Mobile Unit Snapshot: MU-27 – A Purpose-Built REMI Production Truck

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MU-27: A Purpose-Built REMI Production Truck for the Future of At-Home Broadcasting

As the broadcast industry continues its shift toward decentralized production workflows, the demand for mobile units that support REMI (Remote Integration Model) and at-home broadcast strategies has exploded. Live Media’s MU-27 is purpose-engineered to meet that demand—offering a powerful, agile, and non-expando production platform that brings all the field infrastructure you need without the footprint and complexity of a traditional broadcast truck.

With the explosion of live event streaming, esports, regional sports, and hybrid studio workflows, the MU-27 gives production teams a mobile solution that does more with less. It’s designed to act as the perfect field acquisition companion, enabling remote switching, centralized graphics and replay, and full camera control—all while reducing deployment time, operational overhead, and total system weight.

At 53 feet in trailer length, with a non-expando body and a working width of 14 feet, the MU-27 is lean but incredibly capable. With an overall working length of 78 feet (including tractor) and a GVW of 80,000 lbs, this truck is road-legal, logistically manageable, and easy to deploy in urban, stadium, or venue-constrained settings. Power comes from a standard 3-phase 200A setup at 190–280 volts, and a 200-foot feeder cable ensures long-distance venue hookup is never a problem.

Unlike expando trucks with full switcher bays, MU-27 is designed to integrate seamlessly into REMI workflows. There’s no onboard production switcher by default (though field configuration is possible), allowing productions to pass signals directly from the field to centralized control rooms where switching, graphics, and directing can occur remotely. This minimizes crew size, shortens setup time, and enables cost-effective live production without compromising quality.

The routing infrastructure is anchored by a Ross Ultrix 48×48 3G video router, supporting full audio embedding/de-embedding and four integrated multiviewers. This provides flexible signal management from cameras to replay to comms. The router interfaces with 48×48 frame sync I/O and is equipped with 2×2 MADI ports for audio transport. Paired with a Ross Sync Generator with automatic failover, MU-27 is rock solid in any live scenario.

The camera package is designed for high-end acquisition in remote and hybrid workflows. MU-27 comes equipped with nine Grass Valley LDX80 Premiere cameras with triax backs, and one LDX86 that supports both dual triax and SMPTE fiber, giving producers flexibility across diverse field scenarios. With nine Grass Valley triax or SMPTE base stations and six LDK Super XPander kits, the truck supports large-scale camera builds, sideline kits, and shoulder operations. The lens package includes everything from long box zooms—like the Fujinon 88×9.3 and 77×9.3 lenses—to wide-angle ENG options like the 13×5.5 and 22×7.8 zooms. Wired for up to 10 CCUs, the camera setup makes MU-27 a full field studio on wheels.

For replay, MU-27 is wired to support two 6-channel EVS units and one 4-channel spotbox. While EVS units aren’t included by default, the infrastructure is pre-wired and integrated with an EVS XHub and routing backbone, allowing instant deployment of ingest and replay systems. This enables on-site ISO recording or remote-controlled replay from centralized hubs, depending on the production’s needs.

Audio operations are led by a Calrec Omega console with Bluefin DSP, providing 56 faders, 160 DSP channels, and support for 96 mic/line inputs, 96 outputs, 32×32 AES, and 128×128 MADI routing. With 20 mono or 10 stereo aux sends, multitrack outputs, and support for both stereo and 5.1 program audio, MU-27 delivers network-quality audio in a tight, remotely operable format. The suite includes a DK Audio phase monitor, DBX 1046 compressor/limiter, DigiCart playout systems, and Genelec/Wohler monitoring for control rooms and suites.

Communication is critical in any REMI operation, and MU-27 delivers with a 64-port licensed RTS ODIN matrix, providing deep VoIP, 4-wire, and IFB support. The truck includes 16 4-wire ports, 16 RVON channels, four RTS KP-32 intercom panels, and two KP-12 stations for flexible talkback assignments. It also features RTS TIF-2000 telephony interfaces, a JK Audio Innkeeper hybrid, belt packs, IFB packs, and both single and dual-muff Beyer headsets. This allows directors, operators, and remote talent to stay fully in sync—whether they’re on the truck, at a production hub, or joining via remote uplink.

MU-27’s AV support inventory includes all the tools needed for remote talent and sideline deployment: HMD26 announcer headsets, Studio Tech announcer boxes, Sennheiser MD46 stick mics, MKH416 shotguns, MKH807 long-range mics, and MKH418 stereo units. Monitoring is handled with 15” and 21” SDI field displays and an LED light kit for flexible mobile setups.

Cabling includes 7000 feet of triax camera cable, 3500 feet of TAC-12 fiber, 3000 feet of DT12 audio multicore, and 1500 feet of XLR plus 2100 feet of 4-pair audio mult. Two 5-wire coax mults, totaling 300 feet, are also included—giving engineers everything needed for remote integration over short or long distances.

Why MU-27 Is the REMI Truck for Today’s Broadcast Reality

With live events shifting toward hybrid, cloud, and REMI models, the MU-27 provides a forward-looking solution for teams seeking efficient, modular, and flexible broadcast support. It’s a full-featured field truck that hands off routing, audio, replay, and comms cleanly to centralized production facilities—reducing on-site crew sizes, gear transport needs, and turnaround times.

Whether you’re covering regional sports, streaming worship services, broadcasting corporate meetings, or producing news from the field, the MU-27 gives you professional-grade acquisition, audio, and signal control in a purpose-built, REMI-first package.

 

Mobile Unit Snapshot: MU-24 – A Compact, Capable Broadcast Truck

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MU-24: A Compact, Capable Broadcast Truck Built for Speed, Agility, and Full-Scale Performance

In today’s broadcast landscape, production teams are being asked to do more with less—less space, less setup time, and leaner crews. That’s where the MU-24 shines. Built by Live Media to address the evolving demands of regional broadcasts, mid-size live events, remote studios, and fast-paced field production, the MU-24 packs full broadcast-grade capabilities into a compact, single-expando format.

Measuring just 40 feet in length and expanding to a 48-foot operational bay, this mobile unit delivers a comprehensive toolset: multi-M/E switching, multi-camera acquisition, EVS replay, integrated routing, audio mixing, comms, and full signal transport. Whether you’re capturing a regional sporting event, streaming a corporate town hall, running a mobile news studio, or supporting a worship broadcast, MU-24 gives you big performance without a big footprint.

The truck’s compact design is matched with smart power infrastructure—a 3-phase, 208V setup drawing 150 amps, with no neutral required. The 150-foot feeder cable and Camlock connectors support flexible venue integration, allowing crews to get powered up quickly in urban, campus, or stadium environments.

At the heart of MU-24 is a Grass Valley K-Frame production switcher with a Kayenne 4-stripe, 35-button panel. Despite the unit’s compact form factor, the switcher supports 5 mix effects (M/E), 64 video inputs, and 32 outputs, enabling full-scale production for multi-camera shows. Features like FlexiKey™, Double Take, and full chroma keying give TDs the creative control needed for dynamic transitions, graphics layering, and live compositing. The system includes six internal DPMs and one external DPM, along with an image store for clip playback—ensuring MU-24 can deliver clean, network-quality content with minimal gear and crew.

MU-24 is also built for live replay, with a fully integrated EVS environment. The truck includes two EVS XT3 6-channel LSM servers, an EVS XS 4-channel spotbox with a Lance controller, and both an X-File3 and X-Hub for high-speed file transfer and media sharing. It’s configured to support three 10-channel replay positions and one 4-channel spotbox, giving sports, entertainment, and studio producers the instant playback and ISO ingest functionality they need for live event workflows.

Signal management is handled via a Grass Valley NVision 3G router, built around a 144×288 video matrix. With 32×32 embedding and de-embedding capabilities, the router ensures reliable audio-video signal alignment across multichannel workflows. The truck includes 16 AJA frame syncs and cross-converters for standards compliance and signal matching. Its multiview system supports 160 sources across 28 viewing windows—giving directors and engineers the confidence to manage all live and recorded feeds in real time. For tally integration, MU-24 includes a TSL TallyMan interface to manage camera and operator signaling.

On the acquisition side, MU-24 includes eight Grass Valley LDX80 Premiere cameras and six LDK4426 fiber triax converters, providing flexibility for long cable runs and efficient camera deployment. The unit also includes five Super XPander camera adapters with 7” viewfinders, giving operators full shoulder or pedestal support in the field. Its Fujinon lens kit features five 77×9.5 HD long-zoom field lenses, three 22x ENG lenses, one 17x ENG lens, and a 1x wide-angle lens—enabling coverage for everything from tight action shots to sweeping audience or stage views. MU-24 is wired for up to 10 camera control units (CCUs), delivering full paint and iris control for consistent, high-quality images.

Audio operations are driven by a Calrec Artemis Light digital console, offering 40 faders, 240 DSP inputs, and an extensive I/O suite that includes 64×64 analog, 128×128 AES digital, and 128×128 MADI routing. With built-in support for multichannel audio capture, routing, and live mixing, the Artemis console makes MU-24 a reliable hub for live concerts, spoken word, or fully immersive stereo broadcasts.

Communication is also robust. MU-24 comes equipped with a RTS ADAM intercom system, configured as an 80×80 matrix with support for 16 RVON channels, 12 powered PL channels, and 8 powered IFB outputs. RTS belt packs, IFB boxes, and Beyer headsets are included to keep the entire crew connected, whether on set, in the booth, or managing remote audio/video capture.

To support announcers and AV operators, MU-24 includes a thoughtful selection of gear: HMD26 announcer headsets, Studio Tech boxes, MD46 stick microphones, MKH416 shotguns, MKH807 long-range microphones, MKH418 stereo mics, and a variety of SDI field monitors for on-site control. LED light kits are available for quick booth or talent setups when ambient lighting falls short.

Despite its smaller size, MU-24 includes a comprehensive cabling infrastructure: 7000 feet of triax for camera connectivity, 4000 feet of DT12 audio multicore, a 1000-foot TAC-12 fiber run, and a 500-foot TAC-4 run—providing the signal distribution backbone for professional setups that span multiple venues, rooms, or stages.

Why MU-24 Is the Right Fit for Regional and Agile Broadcasts

The MU-24 shines in applications where full broadcast capability is required but space, time, or logistics are limited. Its single-expando design allows for rapid setup and teardown, making it ideal for regional sports broadcasts, corporate meetings, worship services, concerts, and town halls. It also functions beautifully as a flypack companion or standalone control room for live streaming productions, virtual events, or temporary studio builds.

Its smart layout, flexible power system, and proven GV + EVS + Calrec core make it a trusted tool for broadcast teams who need rock-solid signal integrity, multi-format support, and mission-ready agility. It’s smaller than flagship OB trucks but delivers where it counts—with broadcast-grade signal paths, multichannel replay, and UHD-ready camera systems, all in a right-sized form factor.

To book MU-24, please contact us at solutions@livemediagroup.com or 833.933.5843.

Mobile Unit Snapshot: MU-22 Compact Ku-Band Mobile Production + Transmission Truck

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MU-22: The Ultimate Compact Ku-Band Mobile Production + Transmission Truck for Remote Broadcasts

In a broadcast landscape where mobility, speed, and reliability are more critical than ever, the MU-22 emerges as a uniquely powerful solution. Built by TNDV and engineered with both field production and satellite transmission in mind, this 48-foot 3G double expando production truck brings together a robust live production control room with a fully integrated Ku-band satellite uplink—all in one compact, agile vehicle.

Whether you’re covering breaking news, broadcasting a live political debate, producing sports reports from remote locations, or delivering corporate events with limited infrastructure, MU-22 gives you full control from camera to satellite feed—without the need for a separate uplink truck or secondary facility. It’s the ultimate field-ready unit for broadcasters, agencies, government teams, and content creators looking for broadcast-grade flexibility in a single mobile platform.

The MU-22 is 48 feet in road mode and features dual expandable sides, bringing the working bay to 49 feet by 5 feet and allowing a total operational length of 75 feet. At 80,000 lbs GVW, it’s built for heavy-duty deployment while remaining maneuverable for tight lots and urban environments. The power infrastructure supports 3-phase 200A per leg at 190–240 volts, and a 150-foot feeder cable provides flexibility for external hookups.

MU-22 Exterio At the center of MU-22’s production capability is the Grass Valley K-Frame 3G video switcher, complete with a Kayenne 4-stripe, 35-button control panel. Supporting 5 M/E, 64 inputs, and 48 outputs, this switcher delivers the broadcast flexibility needed for multi-angle productions, complex mix effects, and quick-turn live workflows. Operators benefit from built-in FlexiKey and Double Take functionality, along with advanced chroma keying and an integrated image store for clip playout and real-time transitions.

MU-22’s replay system is built for ISO ingest, clip rollouts, and live replays, with a fleet of EVS XT3 servers configured for multiple use cases. The system includes one 8-channel LSM server, one 6-channel LSM server, one 12-channel unit set up as a 4-channel spotbox for dual-user control, plus an EVS X-file3 on a 10G file network and an EVS X-hub3 for media sharing. The truck is wired for three 6-channel and two 4-channel EVS servers, offering flexible replay architecture in a mid-sized unit.

Routing and signal management are handled through a Grass Valley Node 3G router, configured with a 144×144 matrix and 48×48 audio embedding/de-embedding. An integrated 384×384 audio router handles high-density audio paths, and signal synchronization is managed via 16 AJA 3G U/D/C frame synchronizers with embedded color correction. The multiview system offers a 162×18 display capacity, giving operators, directors, and tech teams complete visibility across live feeds, returns, ISO channels, and tally. Tally control is managed through the TSL Tallyman interface, supporting seamless integration across the board.

MU-22’s camera system includes ten Grass Valley LDX 86 WorldCam cameras, five Super XPanders with 7” viewfinders, and a versatile Canon HD/UHD lens kit. The lens inventory covers everything from tight field-of-view shots to wide-angle coverage, including two Canon 80x HDs, two 76x HDs, one 72x HD, four 22x ENG lenses, two 11×4.7 wide-angle models, and a Canon 17x ENG lens. Camera support is provided by five Vinten Vector 75 pan heads with tripods, and three ENG pan head kits. MU-22 is fully wired for 12 CCUs, and Grass Valley LDK 4426 single-mode triax adaptors are available for deployments requiring longer cable runs or fiber flexibility.

Audio production is powered by a Calrec Artemis Light console, featuring 48 faders across 12 dual-fader layers and Bluefin2 processing. The system includes MU-22 Floor Plan 64×64 analog I/O, 64×64 AES, 384×384 MADI, and 64×64 Dante IP connectivity—making it ideal for AoIP and multiformat environments. The console is integrated with a 64-channel Waves SoundGrid server for real-time audio shaping, mixing, and mastering.

MU-22’s communications system is anchored by an RTS Adam M 176×176 matrix intercom, with support for 64 OMNEO IP channels, 32 MADI paths, 16 RVON channels, and multiple powered PL and IFB lines. With RTS belt packs, IFB boxes, DT108/DT109 headsets, Innkeeper telephone interfaces, and ringdowns for point-to-point talkback, the truck supports fast, reliable communication from anywhere in the field.

But what sets MU-22 apart from most production trucks in its class is its integrated Ku-band satellite transmission system. This fully redundant, built-in uplink setup includes a 2.4-meter AVL Ku-band antenna, dual 125-watt Advantech hub-mount SSPBs, and Ericsson AVP3000 HD encoders paired with RX8200 IRDs. This setup allows for immediate field contribution, backup feeds, or primary network handoffs, all without waiting for an external uplink vehicle. It’s an ideal solution for breaking news, remote press events, or field-based multi-platform streaming and broadcast.

AV support gear includes HMD26 announcer headsets, Studio Tech boxes, MD46 stick mics, MKH416 shotguns, MKH8070 long shotguns, MKH418 stereo microphones, 15” and 21” SDI field monitors, and LED light kits—ensuring your crew and talent are fully equipped for field operations.

The cable infrastructure is equally robust, including 7000 feet of triax, 3000 feet of DT12 audio multicore, 3000 feet of single coax, XLR audio, and multiple fiber runs including TAC-12 and TAC-4. The truck also includes triax and coax looms, audio snakes, and SMPTE-compatible interfaces, supporting a wide variety of venue and field deployment scenarios.

Why MU-22 Is a Game-Changer in Mobile Broadcast

MU-22 is one of the most compact yet powerful mobile production and satellite uplink trucks on the market. With a full Grass Valley 3G core, complete EVS replay, Calrec audio, multiview and tally systems, and a fully integrated Ku-band uplink, it’s ready for deployment at any time, in any location. It’s especially suited for government events, public service broadcasts, crisis response communications, live political town halls, and sports broadcasting where traditional infrastructure isn’t available—or time is critical.

Whether you’re handling live content for national broadcast or creating a reliable backup path for OTT and linear feeds, MU-22 offers end-to-end signal control, contribution, and transmission in one unit. It delivers speed, agility, signal integrity, and redundancy, setting the standard for mobile units designed for today’s dynamic live media environment.

To book MU-22, please contact us at solutions@livemediagroup.com or 833-933-5483.

 

Mobile Unit Snapshot: MU-18 UHD-HDR Mobile Production Truck

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MU-18: A Versatile UHD-HDR Mobile Production Truck for Mid-to-Large-Scale Broadcasts

In today’s fast-paced world of live broadcasting, production teams are tasked with delivering pristine video, immersive audio, and seamless multi-camera workflows—often under tight timelines and in dynamic environments. That’s where the MU-18 from TNDV comes in. This 53-foot 3G single expando UHD-HDR production truck is purpose-built for broadcast professionals who need power, flexibility, and reliability in a compact yet fully featured platform.

As the demand for UHD and HDR content increases across sports, entertainment, streaming, and corporate sectors, the MU-18 stands out as a true workhorse. It delivers top-tier visuals, high-capacity replay, robust routing, and fully integrated audio and communications in a footprint that fits tight lots and fast turnarounds. Whether you’re producing a national sports event, a live music special, or a corporate townhall with remote uplinks, MU-18 offers a high-performance solution that scales with your production.

The MU-18 mobile unit measures 53 feet in road mode and expands to 49 feet by 5 feet, offering ample space for production crews, engineers, and talent. It supports a working length of 61 feet once fully deployed and operates on a 3-phase, 200-amp service at 190–280 volts, powered through a 200-foot feeder cable. With a gross vehicle weight of 80,000 pounds, it’s built for the road but operates like a full broadcast studio.

MU 18 Header The production switcher at the heart of MU-18 is a Grass Valley K-Frame 3G system with a Kayenne 4-stripe, 35-button panel. Supporting 5 M/Es, 104 inputs, and 56 outputs, it provides all the power needed for multi-layered video productions. Key features include FlexiKey™, Double Take, full chroma keying, and a deep library of DPMs for video layering and graphics integration. The switcher also includes an integrated image store and is M/E View enabled, allowing operators to quickly customize their workflows. RGB color correction across M/Es ensures vibrant, true-to-life picture quality across UHD and HDR formats.

Replay capabilities are another defining strength of MU-18. It’s equipped with four EVS XT4K 12-channel LSM servers, plus an EVS XT3 6-channel spotbox with a Lance Controller, allowing for high-volume clip playout, ISO ingest, and live replay. With an EVS X-file3 and XNET Hub3 integrated into a 10G file network, the unit is wired for 72 total EVS channels, making it ideal for high-speed live sports or entertainment events that demand instant access to every camera angle.

Routing and terminal infrastructure inside MU-18 is anchored by an Evertz EQX 3G Video Router with a 436×472 matrix and 96×96 embedding/de-embedding. This is paired with an Evertz EMR Audio Router boasting 1152×1152 MADI, 96×96 AES digital, and 192×192 analog mono support. The unit supports a multiview layout of 320×38, providing clear visibility into all incoming and outgoing feeds, replay channels, and ISO records. Frame sync and color correction are managed by 48 Cobalt 9905-MPx HDR frame synchronizers with 3D LUT support, five standalone color correctors, and four TX processors for UDC conversions, making this truck an ideal choice for multiformat, multiplatform content delivery.

For acquisition, MU-18 comes with ten Sony HDC-4300 UHD/HDR cameras, six Sony HDLA-1505 large lens adaptors with OLED viewfinders, and a premium Fujinon lens kit including long throw and wide-angle optics. The setup includes four stabilized Fujinon 107×8 UHD lenses, three 99×8.4 UHD units, HD lenses, servo zooms, and wide-angle options to cover everything from tight field-of-play shots to expansive audience or stage coverage. Six Vinten Vector 750 heads with HDT2 tripods and four Vinten 100 ENG systems support flexible positioning, while wiring for 16 cameras ensures the truck is ready for complex, multi-angle live productions.

Audio operations are just as robust. The MU-18 includes a Calrec Artemis Beam digital audio console with 64 faders, 96×96 analog I/O, 64×64 AES digital I/O, and 512×512 MADI routing. Integrated Waves Broadcast Suite tools provide additional processing flexibility, and an Enco audio playout server handles automation for complex programming needs. Whether you’re producing immersive surround sound for a concert or ensuring audio precision for a network broadcast, the MU-18 delivers.

For communication, the truck features a RTS Adam Matrix Intercom system with a 288×288 core, 64 OMNEO IP channels, 32 RVON VoIP channels, and 64 MU-18 Floorplan MADI channels. With 12 powered partyline and IFB paths, plus belt packs, IFB receivers, headsets, and telephone interfaces, it ensures that everyone from camera ops to production leads stays connected and in sync, regardless of location or broadcast complexity.

The MU-18 also includes a comprehensive A/V support package. It features HMD26 headsets, Studio Tech boxes, Sennheiser MD46 stick mics, MKH416 shotguns, MKH870 long shotguns, MKH418 stereo microphones, and both 15” and 21” SDI monitors for confidence viewing in the field. Portable LED lighting kits are included for low-light or impromptu talent setups.

Its cabling infrastructure includes 7000 feet of SMPTE fiber, additional SMPTE multiplex runs, 3000 feet of DT12 audio multicore, audio snakes, 5000 feet of coaxial cable, and TAC fiber options for long-distance signal distribution. Whether you’re rigging a sprawling festival site or a compact studio footprint, MU-18’s cable setup adapts with precision and reliability.

What sets the MU-18 UHD HDR production truck apart is its ability to deliver studio-grade production quality in a more compact and flexible package. Designed for deployment in urban environments, regional sports stadiums, mobile festival setups, and corporate spaces, it balances capability and footprint without sacrificing professional-grade results.

If your production requires high-capacity EVS replay, UHD/HDR camera workflows, real-time routing and multiviewing, and integrated broadcast audio, MU-18 is ready to roll. It brings the power of a full broadcast control room into a mobile platform designed for today’s most challenging, creative, and high-expectation productions.

 

To book MU-18, please contact us at solutions@livemediagroup.com or 833-933-5483.

 

Mobile Unit Snapshot: MU-21 48-foot 3G double expando production truck

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MU-21: A Mobile Production and Satellite Uplink Powerhouse for Modern Live Broadcasts

In the fast-paced world of live television, sports coverage, remote news gathering, and multi-venue events, the need for integrated production and transmission solutions has never been more urgent. Enter the MU-21, a uniquely versatile 48-foot 3G double expando production truck that combines full broadcast switching, multichannel replay, and C-Band satellite uplink capabilities into a single, compact mobile platform.

Designed and operated by TNDV, a division of Live Media Group, the MU-21 is purpose-built for live events where signal integrity, connectivity, and agility are paramount. From national news coverage to sports broadcasting and political town halls, this production truck is the answer for productions that require a complete field control room and uplink facility in one self-sufficient footprint.

MU-21 Exterior At its core, MU-21 houses a Grass Valley K-Frame 3G production switcher with a powerful Kayenne 4-stripe, 35-button control panel. With 5 M/Es, 64 inputs, 48 outputs, and an advanced feature set including FlexiKey, Double Take, and full chroma key support, this truck is designed to handle high-volume, multi-angle productions with ease. The switcher includes 16 iDPM and 16 EDPM processors and a built-in image store, making real-time transitions, effects, and video layering highly efficient in fast-moving broadcast environments.

Replay power is driven by a robust EVS XTVia system—three 8-channel LSM servers, a 4-channel spotbox with Lance controller, and a 10G-connected EVS X-file3 for fast file transfer and archive management. The system is wired for five 6-channel EVS servers, enabling simultaneous ISO recording, clip playout, and live replay across multiple camera feeds. At the heart of this network is the EVS X-Hub3 media router, providing high-speed content sharing across all replay devices.

Routing is handled via a Grass Valley NVision 3G video router with a 252×378 matrix and 90×90 audio embed/de-embed capability. This is complemented by a dual-tier multiview system—216×24 for the main multiviewer and a 32×4 For-A auxiliary display—to give production teams precise oversight of all sources. The truck also includes 30 AJA 3G up/down/cross frame syncs with built-in color correction for format matching across multi-camera workflows. An integrated TSL Tallyman system keeps all tally states in sync for operators and talent across camera channels and control surfaces.

MU-21 features a high-end Grass Valley camera package, including 10 LDX 86 WorldCam units, which support global HD and UHD production standards, along with 5 Super XPander systems and 8 fiber triax converters. Its premium Canon lens inventory includes 95x and 80x long zoom lenses, several 22x ENG lenses, and wide-angle options like the 11x and 17x glass. Five Vinten Vector 75 pan heads and three handheld tripods provide stable support for all camera configurations, and the truck is wired to support up to 12 CCUs, ensuring complete remote control and shading flexibility.

Audio capabilities are built around the Calrec Artemis Light digital console with Bluefin2 processing. It offers 48 faders, 12 dual-fader layers, and a wide MU-21 Thumbnail range of connectivity including 64×64 analog, 64×64 AES, 384×384 MADI, and 64×64 Dante I/O—all processed through the integrated Waves SoundGrid broadcast suite for dynamic mixing, mastering, and processing. The truck also includes a Waves SoundGrid server for dedicated plugin hosting and advanced signal chain customization.

When it comes to communication, MU-21 keeps your crew connected with an RTS Adam M matrix intercom system configured with a 176×176 core. It supports 64 OMNEO IP channels, 32 MADI, and 16 RVON VoIP paths, along with 12 powered PL lines and 8 IFB circuits. The unit comes fully stocked with RTS belt packs, IFB units, telephone interfaces (including Innkeeper hybrid units), and Beyer headsets for complete internal and external communications control—even in the most complex multi-team workflows.

What truly sets the MU-21 apart from traditional production trucks is its integrated C-Band satellite uplink system. Built directly into the unit, this setup includes a 2.4-meter AVL C-Band uplink antenna and a pair of 400-watt Advantech SSPBs. Dual Adtec Affinity mux encoders, Ericsson modulators, and RX8200 receivers provide complete redundancy and flexibility for direct-to-air contributions, network feeds, and mission-critical signal paths. This level of transmission capability eliminates the need for separate satellite trucks and reduces setup time—making the MU-21 ideal for breaking news, remote sporting events, and on-location specials where production and uplink must be tightly integrated.

Beyond transmission and control, MU-21 supports AV operations with a deep equipment list that includes HMD26 headsets, Studio Tech boxes, MD46 stick mics, MKH416 shotguns, MKH8070 long shotguns, and MKH418 stereo options. Field monitoring is handled with 15” and 21” SDI monitors and LED light kits, ensuring operators and talent have clear visuals regardless of shooting conditions.

MU-21 Floorplan The cable infrastructure on board supports full deployment across multiple remote points, featuring 7000 feet of triax, 3000 feet of DT12 audio multicore, 3000 feet of single coax, and TAC fiber runs up to 1000 feet. With coax looms, triax looms, and extensive XLR and audio snake options, MU-21 is ready to meet nearly any site requirement—no matter how challenging the environment.

Why MU-21 Is the Broadcast Truck You’ve Been Waiting For

MU-21 redefines what a modern broadcast vehicle can be. It delivers production-grade switching, network-level replay, multi-camera UHD/HDR acquisition, studio-quality audio, and redundant satellite transmission—all in one 48-foot double-expando unit. It’s ideal for productions where space, power, and uptime are non-negotiable, and where live content must be captured and transmitted without delay. Whether you’re covering an international sports feed, streaming a live concert, or sending a breaking news feed to air, MU-21 brings the control room and uplink station directly to your event.

To book MU-22, please contact us at solutions@livemediagroup.com or 833-933-5483.

 

Mobile Unit Snapshot: MU-16 UHD / HDR 1220 IP Production Vehicle

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In the evolving world of live broadcast and large-scale production, staying ahead of the technology curve is essential. Enter MU-16, Live Media’s most advanced UHD HDR 2110 IP production truck. This 53-foot mobile, single expando powerhouse is engineered specifically for cutting-edge IP-based live broadcasts, large-scale sports, entertainment specials, music events, and mission-critical productions that demand flawless UHD HDR workflows and unparalleled reliability. As live events become more complex and global audiences expect higher quality, MU-16 is built to meet and exceed those demands.

MU-16: Next-Generation Mobile Production Truck

MU-16 is not just another production truck. It represents the latest evolution in mobile broadcast infrastructure, combining full ST 2110 IP routing with UHD HDR production capabilities, ST 2022-7 seamless redundancy, and unmatched signal flexibility. Whether you are producing a UHD sports broadcast, a global entertainment special, or a hybrid OTT and linear television simulcast, MU-16 delivers the performance, scalability, and reliability that today’s productions demand.

At the core of MU-16 is a comprehensive IP production backbone that provides a fully redundant, seamless protection switching network. The ST 2110 IP architecture ensures uncompressed video, audio, and data routing across the system with rock-solid reliability, supported by dual Red and Blue network paths. This design maximizes uptime and signal integrity, even in the most demanding live environments. With ST 2022-7 seamless protection switching and an EVS Strada IP core integrated with Cerebrum control and Neuron processing, MU-16 allows production teams to manage complex, multi-layered events with confidence.

The production switcher at the heart of MU-16 is the Grass Valley Kayenne XP, designed for UHD HDR and IP workflows. This 7 M/E switcher offers 94×48 IP routing along with 24×12 SDI local I/O, providing seamless hybrid operation for productions that require both legacy SDI and next-gen IP workflows. With advanced features like FlexiKey, Double Take, chroma keying, and extensive DPM effects engines, MU-16’s switcher is equipped to handle the most creative, technically demanding productions. A 128GB RAM image store and M/E View functionality ensure operators have all the tools needed for dynamic, real-time production management.

In today’s fast-paced production environments, replay and content management are critical. MU-16 delivers with a high-capacity EVS infrastructure, including five XTVia 12-channel LSM servers with dual-user capability, an XTVia 6-channel spotbox with Lance Controller, two X-file3 servers with a 10G file network, and two EVS IP Director systems. MU-16 is wired for 102 channels of EVS replay, providing the ability to capture, replay, and archive every moment, no matter how complex the production.

Camera operations on MU-16 are just as impressive, supporting twelve Sony HDC3500 UHD HDR cameras with four Sony HDLA1505 large lens adaptors for maximum versatility. The premium Canon and Fujinon lens package includes four Fujinon 107×8.4 UHD stabilized lenses for crystal-clear, long-range shots, four Fujinon 18×5.5 servo zoom lenses, and four Fujinon 14×4.5 wide-angle lenses for capturing immersive, ultra-wide visuals. With a combination of Vinten Vector 750 and Vinten 250 pan heads and tripods, the camera setup ensures smooth, stable shots for any application. The truck is wired for 18 CCUs, providing complete camera control for any scale of production.

Audio capabilities on MU-16 are equally impressive. The main console is the Calrec Argo Q digital surround sound console, featuring a 72 dual-fader surface with a powerful 1152-channel DSP core. This console offers extensive analog, AES, MADI, and DANTE I/O, along with 64-channel Waves integration for industry-leading audio processing. Complementing the main console is a Calrec Argo S submix console with a 48-fader surface, 256-channel DSP core, and full I/O integration. With redundant impulse cores and ST 2110 routing, MU-16 provides broadcast-grade audio for the most demanding live events, including sports, music, and entertainment productions.

Robust Communication Systems

Communications are another critical component of any mobile production, and MU-16 delivers with a robust RTS Adam2 Matrix Intercom system. Offering a 256×256 core, 384 OMNEO channels, 32 RVON+ channels, 8 powered PL channels, and 12 powered IFB channels, this system ensures flawless communication between crew, talent, and production teams. Additional equipment, including RTS belt packs, IFB systems, and high-quality Beyer headsets, ensures everyone stays connected, even during the most complex productions.

Comprehensive A/V Support Inventory

MU-16 also includes an extensive A/V support inventory, with HMD26 announcer headsets, Studio Tech announcer boxes, MD46 stick microphones, a range of Sennheiser MKH series shotgun microphones, confidence monitors, and portable LED light kits. With 9000 feet of SMPTE fiber, SMPTE looms, DT12 audio multicore, audio snakes, and coax infrastructure, MU-16 is fully prepared for large, distributed event setups, offering the cable and connectivity needed for flexible production layouts.

One of the standout features of MU-16 is its hybrid IP/SDI operation, which allows production teams to work seamlessly across legacy systems and next-generation IP networks. This flexibility is crucial for productions that span multiple locations, require simultaneous OTT, linear, and live streaming distribution, or demand seamless integration of UHD HDR content across diverse platforms.

The Ultimate UHD HDR 2110 IP Production Truck

MU-16 is the ideal UHD HDR 2110 IP production truck for events where failure is not an option. Whether it’s a global sports broadcast, a multi-stage music festival, a high-profile entertainment special, or a hybrid OTT and linear simulcast, MU-16 delivers scalable, future-proof performance. With redundant IP cores, seamless protection switching, powerful Cerebrum control, and a production environment built for today’s most challenging live events, MU-16 stands as the most capable mobile unit in Live Media’s fleet.

If your next project demands cutting-edge IP-based workflows, scalable UHD HDR production, and broadcast-grade reliability, MU-16 2110 IP UHD HDR production truck is ready to take your event to the next level.

Mobile Unit Snapshot: MU-15 UHD/HDR 3G Production Vehicle

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When it comes to large-scale live broadcasts, UHD and HDR productions, and multi-camera event coverage, having the right mobile production unit can make or break your show. That’s why MU-15, Live Media’s flagship UHD/HDR 3G single expando production truck, stands out as one of the most powerful and versatile mobile broadcast solutions available today. Purpose-built for the demands of modern live productions, MU-15 seamlessly integrates advanced switching technology, expansive routing, high-density EVS replay, and pristine audio control into a single mobile unit capable of tackling the most complex and high-capacity productions on the road.

MU-15 is designed from the ground up to support UHD and HDR workflows, enabling productions to meet the rising expectations of global audiences across sports, entertainment, streaming platforms, and corporate events. With its premium camera package, expansive routing capabilities, and multi-format support, this 53-foot UHD production truck is built to deliver studio-grade performance in the most challenging live environments.

At the heart of MU-15 is a powerful Grass Valley K-Frame 3G switcher with a Kayenne 4-stripe, 35-button panel. Offering 7 mix effects (M/E) with full UHD and HDR support, this production switcher delivers 128 inputs and 64 outputs, giving technical directors and vision mixers complete control over even the most complex, multi-layered shows. With built-in FlexiKey functionality, Double Take transitions, advanced chroma keying, 12 internal and 4 external digital picture manipulators (DPM), and an integrated image store, MU-15 offers unmatched switching flexibility and creative possibilities for UHD and HDR production workflows. The M/E View feature ensures operators have complete real-time visibility and control, allowing for smooth, dynamic production execution across sports broadcasts, award shows, live concerts, and corporate events.

The replay backbone of MU-15 is equally impressive. Featuring four EVS XTVia 12-channel LSM servers with dual-user capability, an EVS XT3 6-channel spotbox with Lance Controller, and an EVS X-file3 with a 10G file network, MU-15 provides robust, reliable replay functionality at scale. With wiring for up to 70 channels of EVS replay and integrated control through the EVS Via Xhub, this mobile unit gives production teams the ability to capture, replay, and archive every critical moment, ensuring seamless multi-angle coverage for sports events, entertainment specials, and live broadcasts.

Routing is managed through a massive GV NV8576 3G video router, configured with a 540×954 matrix, supporting UHD and HDR signal management across the production workflow. This system offers 176×160 channels of embedding and dis-embedding, 32×64 analog routing, 32×32 AES routing, and a 768×768 MADI backbone, providing the flexibility and redundancy needed for mission-critical productions. MU-15 also features a multiviewer system with 342×38 window capacity, along with 20 For-A HDR up/down/cross frame syncs with integrated color correction and 40 EVS Neuron HDR frame syncs with custom LUT and color correction support. This ensures signal consistency and production quality from acquisition through final output.

Camera acquisition is handled through a fleet of ten Sony HDC3500 UHD-HDR cameras, offering pristine image quality, reliability, and full HDR support. MU-15’s premium lens package includes four Fujinon 107×8.4 UHD lenses with stabilization, a mix of additional Fujinon UHD and HD zooms, and wide-angle options for capturing every detail, from wide crowd shots to tight action sequences. The camera system is supported by six Vinten Vector 750 pan heads, four Cartoni Focus 22 ENG tripods and pan heads, and wiring for up to 16 camera control units (CCUs). Additional camera and lens configurations are available, making MU-15 adaptable for productions of any size or complexity.

Audio facilities are led by the Calrec Apollo digital surround sound console, featuring 64 faders across eight dual-fader layers, providing pristine audio quality and control. With 96×96 analog I/O, 192×192 AES digital I/O, 512×512 MADI, and integrated Waves Broadcast Suite processing, MU-15 delivers broadcast-grade audio across multi-platform productions. The system also includes Daysequerra ILM-8 loudness metering, ensuring compliance with broadcast standards and providing consistent, professional sound quality.

Clear, reliable communications are critical for complex live productions, and MU-15 delivers with a 176×176 RTS Adam Matrix intercom system. With 64 OMNEO channels, 48 RVON channels, 64 MADI channels, and 12 powered PL and IFB circuits, this system ensures production teams remain connected and in sync across all departments. The truck is also stocked with RTS belt packs, IFB systems, and high-quality Beyer headsets for talent and crew, providing seamless, real-time communications for even the most demanding broadcast environments.

To support on-air talent, MU-15 carries a full A/V support inventory, including HMD26 announcer headsets, Studio Tech announcer boxes, MD46 stick microphones, a range of Sennheiser MKH series shotgun and stereo microphones, SDI confidence monitors, and LED light kits. The extensive cable infrastructure includes over 7000 feet of SMPTE fiber, triax cables, SMPTE looms, DT12 audio multicore, audio snakes, coaxial looms, and TAC fiber runs, ensuring flexible, reliable connectivity for even the largest, most complex event footprints.

MU-15’s flexible design, UHD and HDR capabilities, and comprehensive infrastructure make it the ideal production truck for high-profile sports broadcasts, multi-stage music festivals, national award shows, corporate events, and hybrid remote studio productions. The truck’s combination of high-density switching, scalable replay, pristine audio control, and advanced routing infrastructure provides unmatched versatility and reliability for productions where failure is not an option.

When your production demands UHD and HDR workflows, multi-camera coverage, advanced replay, and high-capacity routing in a road-ready, scalable platform, MU-15 delivers. Trusted by the industry’s leading sports networks, entertainment producers, and event organizers, MU-15 is the elite mobile broadcast truck built to meet today’s most demanding live production challenges.

If you’re planning your next large-scale UHD or HDR live event, trust MU-15 to provide the performance, flexibility, and production power your audience expects.

Inspiration Floor Plan

Experience Broadcast Quality Productions with Inspiration 40’ 3G/HD Expando

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Inspiration 40’ 3G/HD Expando offers a high-performance solution for live broadcasts, sports events, concerts, and corporate productions. Operated by TNDV, a division of Live Media Group Holdings, it features powerful multi-camera capabilities, a Grass Valley K-Frame Switcher, and a professional-grade audio system. Built for efficiency, Inspiration measures 45 feet long, 14 feet wide when expanded, and 13.5 feet high, with a gross vehicle weight of 46,000 pounds. Its single-phase 150-amp (208V) power system ensures reliable performance in a range of venues.

Inspiration Interior

Video Production Technology

At the core of Inspiration’s video workflow is the Grass Valley K-Frame Switcher, featuring:

  • Korona 3-Stripe 25-Button Control Panel
  • 32 inputs and 16 outputs
  • 2.5 M/Es with FlexiKey, Double Take, six keyers per ME, iDPMs, chroma keyers, and ImageStore

The replay and recording suite includes:

  • One EVS XT2 6-Channel LSM Server
  • One EVS X-File 3 for efficient file transfers
  • One AJA HELO H.264 Recorder for streaming and digital capture
  • Twelve AJA KiPro Rack Recorders for multi-source recording

This switcher and replay setup supports fast-paced live productions requiring smooth transitions and real-time playback.

Inspiration_Ext_3 Camera System

Designed to handle up to 10 CCUs, Inspiration comes with eight Hitachi SK-HD1200 Hybrid Fiber Cameras, offering 1080p, 1080i, and 720p at 59.94, 29.97, and 23.98 frame rates. Key features include:

  • Four handheld viewfinders and four 7-inch studio LCD viewfinders
  • Two Fujinon 20x ENG lenses for long-range shots
  • Four Canon 11×4.7 wide-angle lenses for wider scene coverage
  • TAC Fiber Adapters for greater placement flexibility

This setup ensures high-quality image capture for diverse event types.

Audio Capabilities

A Soundcraft Vi3000 Digital Mixing Console drives Inspiration’s audio workflow, offering:

  • 24 faders and 96 DSP inputs
  • 32×24 analog and 128×128 MADI channels
  • One 64×32 fiber stagebox for expanded routing options

Additional audio components include:

  • An Avid Pro Tools 128-Channel Audio Recording Rig
  • One Sound Devices Pix 270i 64-Channel Audio Recorder
  • Two Fostex Speakers, three Throwdown HD Monitors
  • Four SDI-HDMI converters, four Fiber Rattler sets, and two Decimator MD-Cross Converters

This comprehensive audio infrastructure delivers clarity and precision for music performances, sports broadcasts, and corporate events.

Routing and Multiview

Inspiration utilizes an Imagine Communications 96×96 3G/HD Router, which features:

  • Inspiration Interior 4×4 audio embed/de-embed functionality
  • 12 configurable integrated multiviewer outputs
  • Four quad split multiviewers for real-time monitoring
  • 12 3G/HD frame syncs for seamless video processing
  • TSL Tallyman Tally Interface for effective production coordination

This ensures efficient signal flow and simplified management of multiple video sources.

Communication Infrastructure

For crew communication, Inspiration comes with an RTS ODIN 112-Port Digital Matrix, featuring:

  • 12 RTS PL channels
  • Four RTS telephone interfaces
  • Four QKT telephone interfaces
  • Eight wet IFB channels
  • Two Biscuit Boxes
  • Two VoIP phone lines

This system helps maintain clear and reliable communication for fast-paced live productions.

Graphics Capabilities

Inspiration is wired for a dual-channel CG system, which includes:

  • One Ross XPression Dual-Channel Graphics System (software version 10.5)

This enables live branding, scoreboards, and animated overlays.

Cable Inventory

Inspiration provides ample cable resources for flexible production setups:

  • 3000 feet of hybrid fiber optic camera cable
  • 1200 feet of DT-12 cable
  • One 1000-foot TAC-12 fiber mult
  • One 500-foot TAC-12 fiber mult

These resources support reliable connectivity and smooth, efficient installation.

Why Inspiration Stands Out

Inspiration 40’ 3G/HD Expando is well-suited for mid-to-large-scale projects, offering:

  • High-quality video via the Grass Valley K-Frame Switcher
  • Advanced camera systems for dynamic coverage
  • Premium audio processing with Soundcraft Vi3000 and supporting hardware
  • Expansive layout for efficient multi-camera production workflows

Managed by TNDV and Live Media Group Holdings, Inspiration is supported by a dedicated technical team to help ensure successful broadcasts.

Applications

  • Sports Broadcasts: Ideal for multi-camera coverage and instant replays
  • Concerts and Live Events: Delivers professional video and audio production
  • Corporate Productions and Conferences: Accommodates high-end streaming and presentations
  • Live Award Shows and Entertainment Broadcasts: Provides seamless execution for broadcast-level quality

Conclusion

Inspiration 40’ 3G/HD Expando is a comprehensive mobile production solution for a range of live events, from sports to corporate productions. Equipped with advanced video technology, a robust audio setup, and efficient communication systems, Inspiration delivers broadcast quality results in a spacious yet mobile format. To learn more or to book Inspiration for your next production, contact TNDV or Live Media Group today.

 

The MU-12 53’ 3G Single Expando Production Truck

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The MU-12 53’ 3G Single Expando Production Truck is a flagship mobile broadcast unit designed to meet the demands of modern live production environments, delivering exceptional UHD and HDR capabilities in a versatile, road-ready package. Operated by TNDV, a division of Live Media Group, MU-12 offers a comprehensive suite of production tools for handling major broadcasts, sports events, concerts, and studio-caliber programming with ease. Its rugged design, engineered infrastructure, and integrated systems make it a go-to solution for clients looking to achieve high-end results in the field without compromise.

The truck measures 53 feet in length with a full expansion that extends 49 feet by 5 feet, resulting in a comfortable and optimized interior footprint. With a gross vehicle weight of 80,000 pounds and support for standard road clearance, MU-12 can be deployed across a wide range of locations. Its power requirements are substantial but accessible, drawing 200 amps per leg at 190 to 280 volts across three phases, and it includes a 200-foot feeder cable to accommodate venue setups of all types.

Video production within MU-12 is driven by a Grass Valley K-Frame 3G switcher with a Kayenne 4-stripe, 35-button control panel. This system offers 7 mix effects, 96 inputs, 48 outputs, and is packed with features like FlexiKey, Double Take, advanced chroma keying, and both internal and external DPMs for real-time image manipulation. An internal image store adds powerful playback options, and the M/E View functionality enables streamlined oversight of complex mix configurations. For replay, the truck includes three EVS XT3 12-channel LSM servers with dual-user capability, an additional EVS XT3 unit serving as a dedicated spotbox, an EVS X-file3 for rapid file transfer over a 10G network, and an EVS Via Xhub to tie the entire replay system together. The infrastructure is wired for 60 channels of EVS, ensuring seamless integration of multiple live camera angles and replay streams.

Powerful Routing and Multiviewing Capabilities

Routing is handled through an Evertz EQX 3G video router with a 280×620 matrix, providing 112 inputs by 48 outputs for audio embedding and disembedding, supported by 18 onboard frame syncs and 16 fiber I/O ports. Complementing this is an Evertz EMR audio router with a full 1024×1024 MADI capacity. The system includes a total of 70 frame syncs—30 For-A HDR UDC units with color correction and 40 EVS Neuron HDR units equipped with custom LUTs and additional color control. Four TX processors add further up/down/cross conversion capabilities. A multiview layout with 304×23 capacity allows technical staff to monitor dozens of live feeds, ISO records, program outputs, and replay returns simultaneously.

Advanced Camera Systems and Lens Packages

Camera support includes ten Grass Valley LDX 86 Worldcam units, seven LDK Super XPanders, and six LDK4426 fiber triax converters. MU-12 comes equipped with a powerful lens arsenal, including a Fujinon 101×8.4 UHD stabilized lens, a combination of HD and UHD lenses ranging from 99x and 88x zooms down to wide-angle 14x optics, and hybrid options designed for flexible field coverage. The camera kits are supported by Vinten Vector 750 and Cartoni Gamma pan head and tripod packages, and the truck is wired for 16 CCUs to ensure optimal camera control and shading. Additional lens and camera configurations are available upon request, providing production teams with customization flexibility.

Audio is managed via a Calrec Artemis Beam digital surround sound console with 64 faders and deep I/O capabilities including 96×96 analog, 128×128 AES, and 256×256 MADI channels. The system is enhanced with a Waves Broadcast Processing Suite, delivering professional-grade dynamics and effects processing for high-end audio fidelity.

Communications are facilitated by a 192×192 RTS Adam Matrix intercom system, offering 32 OMNEO channels, 16 RVON IP channels, 64 MADI channels, 12 powered PL channels, and 12 powered IFB circuits. The system also includes four RTS telephone interfaces, four QKT audio couplers, 20 BP325 belt packs, 10 IFB belt packs, 16 Beyer DT108 single muff headsets, eight DT109 dual muff headsets, and four ring downs, ensuring seamless crew coordination across departments.

Supporting AV and monitoring needs, MU-12 is stocked with six HMD26 announcer headsets, six Studio Tech announcer boxes, six Sennheiser MD46 stick microphones, six MKH416 shotguns, six MKH8070 long shotguns, and four MKH418 stereo shotgun microphones. Visual monitoring is supported by six 15-inch SDI and six 21-inch SDI monitors, along with two portable LED light kits for booth or field work.

Cabling infrastructure on board includes 7000 feet of triax and 850 feet of SMPTE fiber, two 150-foot six-wire triax looms, 3000 feet of DT12 audio mults, 1000 feet of six-pair audio snake, 500 feet of two-pair audio snake, 5000 feet of XLR cable, 5000 feet of single coax, three 150-foot ten-wire coax looms, three 125-foot five-wire looms, and a set of TAC fiber runs including 500-foot TAC-12, TAC-6, and TAC-4 links.

MU-12: A Best-in-Class Mobile Production Unit

The MU-12 53’ 3G Single Expando is a best-in-class mobile production unit, purpose-built to execute the most technically complex live and recorded events with confidence and clarity. Its integrated systems, advanced engineering, and scalability ensure that whether deployed for network sports, high-profile concerts, studio broadcasts, or corporate events, MU-12 delivers a studio-quality experience on the road with zero compromiseMU-12-Specs_021025.

Mobile Unit Snapshot: MU-14 53’ Single Expando Production Unit

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The MU-14 53’ 3G Single Expando Production Truck is the most advanced and highest-capacity mobile broadcast unit in the Live Media fleet. Designed from the ground up to serve the most demanding UHD and HDR production environments, MU-14 represents the pinnacle of mobile engineering, seamlessly integrating immense I/O capability, powerful switching, deep EVS replay support, and full broadcast comms and audio infrastructure. With its unmatched feature set and future-proof architecture, MU-14 is purpose-built for major national and international sports broadcasts, large-scale entertainment specials, and high-concurrency live event coverage.

At 53 feet long with an expanded footprint of 49 feet by 5 feet, MU-14 offers a roomy interior that accommodates large production teams with ease. When deployed, the truck reaches a total operational width of 13.5 feet and stretches to 78 feet in length with the tractor included. With a gross vehicle weight of 80,000 pounds and a three-phase power draw rated for 190 to 280 volts at 200 amps per leg, MU-14 carries the raw energy and infrastructure to perform under any condition in the field.

Video production inside the truck is anchored by a Grass Valley K-Frame 3G switcher with a Kayenne 4-stripe, 35-button panel. The system offers a formidable 9 mix effects, with 176 inputs and 72 outputs, and is outfitted with advanced features including FlexiKey layering, Double Take transitions, chroma keying, and a powerful suite of DPMs. The switcher includes an onboard image store with movie playback capabilities and supports M/E View, enabling flexible visual workflows and operator customization. A built-in RGB color corrector ensures precision image management during dynamic productions. Supporting the switching backbone is a comprehensive EVS replay system featuring four XTVia 12-channel servers with dual-user capability, an XTVia 6-channel spotbox with Lance Controller, an EVS X-file3 with a 10G file network for lightning-fast file movement, and an EVS Via Xhub to tie all the components together. MU-14 is wired for an astonishing 120 channels of EVS replay, placing it among the most capable mobile replay environments on the road today.

Advanced Routing & Signal Management

Routing and signal management are handled by an Evertz EQX 3G video router configured with a 518×684 matrix. This system includes 112×128 embedding and de-embedding paths, 18 internal frame syncs, 16×16 RTR fiber I/O connections, and dedicated mux paths linking to companion units and booth locations. On the audio side, the Evertz EMR router delivers 1152×1152 MADI, 192×192 AES, and 96×96 analog mono paths, providing a routing backbone that accommodates high-density channel counts. The truck includes a total of 85 frame syncs, including 45 For-A HDR UDC units with color correction and 40 EVS Neuron HDR units with LUT support and customizable color correction pipelines. MU-14’s massive multiviewer capability offers 304×30 windows, giving directors and engineers unparalleled visibility into every facet of the production.

Professional Camera & Lens Capabilities

Camera operations inside MU-14 are supported by twelve Sony HDC3500 UHD-HDR cameras paired with seven Sony HDLA1505 large lens adapters and an extensive Canon lens package. This includes seven Canon UJ111x8.3 Digisuper long lenses with stabilization, two CJ25ex7.6 UHD ENG lenses, two CJ20ex7.6 UHD ENG lenses, and one CJ15ex4.3 wide-angle UHD ENG lens. The cameras are supported by seven Vinten Vector 750 pan heads with HDT2 tripods and four Cartoni Focus 20 heads, offering a robust and flexible shooting platform. MU-14 is wired for up to 20 CCUs, enabling precise camera shading and control across all channels, with additional camera and lens configurations available based on production needs.

Audio mixing is handled through a Calrec Apollo digital surround console featuring 144 faders spread across 12 dual-fader layers. The system includes 148×148 analog I/O, 128×128 AES, 512×512 MADI spread across eight ports, and a 64×64 Dante integration for AoIP workflows. With embedded Waves Broadcast Suite processing, MU-14 offers advanced audio shaping, dynamics, and broadcast mastering features in real time. Communications infrastructure is just as comprehensive, anchored by a 256×256 RTS Adam Matrix intercom with 64 OMNEO channels, 16 RVON IP paths, 64 MADI channels, 12 powered PL channels, and 12 powered IFB outputs. MU-14 is stocked with RTS BP325 intercom packs, IFB belt packs, and a complete headset suite including 20 Beyer DT108 single muff units and 10 DT109 dual muff models, as well as phone interfaces and couplers to support crew and talent communications across the full production landscape.

For AV support, the truck comes with six HMD26 announcer headsets, six Studio Tech boxes, six MD46 stick mics, and a full complement of shotgun and stereo microphones including the MKH416, MKH807, and MKH418. Monitoring gear includes six 15-inch SDI monitors, six 21-inch SDI monitors, and two portable LED light kits. MU-14’s cable infrastructure includes 7000 feet of SMPTE fiber, two 150-foot 6-wire SMPTE looms, 3000 feet of DT12 audio mults, and over 10,000 feet of combined coaxial, audio, and multipair snakes, offering robust connectivity in complex setups.

MU-14 sets a new benchmark in remote production technology. With the highest M/E count, deepest replay channel capacity, and broadest routing architecture in the Live Media Group fleet, it delivers the performance and redundancy expected in the most mission-critical live environments. From UHD sports coverage and multi-stage music shows to dual-stream linear and OTT broadcasts, MU-14 has the power, flexibility, and intelligence to bring elite productions to life at scaleMU-14-Specs_021025.