For more information about booking this mobile unit, please contact us 833.933.5483 or solutions@livemediagroup.com

The MU-12 53’ 3G Single Expando Production Truck

/0 Comments/in , /by

The MU-12 53’ 3G Single Expando Production Truck is a flagship mobile broadcast unit designed to meet the demands of modern live production environments, delivering exceptional UHD and HDR capabilities in a versatile, road-ready package. Operated by TNDV, a division of Live Media Group, MU-12 offers a comprehensive suite of production tools for handling major broadcasts, sports events, concerts, and studio-caliber programming with ease. Its rugged design, engineered infrastructure, and integrated systems make it a go-to solution for clients looking to achieve high-end results in the field without compromise.

The truck measures 53 feet in length with a full expansion that extends 49 feet by 5 feet, resulting in a comfortable and optimized interior footprint. With a gross vehicle weight of 80,000 pounds and support for standard road clearance, MU-12 can be deployed across a wide range of locations. Its power requirements are substantial but accessible, drawing 200 amps per leg at 190 to 280 volts across three phases, and it includes a 200-foot feeder cable to accommodate venue setups of all types.

Video production within MU-12 is driven by a Grass Valley K-Frame 3G switcher with a Kayenne 4-stripe, 35-button control panel. This system offers 7 mix effects, 96 inputs, 48 outputs, and is packed with features like FlexiKey, Double Take, advanced chroma keying, and both internal and external DPMs for real-time image manipulation. An internal image store adds powerful playback options, and the M/E View functionality enables streamlined oversight of complex mix configurations. For replay, the truck includes three EVS XT3 12-channel LSM servers with dual-user capability, an additional EVS XT3 unit serving as a dedicated spotbox, an EVS X-file3 for rapid file transfer over a 10G network, and an EVS Via Xhub to tie the entire replay system together. The infrastructure is wired for 60 channels of EVS, ensuring seamless integration of multiple live camera angles and replay streams.

Routing is handled through an Evertz EQX 3G video router with a 280×620 matrix, providing 112 inputs by 48 outputs for audio embedding and disembedding, supported by 18 onboard frame syncs and 16 fiber I/O ports. Complementing this is an Evertz EMR audio router with a full 1024×1024 MADI capacity. The system includes a total of 70 frame syncs—30 For-A HDR UDC units with color correction and 40 EVS Neuron HDR units equipped with custom LUTs and additional color control. Four TX processors add further up/down/cross conversion capabilities. A multiview layout with 304×23 capacity allows technical staff to monitor dozens of live feeds, ISO records, program outputs, and replay returns simultaneously.

Camera support includes ten Grass Valley LDX 86 Worldcam units, seven LDK Super XPanders, and six LDK4426 fiber triax converters. MU-12 comes equipped with a powerful lens arsenal, including a Fujinon 101×8.4 UHD stabilized lens, a combination of HD and UHD lenses ranging from 99x and 88x zooms down to wide-angle 14x optics, and hybrid options designed for flexible field coverage. The camera kits are supported by Vinten Vector 750 and Cartoni Gamma pan head and tripod packages, and the truck is wired for 16 CCUs to ensure optimal camera control and shading. Additional lens and camera configurations are available upon request, providing production teams with customization flexibility.

Audio is managed via a Calrec Artemis Beam digital surround sound console with 64 faders and deep I/O capabilities including 96×96 analog, 128×128 AES, and 256×256 MADI channels. The system is enhanced with a Waves Broadcast Processing Suite, delivering professional-grade dynamics and effects processing for high-end audio fidelity.

Communications are facilitated by a 192×192 RTS Adam Matrix intercom system, offering 32 OMNEO channels, 16 RVON IP channels, 64 MADI channels, 12 powered PL channels, and 12 powered IFB circuits. The system also includes four RTS telephone interfaces, four QKT audio couplers, 20 BP325 belt packs, 10 IFB belt packs, 16 Beyer DT108 single muff headsets, eight DT109 dual muff headsets, and four ring downs, ensuring seamless crew coordination across departments.

Supporting AV and monitoring needs, MU-12 is stocked with six HMD26 announcer headsets, six Studio Tech announcer boxes, six Sennheiser MD46 stick microphones, six MKH416 shotguns, six MKH8070 long shotguns, and four MKH418 stereo shotgun microphones. Visual monitoring is supported by six 15-inch SDI and six 21-inch SDI monitors, along with two portable LED light kits for booth or field work.

Cabling infrastructure on board includes 7000 feet of triax and 850 feet of SMPTE fiber, two 150-foot six-wire triax looms, 3000 feet of DT12 audio mults, 1000 feet of six-pair audio snake, 500 feet of two-pair audio snake, 5000 feet of XLR cable, 5000 feet of single coax, three 150-foot ten-wire coax looms, three 125-foot five-wire looms, and a set of TAC fiber runs including 500-foot TAC-12, TAC-6, and TAC-4 links.

The MU-12 53’ 3G Single Expando is a best-in-class mobile production unit, purpose-built to execute the most technically complex live and recorded events with confidence and clarity. Its integrated systems, advanced engineering, and scalability ensure that whether deployed for network sports, high-profile concerts, studio broadcasts, or corporate events, MU-12 delivers a studio-quality experience on the road with zero compromiseMU-12-Specs_021025.

 

Mobile Unit Snapshot: MU-14 53’ Single Expando Production Unit

/0 Comments/in , /by

The MU-14 53’ 3G Single Expando Production Truck is the most advanced and highest-capacity mobile broadcast unit in the Live Media fleet. Designed from the ground up to serve the most demanding UHD and HDR production environments, MU-14 represents the pinnacle of mobile engineering, seamlessly integrating immense I/O capability, powerful switching, deep EVS replay support, and full broadcast comms and audio infrastructure. With its unmatched feature set and future-proof architecture, MU-14 is purpose-built for major national and international sports broadcasts, large-scale entertainment specials, and high-concurrency live event coverage.

At 53 feet long with an expanded footprint of 49 feet by 5 feet, MU-14 offers a roomy interior that accommodates large production teams with ease. When deployed, the truck reaches a total operational width of 13.5 feet and stretches to 78 feet in length with the tractor included. With a gross vehicle weight of 80,000 pounds and a three-phase power draw rated for 190 to 280 volts at 200 amps per leg, MU-14 carries the raw energy and infrastructure to perform under any condition in the field.

Video production inside the truck is anchored by a Grass Valley K-Frame 3G switcher with a Kayenne 4-stripe, 35-button panel. The system offers a formidable 9 mix effects, with 176 inputs and 72 outputs, and is outfitted with advanced features including FlexiKey layering, Double Take transitions, chroma keying, and a powerful suite of DPMs. The switcher includes an onboard image store with movie playback capabilities and supports M/E View, enabling flexible visual workflows and operator customization. A built-in RGB color corrector ensures precision image management during dynamic productions. Supporting the switching backbone is a comprehensive EVS replay system featuring four XTVia 12-channel servers with dual-user capability, an XTVia 6-channel spotbox with Lance Controller, an EVS X-file3 with a 10G file network for lightning-fast file movement, and an EVS Via Xhub to tie all the components together. MU-14 is wired for an astonishing 120 channels of EVS replay, placing it among the most capable mobile replay environments on the road today.

Routing and signal management are handled by an Evertz EQX 3G video router configured with a 518×684 matrix. This system includes 112×128 embedding and de-embedding paths, 18 internal frame syncs, 16×16 RTR fiber I/O connections, and dedicated mux paths linking to companion units and booth locations. On the audio side, the Evertz EMR router delivers 1152×1152 MADI, 192×192 AES, and 96×96 analog mono paths, providing a routing backbone that accommodates high-density channel counts. The truck includes a total of 85 frame syncs, including 45 For-A HDR UDC units with color correction and 40 EVS Neuron HDR units with LUT support and customizable color correction pipelines. MU-14’s massive multiviewer capability offers 304×30 windows, giving directors and engineers unparalleled visibility into every facet of the production.

Camera operations inside MU-14 are supported by twelve Sony HDC3500 UHD-HDR cameras paired with seven Sony HDLA1505 large lens adapters and an extensive Canon lens package. This includes seven Canon UJ111x8.3 Digisuper long lenses with stabilization, two CJ25ex7.6 UHD ENG lenses, two CJ20ex7.6 UHD ENG lenses, and one CJ15ex4.3 wide-angle UHD ENG lens. The cameras are supported by seven Vinten Vector 750 pan heads with HDT2 tripods and four Cartoni Focus 20 heads, offering a robust and flexible shooting platform. MU-14 is wired for up to 20 CCUs, enabling precise camera shading and control across all channels, with additional camera and lens configurations available based on production needs.

Audio mixing is handled through a Calrec Apollo digital surround console featuring 144 faders spread across 12 dual-fader layers. The system includes 148×148 analog I/O, 128×128 AES, 512×512 MADI spread across eight ports, and a 64×64 Dante integration for AoIP workflows. With embedded Waves Broadcast Suite processing, MU-14 offers advanced audio shaping, dynamics, and broadcast mastering features in real time. Communications infrastructure is just as comprehensive, anchored by a 256×256 RTS Adam Matrix intercom with 64 OMNEO channels, 16 RVON IP paths, 64 MADI channels, 12 powered PL channels, and 12 powered IFB outputs. MU-14 is stocked with RTS BP325 intercom packs, IFB belt packs, and a complete headset suite including 20 Beyer DT108 single muff units and 10 DT109 dual muff models, as well as phone interfaces and couplers to support crew and talent communications across the full production landscape.

For AV support, the truck comes with six HMD26 announcer headsets, six Studio Tech boxes, six MD46 stick mics, and a full complement of shotgun and stereo microphones including the MKH416, MKH807, and MKH418. Monitoring gear includes six 15-inch SDI monitors, six 21-inch SDI monitors, and two portable LED light kits. MU-14’s cable infrastructure includes 7000 feet of SMPTE fiber, two 150-foot 6-wire SMPTE looms, 3000 feet of DT12 audio mults, and over 10,000 feet of combined coaxial, audio, and multipair snakes, offering robust connectivity in complex setups.

MU-14 sets a new benchmark in remote production technology. With the highest M/E count, deepest replay channel capacity, and broadest routing architecture in the Live Media Group fleet, it delivers the performance and redundancy expected in the most mission-critical live environments. From UHD sports coverage and multi-stage music shows to dual-stream linear and OTT broadcasts, MU-14 has the power, flexibility, and intelligence to bring elite productions to life at scaleMU-14-Specs_021025.

 

Vibration Truck

Improve Your Audio Workflow with the Vibration 45’ Audio Production & Multitrack Truck

/in /by

The Vibration 45’ Audio Production & Multitrack Truck is a top-tier mobile audio control room built to handle the most demanding broadcast, concert, and recording needs. Operated by TNDV, a division of Live Media Group Holdings, Vibration provides studio-grade 5.1 surround mixing, expansive multitrack recording options, and dual mix booths. This compact yet powerful setup allows you to capture and produce high-quality audio for anything from music festivals and sports events to corporate productions, all while on the move.

vibration mobile truck Measuring 45 feet long, 14 feet wide when expanded, and 13.5 feet high, Vibration has a gross vehicle weight of 67,000 pounds. Its power requirements are 3 Phase at 150 Amps and 208 Volts, with 100 feet of feeder cable and camlock connectors included. The truck’s configuration maximizes interior space for engineers, producers, and talent, creating a comfortable environment that supports seamless production workflows.

At the heart of Vibration is a Studer Vista 9 Digital Mixing Console offering 62 faders, 344 DSP inputs, and full 5.1 surround sound capabilities. It supports 96×48 analog, 64×64 AES, and 256×256 MADI channels, and can connect to up to four 64×32 fiber stageboxes (with two already onboard). For multitrack recording, Vibration features two Avid Pro Tools rigs that each support up to 128 channels, as well as four JoeCo Black Box recorders that each handle 64 channels. A Waves SuperRack Server with Mercury Bundle support further enhances processing and mixing options. Monitoring and conversion are handled by Fostex speakers, plus SDI-HDMI converters, Fiber Rattler sets, and Decimator MD-Cross Converters to ensure clear, accurate audio in any scenario.

Vibration includes dual control booths designed for simultaneous dual mixes, such as front-of-house and broadcast, or for other specialized purposes like production management or on-the-fly video coordination. The truck also comes with multiple fly-pack systems that enable hybrid production setups, supporting both audio and video needs within one cohesive operation. For recording workflows, Vibration houses an AJA KiPro HDD Recorder and a total of 12 recording channels through the combined KiPros and JoeCo units, allowing you to capture, archive, and synchronize audio across digital and analog signal paths.

To match the console’s professional mixing capabilities, Vibration carries a robust microphone inventory. It includes eight Sennheiser shotgun microphones, four Telefunken M80 handheld mics, two Audio-Technica wired lavaliers, two Audio-Technica AT2021 condensers, two AKG C214 condensers, two Audio-Technica BP4073 shotguns, two Audio-Technica AT4022 condensers, and two Mojave MA-101 condensers. These options allow you to cover everything from ambient crowd sounds to precise vocal capture for on-stage performances or interviews.

vibration unit

A reliable communication infrastructure is crucial for smooth productions. That’s why Vibration is equipped with an RTS Zeus 24-Port Digital Matrix, four RTS PL channels, two RTS telephone interfaces, and two Biscuit Boxes, ensuring everyone from the engineering crew to on-air talent stays in sync. For routing and signal conversion, the truck includes a 32×32 AJA Kumo Video Router, a 3×3 audio embed/de-embed unit, two DirectOut Andiamo2.XT analog/AES-to-MADI converters, one DirectOut M.1k2 16-port MADI router, and two AJA FS1x MADI sample rate converters. These components maintain signal integrity and proper synchronization in complex audio environments.

Vibration’s extensive cable inventory supports flexible event layouts. It carries 2250 feet of DT-12 cable, plus a 1000-foot and a 500-foot TAC-12 fiber mult. This allows for extended runs, remote I/O setups, and multi-location coverage without sacrificing signal quality. By bringing together broadcast-ready 5.1 surround sound, high-capacity multitrack recording, and a carefully designed control space, Vibration stands out as a flagship mobile audio unit for live music festivals, major TV specials, sports productions, and beyond. It operates like a full-fledged studio but travels as easily as a standard truck, offering a turnkey solution that can adapt to nearly any live or recorded production scenario.

Vibration is ideal for music and concert recordings, immersive live network broadcasts, remote multitrack sessions that feed into post-production, and a variety of special events or corporate AV setups. In every application, it delivers clarity, power, and reliable performance. For more details or to book the Vibration 45’ Audio Production & Multitrack Truck, contact TNDV at 877-959-8638 or reach out via contact@tndv.com.

Mobile Unit Snapshot: MU-11 53’ 3G Single Expando Production

/0 Comments/in /by

The MU-11 53’ 3G Single Expando Production Truck is the latest innovation in mobile production technology, setting a new standard for large-scale UHD and HDR event coverage. Operated by TNDV, a division of Live Media Group, MU-11 is engineered to deliver unparalleled flexibility, advanced technical capabilities, and future-proof infrastructure for the most demanding live events, broadcasts, and studio-grade recordings. Whether it’s a major sports broadcast, a globally streamed concert, or a complex corporate production, MU-11 is built to meet the challenge.

Measuring 57 feet in length and stretching to a full 78 feet when connected to its tractor, MU-11 is a true heavyweight at 80,000 pounds. Once expanded, it offers an interior width of 13.5 feet, providing a spacious, comfortable working environment for production and engineering teams. The expando section, measuring 49 feet long and 5 feet wide, creates a versatile command center capable of supporting sophisticated workflows that demand both power and precision.

At the heart of MU-11’s production capabilities is a Grass Valley K-Frame 3G Switcher, paired with a Kayenne 4-stripe, 35-button panel. With 7 mix effects, 96 inputs, 48 outputs, FlexiKey layering, Double Take functionality, advanced chroma keying, and a full-featured image store with motion graphics, the switcher enables seamless management of even the most intricate live productions. Supporting the video operations is a robust replay and playback ecosystem anchored by three EVS XTVia 12-channel LSM servers, a 6-channel EVS XSVia Spotbox, and a 10G-capable EVS X-file3 system, all networked through an EVS Via Xhub. With wiring for up to 70 channels of EVS, MU-11 ensures that no critical moment is ever missed.

Routing and signal distribution are equally impressive. MU-11 houses an Evertz EQX 3G Video Router with a massive 500×722 matrix, featuring 96×96 channels of embedded and de-embedded audio and 32×32 fiber connectivity for external I/O needs. The truck also integrates an Evertz EMR Audio Router with 1856×1600 MADI, 192×192 AES, and 288×288 analog audio routing, complemented by 70 frame syncs across its systems, including both For-A HDR frame synchronizers and EVS Neuron HDR units with custom LUT and color correction capabilities. For multiviewing, MU-11 supports up to 416 customizable windows, ensuring that directors and producers have complete situational awareness across all feeds.

Camera acquisition is handled by an elite fleet of twelve Sony HDC3500 UHD-HDR cameras, paired with Sony HDLA1505 large lens adapters and a powerful lens package that includes long-throw Fujinon 107x, 99x, and 72x field lenses, along with a versatile selection of wide-angle and hybrid lenses. Vinten Vector 750 and Cartoni Focus 22 pan heads provide robust camera support, and the truck is wired to support up to 24 camera control units, giving productions the scalability they need for events of any size.

On the audio side, MU-11 is equipped with a Calrec Apollo Digital Surround Sound Console, boasting 144 faders across 12 dual-layer banks and offering 128×128 analog I/O, 192×192 mono AES I/O, and 512×512 MADI I/O. Precision loudness monitoring is handled by a Daysequerra ILM 8 meter, ensuring broadcast audio meets all loudness compliance requirements and delivers a consistent, polished sound to audiences.

Communication across the production team is vital, and MU-11 is outfitted with a 240×240 RTS Adam Matrix Intercom system that integrates 64 OMNEO channels, 16 RVON IP channels, 64 MADI channels, and 12 powered partyline and IFB channels. Multiple RTS belt packs, IFB belt packs, and Beyer DT108 and DT109 headsets are deployed throughout the unit, ensuring clear and reliable communication for both technical staff and talent.

Supporting the AV needs of complex productions, MU-11 carries an extensive inventory of announcer headsets, studio boxes, handheld microphones, shotgun microphones, stereo microphones, SDI monitors, and portable LED lighting kits. Cable infrastructure is equally comprehensive, with 7000 feet of SMPTE fiber, 3800 feet of DT12 audio mults, thousands of feet of coaxial cable, TAC fiber runs, and a variety of audio snakes, ensuring that connectivity needs are never a limitation.

What truly sets MU-11 apart is its ability to combine traditional broadcast engineering with next-generation UHD, HDR, and hybrid IP/SDI workflows. With native 3G switching, 70 channels of EVS replay, massive routing capacity, and a communications network built for modern remote operations, MU-11 is built to deliver flawless, broadcast-quality productions on a massive scale. From major sports championships and high-profile music awards shows to multi-platform live streams and corporate global broadcasts, MU-11 enables teams to produce stunning, reliable content that captivates audiences and meets the highest standards of production excellence.

For more information or to book the MU-11 53’ 3G Single Expando Production Truck, contact TNDV at 877-959-8638 or via email at contact@tndv.com.

 

Mobile Unit Snapshot: MU-10 53’ Single Expando Production Truck

/0 Comments/in /by

The MU-10 53’ Single Expando Production Truck is a state-of-the-art mobile facility engineered to deliver broadcast-quality video and audio production for large-scale live events, national broadcasts, and sophisticated studio productions. Operated by Live Media, a division of Live Media Group, MU-10 brings together the highest-grade switching, recording, routing, and camera systems to ensure professional-grade quality in even the most demanding environments. Designed for scalability, flexibility, and reliability, MU-10 serves as a fully capable control room on wheels, supporting multi-camera workflows and complex live production needs with ease.

Measuring 54 feet in length and stretching to 79 feet overall with its tractor, MU-10 provides a rugged, expandable setup that maximizes workspace without compromising mobility. Its road width of 8.5 feet extends to 12.5 feet when deployed, and with a gross vehicle weight of 80,000 pounds, it creates a stable environment where production teams can operate with precision. The expansion extends 32 feet in length and 4 feet in width, creating an efficient, ergonomic workspace built for seamless collaboration across video, audio, replay, and transmission teams.

The heart of MU-10’s video production power lies in its Grass Valley Kayenne Classic Switcher, which features a Kayenne 4-stripe, 35-button panel and delivers 4.5 M/E capabilities. With 75 inputs and 48 outputs, FlexiKey functionality, Double Take mode, advanced chroma keying, and multiple DPM effects engines, the switcher is designed to handle complex, multilayered productions with ease. Recording and playback operations are supported by a fleet of EVS servers, including three XT3 6-channel LSM servers, an XT3 4-channel replay-only server, and an XS 4-channel spotbox controlled via Lance Controller. An EVS X-file3 transfer server and an X-hub3 media sharing hub provide fast file transfers and centralized content management, with the truck wired to support up to five 6-channel EVS units and three 4-channel EVS units simultaneously.

Routing infrastructure is equally robust, with a 288×512 Grass Valley Trinix video router and a 256×256 Concerto audio router ensuring seamless signal distribution throughout the truck. Embedding and de-embedding are handled through a 32×32 matrix, while the system includes sixteen fiber I/O ports for external connectivity. Thirty For-A up/down/cross frame synchronizers with color correction capabilities and three transmission processors provide essential format conversions and fine-tuning for live workflows. With 228 multiviewer windows available across operations, MU-10 offers production teams unmatched situational awareness and flexibility.

Camera acquisition is powered by ten Grass Valley LDX 82 Triax Elite cameras, supported by six Grass Valley LDK Super XPanders with seven-inch viewfinders and six LDK4426 fiber triax converters for maximum transmission versatility. The lens package includes a Fujinon 101×8.9 HD lens with stabilizer, three 88×8.8 HD stabilized lenses, two 72×9.3 HD lenses, two 22×7.8 servo zoom lenses, two 18×5.5 hybrid wide-angle lenses, and one 13×4.5 wide-angle lens, ensuring comprehensive coverage from long-range telephoto shots to wide-field captures. Cameras are mounted on a combination of Vinten Vector 750H pan heads and Cartoni Gamma tripods, and the truck is wired to support up to fourteen camera control units, providing plenty of room for scalable operations.

Audio production inside MU-10 is managed through a Calrec Artemis Lite console featuring Bluefin 2 technology and Concord automation. With 56 faders and extensive I/O capacity, including 96×96 analog, 96×100 AES, 192×192 MADI, and 64×64 Dante channels, the console delivers pristine audio mixing and routing for even the most complex productions. Integrated Waves Broadcast Suite support ensures access to powerful digital signal processing tools for broadcast-standard mixes.

For internal and external communication, MU-10 is equipped with a 128×128 RTS Adam Matrix intercom system, offering 16 Rvon IP channels, 8 powered party line channels, and 6 powered IFB channels. Sixteen dual-listen BP325 beltpacks and eight IFB 4030 boxes, along with a robust inventory of headsets and telephone interfaces, ensure that every team member remains connected and in sync throughout production.

MU-10 also includes a comprehensive A/V support inventory, including HMD26 announcer headsets, Studio Tech announcer boxes, Sennheiser MD46 stick microphones, and a range of Sennheiser MKH shotgun and stereo microphones for high-quality field and booth audio capture. The truck carries portable SDI monitors, LED light kits, and a broad cable inventory featuring triax, SMPTE fiber, DT12 multicables, XLR, coaxial, and single-mode fiber runs, providing complete infrastructure for even the most complex production layouts.

What truly makes MU-10 stand out is its focus on resilience and scalability. Featuring redundant signal paths, fully integrated multiviewing, advanced communications, and a camera system capable of adapting to a wide range of live environments, MU-10 is an indispensable solution for network sports broadcasts, major concert tours, award shows, large-scale corporate events, and even religious and live-streaming productions. Every component, from switchers to servers to cameras, has been selected to provide maximum flexibility and performance, enabling production teams to create unforgettable content in any setting.

For more information or to book the MU-10 53’ Single Expando Production Truck, contact TNDV at 877-959-8638 or via email at contact@tndv.com.

mu-4

An Overview of the MU-4 45’ 3G Single Expando

/in /by

The MU-4 45’ 3G Single Expando is a versatile and high-performance mobile production unit designed to meet the rigorous demands of live event production. From sports broadcasts and concerts to corporate events and award shows, the MU-4 delivers seamless workflows, advanced technology, and unparalleled reliability. Its combination of cutting-edge video, audio, and routing systems makes it a trusted choice for event producers seeking excellence in every production.

mu-4

What are the Dimensions & Configuration of the MU-4?

The MU-4 offers a robust yet flexible design to accommodate large production teams and complex setups. With a base length of 43 feet and a width of 8.5 feet, the unit expands to include a 36-foot-long, 5-foot-wide section, creating an optimal workspace. When fully expanded, the total length is 78 feet, and its gross vehicle weight is 80,000 pounds.

This compact yet spacious configuration ensures the MU-4 is mobile and capable of handling diverse production environments. The truck operates on three-phase power at 190-240 volts, requiring a 200A/leg feeder cable for operation.

What Video Production Technology Does it Offer?

The MU-4 is equipped with a Grass Valley K-Frame 3G Switcher, providing the flexibility and precision required for live productions. The system includes a Kayenne 4-stripe, 35-button panel with 64 inputs and 36 outputs. It features advanced effects like FlexiKey, Double Take, and Chroma Key, along with DPM capabilities (IDPM, EDPM, and 2D DPM). Its integrated image store supports seamless playback of pre-recorded assets, ensuring smooth transitions during broadcasts.

The MU-4’s replay and playback capabilities rely on industry-standard EVS systems, including two 6-channel LSM Servers, a 6-channel RO/Spotbox with Lance Controller, and an EVS X-File3 with a 10G file network. These tools enable high-speed replays and efficient file management, making the MU-4 a preferred choice for fast-paced productions like sports and live events.

What is the Camera System Like?

The MU-4 comes equipped with 10 Grass Valley LDX 86 SMPTE WorldCam cameras, offering exceptional image quality and versatility. These cameras are complemented by a wide range of Fujinon lenses, including two 88×8.8 HD lenses, four 72×9.3 HD lenses, and additional wide-angle options like the 12×4.5 lens. The system supports stability and precision with six Vinten Vector 70 pan heads and four Cartoni Gamma ENG pan heads. This extensive camera and lens configuration ensures the MU-4 can adapt to a variety of production needs, from close-ups to wide, panoramic shots.

What are the Audio Capabilities of the MU-4?

The MU-4’s audio system is powered by a Calrec Artemis Light Bluefin 2 console, featuring 56 faders and support for 64×64 analog, 64×64 AES, and 256×256 mono MADI channels. Hydra 2 Fiber Audio Field Boxes (24×8 configurations) enhance on-site audio routing, while an optional Dante Fiber Audio Booth system adds further flexibility. The MU-4’s extensive cable inventory, including SMPTE cables, DT12 audio mults, and 6-pair audio snakes, ensures seamless connectivity for complex audio setups.

About the Routing and Multiview Systems

Signal management in the MU-4 is handled by an Evertz EQX 3G Video Router, which supports a 280×458 matrix. The router includes 82×64 embedding and de-embedding capabilities, 16×16 fiber-to-external I/O connections, and 18 internal frame syncs. Its 246×32 multiview system enables production teams to monitor multiple video feeds simultaneously, ensuring precise coordination during live events.

What Communication Infrastructure is in Place?

The MU-4 is equipped with a 160×160 RTS Adam Matrix Intercom system for reliable communication among production crews. This system supports 16 Rvon channels, 32 MADI channels, eight powered PL channels, and six powered IFB channels. Additional equipment includes dual-listen belt packs, single and dual-muff headsets, and RTS telephone interfaces, ensuring seamless communication even in high-pressure scenarios.

Does it Have A/V Support?

The MU-4 offers a comprehensive array of A/V tools to support diverse production needs. This includes five HMD26 announcer headsets, five MD46 stick microphones, six MKH416 shotgun microphones, and six MKH807 long shotgun microphones. For visual monitoring, the unit includes four 15-inch SDI monitors and four 21-inch SDI monitors. LED light kits provide adaptable lighting solutions for various production settings.

What is the Cable Inventory Like?

The MU-4’s cable inventory is extensive, ensuring adaptability to a wide range of venue layouts and production requirements. This inventory includes 7,600 feet of SMPTE cable, 3,250 feet of single coax, and a variety of TAC fiber cables in different configurations. This flexibility allows the MU-4 to handle even the most complex production setups with ease.

Why MU-4 Stands Out

The MU-4 is a comprehensive mobile production solution designed for flexibility, precision, and performance. Its advanced video and audio systems, robust routing infrastructure, and reliable communication capabilities make it an invaluable tool for producers. Whether it’s a high-stakes sports broadcast, a polished corporate event, or an electrifying concert, the MU-4 consistently delivers world-class results.

Applications for the MU-4

The MU-4 is ideally suited for a variety of live productions, including:

· Sports events requiring dynamic camera angles and instant replays.

· Concerts with intricate audio and video needs.

· Award shows and red carpet events demanding high production value.

· Corporate events with live streaming and on-site production.

· Worship events and other gatherings requiring precision and clarity.

Technical Specifications

  • Switcher: Grass Valley K-Frame 3G
  • Replay and Playback: EVS XT3 Servers, X-File3
  • Cameras: Grass Valley LDX 86 WorldCam
  • Audio Console: Calrec Artemis Light Bluefin 2
  • Routing: Evertz EQX 3G (280×458 matrix)
  • Intercom: RTS Adam Matrix (160×160 channels)
  • Monitors: 15-inch and 21-inch SDI monitors

Final Thoughts

The MU-4 45’ 3G Single Expando represents the pinnacle of mobile production technology. Its advanced features, versatile design, and proven reliability make it a go-to solution for producers looking to create world-class live events. With its ability to adapt to a variety of production needs, the MU-4 ensures success in every scenario.

Contact us today to learn how the MU-4 can elevate your next production.

mu-3 mobile tv truck

Questions Answered: An Overview of the MU-3 45’ 3G Single Expando

/in /by

The MU-3 45’ 3G Single Expando is a cutting-edge mobile production unit that delivers high performance, versatility, and reliability. Designed to meet the needs of modern live productions, including sports broadcasts, concerts, corporate events, and award shows, the MU-3 combines advanced video, audio, and routing technology in a compact yet expandable design to create a seamless workflow for event producers.

Below we answer your common questions about this video production truck.

mu-3 mobile tv truck

What are the Dimensions & Configuration of the MU-3 45’?

With a base length of 43 feet and a width of 8.5 feet, the MU-3 provides a functional workspace that expands to 36 feet long and 5 feet wide. This creates ample interior room for production crews while maintaining mobility and efficiency. The unit has a total length of 78 feet when expanded and a gross vehicle weight of 80,000 pounds, making it both sturdy and maneuverable for diverse venue setups.

What Video Production Technology Does it Offer?

The MU-3 is equipped with a Grass Valley K-Frame 3G Switcher, a powerful tool for live production. This system features a 4-stripe Kayenne panel with 35 buttons, 64 inputs, and 36 outputs, providing extensive flexibility for managing multiple video feeds. Advanced capabilities such as FlexiKey, Double Take, and Chroma Key allow for dynamic visual effects, while DPM effects like IDPM, EDPM, and 2D DPM enhance broadcast visuals. Its integrated image store supports seamless playback of pre-recorded elements, making it an invaluable asset for high-stakes live events.

For replay and playback, the MU-3 relies on industry-leading EVS systems, including a 12-channel LSM Dual User Server, two 8-channel LSM Servers, and a 6-channel Spotbox with a Lance Controller. Additional tools like the EVS X-File3 with a 10G File Network and EVS X-Hub3 streamline file management and operator workflows, ensuring smooth, high-quality playback for events requiring instant replays or highlights.

What is the Camera System Like?

The MU-3 features ten Grass Valley LDX 86 WorldCam cameras, offering versatile options for capturing every detail with precision. These cameras are paired with an extensive range of Fujinon lenses, including 107×8.4 HD, 101×8.9 HD, 80×8.9 HD, and wide-angle lenses such as the 13×4.5 and 18×5.5. This variety ensures flexibility for different types of shots, from extreme close-ups to expansive wide angles. Supported by Vinten Vector 70 and Cartoni Gamma ENG pan heads with tripods, the system delivers stability and precision for high-pressure shoots.

What are the Audio Capabilities of the MU-3 45’?

The MU-3’s Calrec Artemis Light Bluefin 2 console ensures unmatched audio quality. With 56 faders and support for 64×64 analog, 64×64 AES, and 256×256 mono MADI channels, this console provides extensive flexibility for audio mixing and management. Hydra 2 Fiber Audio Field Boxes (24 x 8 configurations) and an optional Dante Fiber Audio Booth system enhance the unit’s audio capabilities, making it ideal for complex sound environments. A robust inventory of audio cables and mults further supports the diverse needs of live event production.

About the Routing and Multiview Systems

Signal management is handled by the Evertz EQX 3G Video Router, which offers a 280×474 matrix with embedding and de-embedding options, along with 33 3G frame syncs for seamless processing. The multiview system, with its 246×32 capacity, allows production crews to monitor multiple video feeds in real time, ensuring precise oversight during complex live productions.

What Communication Infrastructure is in Place?

Clear communication is critical in live productions, and the MU-3 is equipped with an RTS Adam Matrix Intercom system. This system supports 208×208 channels, with Rvon, MADI, and Omneo connectivity. It also features eight powered PL channels and six powered IFB channels, ensuring reliable communication between crew members. Dual-listen belt packs, IFB boxes, and high-quality single and dual-muff headsets further enhance the system, allowing seamless coordination across teams.

Does it Have A/V Support?

The MU-3 comes with an array of A/V tools to meet diverse production needs. These include high-quality microphones such as MD46 stick mics, MKH416 and MKH807 shotgun mics, and MKH418 stereo shotgun mics. For visual monitoring, the unit includes four 15-inch SDI monitors and four 21-inch SDI monitors. LED light kits are also available, providing adaptable lighting solutions for any production scenario.

What is the Cable Inventory Like?

The MU-3 features an extensive cable inventory to ensure adaptability to various venue layouts and production demands. This includes 7,000 feet of triax cable, over 3,000 feet of single coax, and multiple TAC 12 cable configurations ranging from 100 to 1,000 feet. This flexibility ensures the unit can handle even the most complex setups.

Applications for the MU-3

The MU-3 is ideally suited for a range of live productions, including sports events, concerts, award shows, corporate events, and live broadcasts. Its track record of delivering seamless performance makes it an essential tool for high-profile productions.

Technical Specifications

  • Switcher: Grass Valley K-Frame 3G
  • Replay and Playback: EVS XT3 Servers, X-Hub3
  • Cameras: Grass Valley LDX 86 WorldCam
  • Audio Console: Calrec Artemis Light Bluefin 2
  • Routing: Evertz EQX 3G (280×474 matrix)
  • Intercom: RTS Adam Matrix (208×208 channels)
  • Monitors: 15-inch and 21-inch SDI monitors

Final Thoughts

The MU-3 45’ 3G Single Expando represents the pinnacle of mobile production technology. Its advanced systems, versatile design, and proven performance empower production teams to create world-class broadcasts. For event producers seeking reliability, adaptability, and quality, the MU-3 is a leading choice that ensures success in every live production scenario.

The MU-3 is more than a mobile production unit; it is a comprehensive solution designed for versatility and performance. Its advanced video and audio systems, robust routing infrastructure, and reliable communication capabilities make it a trusted choice for producers across the industry. Whether capturing the intensity of live sports, the energy of a concert, or the polish of a corporate broadcast, the MU-3 consistently exceeds expectations.

MU-4 45’ 3G Single Expando: Frequently Asked Questions

/in /by

MU-4 45’ 3G Single Expando is one of the premier mobile production units offered by Live Media, renowned for delivering exceptional live event production services.

Whether you’re planning a high-profile sports broadcast, a corporate event, or a concert, MU-4 is designed to meet your needs with advanced technology, reliability, and versatility. Below, we answer frequently asked questions about this cutting-edge production unit.

MU-4 42′ Single Expando

 What is MU-4 45’ 3G Single Expando used for?

The MU-4 is designed for live event production, offering robust capabilities for:

  • Sports events, including live broadcasting with multiple camera angles and instant replays.
  • Concerts, ensuring dynamic video coverage and pristine audio quality.
  • Award shows and red carpets, providing high-resolution visuals and seamless transitions.
  • Corporate events, offering live streaming and on-site production.
  • Worship events, delivering clarity and precision for immersive experiences.

 Who owns and operates MU-4?

The MU-4 is part of the fleets operated by Live Media Group, TNDV, and GameTime Productions. Each company specializes in different aspects of live production:

  • Live Media Group: Offers a diverse range of production vehicles and advanced technology for live broadcasts.
  • TNDV: Focuses on high-quality, multi-camera productions for concerts, award shows, and corporate events.
  • GameTime Productions: Provides experienced crews for single events and large-scale projects, ensuring flawless execution.

 What are the key features of MU-4?

MU-4 is equipped with top-tier production technology, including:

  • A Grass Valley K-Frame 3G Switcher with 64 inputs and 36 outputs for real-time video management.
  • Replay and playback systems powered by EVS XT3 servers for instant highlights and smooth transitions.
  • Ten Grass Valley LDX 86 SMPTE WorldCam cameras with a wide selection of Fujinon lenses for dynamic, high-resolution coverage.
  • A Calrec Artemis Light Bluefin 2 audio console with 56 faders and support for MADI, AES, and analog audio.
  • An Evertz EQX 3G Router with multiview capabilities for efficient signal management.
  • A 160×160 RTS Adam Matrix Intercom system for reliable communication across production teams.

 How does MU-4 enhance live event productions?

MU-4’s advanced systems enable seamless production workflows:

  • Video Production: Its Grass Valley K-Frame switcher provides flexibility for live editing, effects, and transitions.
  • Replay and Playback: EVS XT3 systems allow instant replays and highlights, making it ideal for sports and fast-paced events.
  • Audio Precision: The Calrec audio console ensures high-quality sound mixing, even for intricate multi-source setups.
  • Reliable Communication: The RTS Adam Matrix Intercom system ensures coordination among large production teams.
  • Flexibility in Setup: Its robust cable inventory and versatile configuration make it adaptable to diverse venues and event types.

 What camera and lens options are available with MU-4?

MU-4 includes ten Grass Valley LDX 86 SMPTE WorldCam cameras and a variety of Fujinon lenses:

  • Long-range lenses: Two 88×8.8 HD and four 72×9.3 HD lenses.
  • Wide-angle lenses: One 12×4.5 lens and other servo zoom options like the 18×5.5 and 22×7.6.
  • These configurations provide flexibility for capturing detailed close-ups and expansive wide shots.

 What are the dimensions of MU-4, and how does its configuration support large productions?

MU-4’s dimensions are designed to maximize both mobility and workspace:

  • Base Dimensions: 43 feet long, 8.5 feet wide.
  • Expanded Workspace: A 36-foot-long, 5-foot-wide section creates ample room for production crews and equipment.
  • Total Length: 78 feet when fully expanded.
  • The truck’s design allows it to handle complex setups while remaining maneuverable for a variety of venues.

 What kind of audio system does MU-4 have?

The MU-4 features a Calrec Artemis Light Bluefin 2 console with:

  • 56 faders for precise audio control.
  • Support for 64×64 analog, 64×64 AES, and 256×256 MADI channels.
  • Hydra 2 Fiber Audio Field Boxes for seamless on-site audio management.
  • An optional Dante Fiber Audio Booth system to further expand its capabilities.

This system ensures that MU-4 can deliver pristine audio quality for events of any scale. 

How does MU-4 handle communication during live productions?

MU-4 is equipped with a 160×160 RTS Adam Matrix Intercom system, offering:

  • 16 Rvon channels and 32 MADI channels.
  • Eight powered PL channels and six powered IFB channels.
  • Dual-listen belt packs and high-quality headsets for clear communication. This system ensures seamless coordination among production teams, even during the most demanding events. 

What makes MU-4 stand out compared to other production units?

MU-4 stands out for its advanced technology, versatile design, and adaptability to a wide range of live events. Key highlights include:

  • Robust video, audio, and routing systems that integrate seamlessly.
  • A comprehensive inventory of cables and A/V equipment to handle complex setups.
  • Trusted operators in Live Media Group, TNDV, and GameTime Productions, bringing decades of expertise to every project.

 What types of events is MU-4 best suited for?

MU-4 is ideal for a variety of events, including:

  • Sports broadcasts: Dynamic camera coverage and instant replays.
  • Concerts: High-quality audio and multi-camera setups.
  • Corporate events: Live streaming, presentations, and on-site production.
  • Award shows: Seamless video transitions and real-time coordination.
  • Worship events: Clear visuals and precise audio for spiritual gatherings.

 How can I book the MU-4 for my next production?

Booking MU-4 is simple. Contact Live Media at solutions@livemediagroup.com or call 833-933-5483. 

 

Unlocking the Potential of MU-3 45’ 3G Single Expando: Your Questions Answered

/in /by

MU-3 45’ 3G Single Expando is a top-tier mobile production unit designed to handle the demands of modern live events. From sports broadcasts to corporate events, this production powerhouse is packed with advanced technology and versatility. To help you understand how MU-3 can elevate your next production, we’ve compiled answers to some commonly asked questions about its features and capabilities. 

What are the key features of MU-3 45’ 3G Single Expando?

 MU-3 boasts a wide range of cutting-edge features, including:

  • Grass Valley K-Frame 3G switcher with 64 inputs and 36 outputs.
  • EVS XT3 replay and playback systems for high-speed replays.
  • Ten Grass Valley LDX 86 WorldCam cameras with a variety of Fujinon lenses.
  • Calrec Artemis Light Bluefin 2 audio console with 56 faders.
  • Evertz EQX 3G router with 33 frame syncs and 246×32 multiview capacity.
  • Advanced RTS Adam Matrix intercom system for seamless communication.
  • Extensive cable inventory to handle complex event layouts.

These features make MU-3 a versatile choice for live productions of any scale. 

How does MU-3 enhance live event productions?

MU-3’s advanced technology provides unparalleled flexibility and efficiency:

  • High-Quality Video Production: The Grass Valley K-Frame 3G switcher and 10 Grass Valley cameras ensure dynamic, high-resolution visuals.
  • Efficient Audio Management: With the Calrec Artemis audio console, the MU-3 handles complex sound designs with ease.
  • Replay Capabilities: The EVS XT3 systems enable instant replays, critical for sports and other high-energy events.
  • Comprehensive Routing: Evertz routing and multiview capabilities streamline operations, ensuring seamless signal management.

By integrating these systems into a single unit, the MU-3 delivers a professional-grade experience. 

What types of events is MU-3 ideal for?

MU-3 is versatile and well-suited for a variety of live events, including:

  • Sports broadcasts with multiple camera angles and instant replays.
  • Concerts requiring dynamic audio and video coverage.
  • Corporate events with live streaming and on-site production needs.
  • Award shows and red-carpet events demanding high production value.
  • Worship events or other gatherings requiring top-notch audio and video quality.

Its flexibility allows it to adapt to events of all sizes and complexities.

What cameras and lenses are included in the MU-3?

MU-3 features ten Grass Valley LDX 86 WorldCam cameras and an array of Fujinon lenses:

  • Long-range lenses, including the 107×8.4 HD and 101×8.9 HD.
  • Wide-angle lenses like the 13×4.5 and 18×5.5.
  • Versatile options for extreme close-ups and expansive shots.

These cameras and lenses ensure MU-3 can capture every detail, no matter the setting.

How does MU-3 handle communication during productions?

MU-3 is equipped with an RTS Adam Matrix intercom system, which ensures reliable communication among production crew members. Key features include:

  • 208×208 channel support.
  • Rvon, MADI, and Omneo connectivity options.
  • Powered PL and IFB channels for seamless communication.
  • High-quality headsets and dual-listen belt packs.

This communication setup ensures clear coordination, even during high-pressure events. 

What audio capabilities does MU-3 offer?

MU-3’s audio system is powered by the Calrec Artemis Light Bluefin 2 console, which features:

  • 56 faders for precise control.
  • 64×64 analog, 64×64 AES, and 256×256 mono MADI channels.
  • Hydra 2 Fiber Audio Field Boxes for on-site audio routing.
  • Optional Dante Fiber Audio Booth system for additional flexibility.

These capabilities allow the MU-3 to handle even the most intricate audio requirements.

What makes MU-3 stand out among other production units?

MU-3 stands out for its combination of advanced features, flexible design, and proven performance. Its ability to seamlessly integrate video, audio, replay, routing, and communication systems into a single compact unit makes it a reliable choice for professional live event productions. It is particularly well-suited for events that demand high-quality output and adaptability to complex setups.

Ready to Elevate Your Production?

MU-3 45’ 3G Single Expando is a mobile production powerhouse designed to meet the evolving needs of live event producers. Whether you’re managing a sports broadcast, concert, or corporate event, this unit delivers exceptional results every time.  To learn how MU-3 can enhance your next production, contact Live Media at solutions@livemediagroup.com or call 833-933-5483. 

B-9

/in /by

B-9

53’ Single Expando Support Unit

10 Working Positions
60’ x 23′ Recommended Working Area
Single Phase, 208V, 150 Amps