gives MU-30 the power and routing flexibility to handle everything from live panel discussions and comms audio to multi-channel sports mixes.

Full Intercom Integration with RTS ADAM-M

The communications system is anchored by a RTS ADAM-M matrix with 166×166 ports. It supports 64 OMNEO channels, 16 RVON VoIP lines, and 12 powered channels for both intercom and IFB. The truck includes a full set of RTS BP325 belt packs, RTS 4030 IFB boxes, and a mix of Beyer single and dual muff headsets for robust field comms across engineering, talent, and production roles.

Satellite Uplink: Onboard, Redundant, and Ready

MU-30’s integrated 2.4m AVL C-Band antenna can transmit directly to satellite from the truck, enabling:

  • Live broadcast distribution
  • Redundant path coverage
  • Backup feeds in critical event scenarios

No separate uplink vehicle is required—saving cost, setup time, and footprint.

AV Support and Cabling

To support booth talent, sideline reporters, and camera ops, MU-30 carries a complete AV support kit including:

  • HMD26 headsets
  • Studio Tech boxes
  • MD46 stick microphones
  • MKH416, MKH807, and MKH418 shotgun mics
  • LED light kits
  • SDI monitors for field reference

Cable infrastructure includes 7000’ triax, 2100’ DT12 audio multicore, TAC-12 and TAC-4 fiber, and coax looms—ensuring signal integrity and distance flexibility for a wide range of deployments.

Why MU-30 Is the Smart Choice for Integrated Remote Production

With its single-expando footprint, studio-grade switcher, premium camera and audio package, and built-in C-Band uplink, MU-30 offers one of the most versatile, compact, and powerful mobile solutions for remote broadcast environments. It bridges the gap between OB van and uplink truck—reducing cost, complexity, and setup time.

Ideal for live political coverage, field news gathering, mid-sized sports, and redundant network feeds, MU-30 gives broadcast teams the power to produce and transmit from a single mobile command center.

For rental inquiries, custom cable configurations, or deployment details:
Phone: 833.933.54483
Email: solutions@livemediagroup.com