Mobile Unit Snapshot: MU-22 Compact Ku-Band Mobile Production + Transmission Truck

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MU-22: The Ultimate Compact Ku-Band Mobile Production + Transmission Truck for Remote Broadcasts

In a broadcast landscape where mobility, speed, and reliability are more critical than ever, the MU-22 emerges as a uniquely powerful solution. Built by TNDV and engineered with both field production and satellite transmission in mind, this 48-foot 3G double expando production truck brings together a robust live production control room with a fully integrated Ku-band satellite uplink—all in one compact, agile vehicle.

Whether you’re covering breaking news, broadcasting a live political debate, producing sports reports from remote locations, or delivering corporate events with limited infrastructure, MU-22 gives you full control from camera to satellite feed—without the need for a separate uplink truck or secondary facility. It’s the ultimate field-ready unit for broadcasters, agencies, government teams, and content creators looking for broadcast-grade flexibility in a single mobile platform.

The MU-22 is 48 feet in road mode and features dual expandable sides, bringing the working bay to 49 feet by 5 feet and allowing a total operational length of 75 feet. At 80,000 lbs GVW, it’s built for heavy-duty deployment while remaining maneuverable for tight lots and urban environments. The power infrastructure supports 3-phase 200A per leg at 190–240 volts, and a 150-foot feeder cable provides flexibility for external hookups.

MU-22 Exterio At the center of MU-22’s production capability is the Grass Valley K-Frame 3G video switcher, complete with a Kayenne 4-stripe, 35-button control panel. Supporting 5 M/E, 64 inputs, and 48 outputs, this switcher delivers the broadcast flexibility needed for multi-angle productions, complex mix effects, and quick-turn live workflows. Operators benefit from built-in FlexiKey and Double Take functionality, along with advanced chroma keying and an integrated image store for clip playout and real-time transitions.

MU-22’s replay system is built for ISO ingest, clip rollouts, and live replays, with a fleet of EVS XT3 servers configured for multiple use cases. The system includes one 8-channel LSM server, one 6-channel LSM server, one 12-channel unit set up as a 4-channel spotbox for dual-user control, plus an EVS X-file3 on a 10G file network and an EVS X-hub3 for media sharing. The truck is wired for three 6-channel and two 4-channel EVS servers, offering flexible replay architecture in a mid-sized unit.

Routing and signal management are handled through a Grass Valley Node 3G router, configured with a 144×144 matrix and 48×48 audio embedding/de-embedding. An integrated 384×384 audio router handles high-density audio paths, and signal synchronization is managed via 16 AJA 3G U/D/C frame synchronizers with embedded color correction. The multiview system offers a 162×18 display capacity, giving operators, directors, and tech teams complete visibility across live feeds, returns, ISO channels, and tally. Tally control is managed through the TSL Tallyman interface, supporting seamless integration across the board.

MU-22’s camera system includes ten Grass Valley LDX 86 WorldCam cameras, five Super XPanders with 7” viewfinders, and a versatile Canon HD/UHD lens kit. The lens inventory covers everything from tight field-of-view shots to wide-angle coverage, including two Canon 80x HDs, two 76x HDs, one 72x HD, four 22x ENG lenses, two 11×4.7 wide-angle models, and a Canon 17x ENG lens. Camera support is provided by five Vinten Vector 75 pan heads with tripods, and three ENG pan head kits. MU-22 is fully wired for 12 CCUs, and Grass Valley LDK 4426 single-mode triax adaptors are available for deployments requiring longer cable runs or fiber flexibility.

Audio production is powered by a Calrec Artemis Light console, featuring 48 faders across 12 dual-fader layers and Bluefin2 processing. The system includes MU-22 Floor Plan 64×64 analog I/O, 64×64 AES, 384×384 MADI, and 64×64 Dante IP connectivity—making it ideal for AoIP and multiformat environments. The console is integrated with a 64-channel Waves SoundGrid server for real-time audio shaping, mixing, and mastering.

MU-22’s communications system is anchored by an RTS Adam M 176×176 matrix intercom, with support for 64 OMNEO IP channels, 32 MADI paths, 16 RVON channels, and multiple powered PL and IFB lines. With RTS belt packs, IFB boxes, DT108/DT109 headsets, Innkeeper telephone interfaces, and ringdowns for point-to-point talkback, the truck supports fast, reliable communication from anywhere in the field.

But what sets MU-22 apart from most production trucks in its class is its integrated Ku-band satellite transmission system. This fully redundant, built-in uplink setup includes a 2.4-meter AVL Ku-band antenna, dual 125-watt Advantech hub-mount SSPBs, and Ericsson AVP3000 HD encoders paired with RX8200 IRDs. This setup allows for immediate field contribution, backup feeds, or primary network handoffs, all without waiting for an external uplink vehicle. It’s an ideal solution for breaking news, remote press events, or field-based multi-platform streaming and broadcast.

AV support gear includes HMD26 announcer headsets, Studio Tech boxes, MD46 stick mics, MKH416 shotguns, MKH8070 long shotguns, MKH418 stereo microphones, 15” and 21” SDI field monitors, and LED light kits—ensuring your crew and talent are fully equipped for field operations.

The cable infrastructure is equally robust, including 7000 feet of triax, 3000 feet of DT12 audio multicore, 3000 feet of single coax, XLR audio, and multiple fiber runs including TAC-12 and TAC-4. The truck also includes triax and coax looms, audio snakes, and SMPTE-compatible interfaces, supporting a wide variety of venue and field deployment scenarios.

Why MU-22 Is a Game-Changer in Mobile Broadcast

MU-22 is one of the most compact yet powerful mobile production and satellite uplink trucks on the market. With a full Grass Valley 3G core, complete EVS replay, Calrec audio, multiview and tally systems, and a fully integrated Ku-band uplink, it’s ready for deployment at any time, in any location. It’s especially suited for government events, public service broadcasts, crisis response communications, live political town halls, and sports broadcasting where traditional infrastructure isn’t available—or time is critical.

Whether you’re handling live content for national broadcast or creating a reliable backup path for OTT and linear feeds, MU-22 offers end-to-end signal control, contribution, and transmission in one unit. It delivers speed, agility, signal integrity, and redundancy, setting the standard for mobile units designed for today’s dynamic live media environment.

To book MU-22, please contact us at solutions@livemediagroup.com or 833-933-5483.

 

Mobile Unit Snapshot: MU-18 UHD-HDR Mobile Production Truck

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MU-18: A Versatile UHD-HDR Mobile Production Truck for Mid-to-Large-Scale Broadcasts

In today’s fast-paced world of live broadcasting, production teams are tasked with delivering pristine video, immersive audio, and seamless multi-camera workflows—often under tight timelines and in dynamic environments. That’s where the MU-18 from TNDV comes in. This 53-foot 3G single expando UHD-HDR production truck is purpose-built for broadcast professionals who need power, flexibility, and reliability in a compact yet fully featured platform.

As the demand for UHD and HDR content increases across sports, entertainment, streaming, and corporate sectors, the MU-18 stands out as a true workhorse. It delivers top-tier visuals, high-capacity replay, robust routing, and fully integrated audio and communications in a footprint that fits tight lots and fast turnarounds. Whether you’re producing a national sports event, a live music special, or a corporate townhall with remote uplinks, MU-18 offers a high-performance solution that scales with your production.

The MU-18 mobile unit measures 53 feet in road mode and expands to 49 feet by 5 feet, offering ample space for production crews, engineers, and talent. It supports a working length of 61 feet once fully deployed and operates on a 3-phase, 200-amp service at 190–280 volts, powered through a 200-foot feeder cable. With a gross vehicle weight of 80,000 pounds, it’s built for the road but operates like a full broadcast studio.

MU 18 Header The production switcher at the heart of MU-18 is a Grass Valley K-Frame 3G system with a Kayenne 4-stripe, 35-button panel. Supporting 5 M/Es, 104 inputs, and 56 outputs, it provides all the power needed for multi-layered video productions. Key features include FlexiKey™, Double Take, full chroma keying, and a deep library of DPMs for video layering and graphics integration. The switcher also includes an integrated image store and is M/E View enabled, allowing operators to quickly customize their workflows. RGB color correction across M/Es ensures vibrant, true-to-life picture quality across UHD and HDR formats.

Replay capabilities are another defining strength of MU-18. It’s equipped with four EVS XT4K 12-channel LSM servers, plus an EVS XT3 6-channel spotbox with a Lance Controller, allowing for high-volume clip playout, ISO ingest, and live replay. With an EVS X-file3 and XNET Hub3 integrated into a 10G file network, the unit is wired for 72 total EVS channels, making it ideal for high-speed live sports or entertainment events that demand instant access to every camera angle.

Routing and terminal infrastructure inside MU-18 is anchored by an Evertz EQX 3G Video Router with a 436×472 matrix and 96×96 embedding/de-embedding. This is paired with an Evertz EMR Audio Router boasting 1152×1152 MADI, 96×96 AES digital, and 192×192 analog mono support. The unit supports a multiview layout of 320×38, providing clear visibility into all incoming and outgoing feeds, replay channels, and ISO records. Frame sync and color correction are managed by 48 Cobalt 9905-MPx HDR frame synchronizers with 3D LUT support, five standalone color correctors, and four TX processors for UDC conversions, making this truck an ideal choice for multiformat, multiplatform content delivery.

For acquisition, MU-18 comes with ten Sony HDC-4300 UHD/HDR cameras, six Sony HDLA-1505 large lens adaptors with OLED viewfinders, and a premium Fujinon lens kit including long throw and wide-angle optics. The setup includes four stabilized Fujinon 107×8 UHD lenses, three 99×8.4 UHD units, HD lenses, servo zooms, and wide-angle options to cover everything from tight field-of-play shots to expansive audience or stage coverage. Six Vinten Vector 750 heads with HDT2 tripods and four Vinten 100 ENG systems support flexible positioning, while wiring for 16 cameras ensures the truck is ready for complex, multi-angle live productions.

Audio operations are just as robust. The MU-18 includes a Calrec Artemis Beam digital audio console with 64 faders, 96×96 analog I/O, 64×64 AES digital I/O, and 512×512 MADI routing. Integrated Waves Broadcast Suite tools provide additional processing flexibility, and an Enco audio playout server handles automation for complex programming needs. Whether you’re producing immersive surround sound for a concert or ensuring audio precision for a network broadcast, the MU-18 delivers.

For communication, the truck features a RTS Adam Matrix Intercom system with a 288×288 core, 64 OMNEO IP channels, 32 RVON VoIP channels, and 64 MU-18 Floorplan MADI channels. With 12 powered partyline and IFB paths, plus belt packs, IFB receivers, headsets, and telephone interfaces, it ensures that everyone from camera ops to production leads stays connected and in sync, regardless of location or broadcast complexity.

The MU-18 also includes a comprehensive A/V support package. It features HMD26 headsets, Studio Tech boxes, Sennheiser MD46 stick mics, MKH416 shotguns, MKH870 long shotguns, MKH418 stereo microphones, and both 15” and 21” SDI monitors for confidence viewing in the field. Portable LED lighting kits are included for low-light or impromptu talent setups.

Its cabling infrastructure includes 7000 feet of SMPTE fiber, additional SMPTE multiplex runs, 3000 feet of DT12 audio multicore, audio snakes, 5000 feet of coaxial cable, and TAC fiber options for long-distance signal distribution. Whether you’re rigging a sprawling festival site or a compact studio footprint, MU-18’s cable setup adapts with precision and reliability.

What sets the MU-18 UHD HDR production truck apart is its ability to deliver studio-grade production quality in a more compact and flexible package. Designed for deployment in urban environments, regional sports stadiums, mobile festival setups, and corporate spaces, it balances capability and footprint without sacrificing professional-grade results.

If your production requires high-capacity EVS replay, UHD/HDR camera workflows, real-time routing and multiviewing, and integrated broadcast audio, MU-18 is ready to roll. It brings the power of a full broadcast control room into a mobile platform designed for today’s most challenging, creative, and high-expectation productions.

 

To book MU-18, please contact us at solutions@livemediagroup.com or 833-933-5483.

 

Mobile Unit Snapshot: MU-21 48-foot 3G double expando production truck

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MU-21: A Mobile Production and Satellite Uplink Powerhouse for Modern Live Broadcasts

In the fast-paced world of live television, sports coverage, remote news gathering, and multi-venue events, the need for integrated production and transmission solutions has never been more urgent. Enter the MU-21, a uniquely versatile 48-foot 3G double expando production truck that combines full broadcast switching, multichannel replay, and C-Band satellite uplink capabilities into a single, compact mobile platform.

Designed and operated by TNDV, a division of Live Media Group, the MU-21 is purpose-built for live events where signal integrity, connectivity, and agility are paramount. From national news coverage to sports broadcasting and political town halls, this production truck is the answer for productions that require a complete field control room and uplink facility in one self-sufficient footprint.

MU-21 Exterior At its core, MU-21 houses a Grass Valley K-Frame 3G production switcher with a powerful Kayenne 4-stripe, 35-button control panel. With 5 M/Es, 64 inputs, 48 outputs, and an advanced feature set including FlexiKey, Double Take, and full chroma key support, this truck is designed to handle high-volume, multi-angle productions with ease. The switcher includes 16 iDPM and 16 EDPM processors and a built-in image store, making real-time transitions, effects, and video layering highly efficient in fast-moving broadcast environments.

Replay power is driven by a robust EVS XTVia system—three 8-channel LSM servers, a 4-channel spotbox with Lance controller, and a 10G-connected EVS X-file3 for fast file transfer and archive management. The system is wired for five 6-channel EVS servers, enabling simultaneous ISO recording, clip playout, and live replay across multiple camera feeds. At the heart of this network is the EVS X-Hub3 media router, providing high-speed content sharing across all replay devices.

Routing is handled via a Grass Valley NVision 3G video router with a 252×378 matrix and 90×90 audio embed/de-embed capability. This is complemented by a dual-tier multiview system—216×24 for the main multiviewer and a 32×4 For-A auxiliary display—to give production teams precise oversight of all sources. The truck also includes 30 AJA 3G up/down/cross frame syncs with built-in color correction for format matching across multi-camera workflows. An integrated TSL Tallyman system keeps all tally states in sync for operators and talent across camera channels and control surfaces.

MU-21 features a high-end Grass Valley camera package, including 10 LDX 86 WorldCam units, which support global HD and UHD production standards, along with 5 Super XPander systems and 8 fiber triax converters. Its premium Canon lens inventory includes 95x and 80x long zoom lenses, several 22x ENG lenses, and wide-angle options like the 11x and 17x glass. Five Vinten Vector 75 pan heads and three handheld tripods provide stable support for all camera configurations, and the truck is wired to support up to 12 CCUs, ensuring complete remote control and shading flexibility.

Audio capabilities are built around the Calrec Artemis Light digital console with Bluefin2 processing. It offers 48 faders, 12 dual-fader layers, and a wide MU-21 Thumbnail range of connectivity including 64×64 analog, 64×64 AES, 384×384 MADI, and 64×64 Dante I/O—all processed through the integrated Waves SoundGrid broadcast suite for dynamic mixing, mastering, and processing. The truck also includes a Waves SoundGrid server for dedicated plugin hosting and advanced signal chain customization.

When it comes to communication, MU-21 keeps your crew connected with an RTS Adam M matrix intercom system configured with a 176×176 core. It supports 64 OMNEO IP channels, 32 MADI, and 16 RVON VoIP paths, along with 12 powered PL lines and 8 IFB circuits. The unit comes fully stocked with RTS belt packs, IFB units, telephone interfaces (including Innkeeper hybrid units), and Beyer headsets for complete internal and external communications control—even in the most complex multi-team workflows.

What truly sets the MU-21 apart from traditional production trucks is its integrated C-Band satellite uplink system. Built directly into the unit, this setup includes a 2.4-meter AVL C-Band uplink antenna and a pair of 400-watt Advantech SSPBs. Dual Adtec Affinity mux encoders, Ericsson modulators, and RX8200 receivers provide complete redundancy and flexibility for direct-to-air contributions, network feeds, and mission-critical signal paths. This level of transmission capability eliminates the need for separate satellite trucks and reduces setup time—making the MU-21 ideal for breaking news, remote sporting events, and on-location specials where production and uplink must be tightly integrated.

Beyond transmission and control, MU-21 supports AV operations with a deep equipment list that includes HMD26 headsets, Studio Tech boxes, MD46 stick mics, MKH416 shotguns, MKH8070 long shotguns, and MKH418 stereo options. Field monitoring is handled with 15” and 21” SDI monitors and LED light kits, ensuring operators and talent have clear visuals regardless of shooting conditions.

MU-21 Floorplan The cable infrastructure on board supports full deployment across multiple remote points, featuring 7000 feet of triax, 3000 feet of DT12 audio multicore, 3000 feet of single coax, and TAC fiber runs up to 1000 feet. With coax looms, triax looms, and extensive XLR and audio snake options, MU-21 is ready to meet nearly any site requirement—no matter how challenging the environment.

Why MU-21 Is the Broadcast Truck You’ve Been Waiting For

MU-21 redefines what a modern broadcast vehicle can be. It delivers production-grade switching, network-level replay, multi-camera UHD/HDR acquisition, studio-quality audio, and redundant satellite transmission—all in one 48-foot double-expando unit. It’s ideal for productions where space, power, and uptime are non-negotiable, and where live content must be captured and transmitted without delay. Whether you’re covering an international sports feed, streaming a live concert, or sending a breaking news feed to air, MU-21 brings the control room and uplink station directly to your event.

To book MU-22, please contact us at solutions@livemediagroup.com or 833-933-5483.