MU-3
45’ 3G Single Expando
Switcher: Grass Valley 3G K-Frame – 5 M/E 96×48
Audio Board: Calrec Artemis Light (64×64 Analog, 64×64 AES, 256×256 MADI)
Router: Evertz EQX 280×474 SDI, 34 3G Framesyncs, 246×32 Multiview
Cameras: Grass Valley LDX 86 3G Triax WorldCams
Replay: EVS XT3
MU-3 45’ 3G Single Expando Overview
The MU-3 45’ 3G Single Expando is a cutting-edge mobile production unit engineered for high-performance live broadcasts. Designed for sports, concerts, corporate events, and award shows, MU-3 delivers reliability, versatility, and seamless workflow integration in a compact yet expandable footprint. Combining advanced video, audio, routing, and communication systems, it is purpose-built to support modern live production demands with precision and efficiency.
Dimensions and Configuration
MU-3 offers a well-optimized layout that balances interior working space with mobility.
- Base Length: 43 ft
- Base Width: 8.5 ft
- Expanded Interior Footprint: 36 ft × 5 ft
- Total Length (with tractor): 78 ft
- Gross Vehicle Weight: 80,000 lbs
This configuration provides ample operator space while remaining maneuverable for diverse venues and remote production environments.
Video Production Technology
MU-3’s video infrastructure is centered around the Grass Valley K-Frame 3G switcher, controlled via a 4-stripe Kayenne panel with 35 buttons.
Switcher Capabilities:
- 5 M/E 96 inputs / 48 outputs
- FlexiKey, Double Take, and Chroma Key
- DPM effects: IDPM, EDPM, 2D DPM
- Integrated image store for playback of graphic and video elements
- 12 IDPM, 4 EDPM and 2D DPM
- Image Store w/movies
Replay & Playback:
- (1) EVS XT3 12-channel LSM Dual-User Server
- (2) EVS XT3 8-channel LSM Servers
- (1) EVS XT3 6-channel Spotbox w/ Lance Controller
- EVS X-File3 with 10G file transfer network
- EVS X-Hub3 for system integration
These systems provide fast turnaround for replays, highlights, and multi-angle playback during high-intensity live events.
Camera System
MU-3 utilizes a flexible, high-performance camera and lens package designed for a wide range of shooting styles.
Cameras:
- (10) Grass Valley LDX 86 3G Triax Worldcams
- (6) Grass Valley Super XPanders w/7” Viewfinders
Lens Package:
- (2) Fujinon 107×8.4 HD Lenses
- (1) Fujinon 101×8.9 HD Lens
- (2) Fujinon 80×8.9 HD Lenses
- (1) Fujinon 72×9.3 HD Lens
- (1) Fujinon 18×5.5 Servo Zoom Lens
- (1) Fujinon 17×7.6 Servo Zoom Lens
- (2) Fujinon 13×4.5 Wide Angle Lenses
- (6) Vinten Vector 70 Pan Heads w/Tripods
- Cartoni Gamma ENG Pan Heads w/Tripods
**Wired for 12 CCU’s**
**Other Camera and Lens configurations available**
This setup ensures sharp, stable image acquisition from tight close-ups to wide scenic shots.
Audio Capabilities
MU-3 features a Calrec Artemis Light Bluefin 2 console, delivering premium audio mixing for complex live environments.
Audio Console I/O:
- 56 fader digital audio console
- 64×64 analog
- 64×64 AES
- 64×64 DANTE
- 256×256 mono MADI
Additional Audio Infrastructure:
- Hydra2 Fiber Audio Field Boxes (24×8)
- Optional Dante Fiber Audio Booth system
This system excels in dynamic, multi-source productions such as concerts, sports, and multi-mic broadcasts.
Routing and Multiview Systems
Signal management is powered by the Evertz EQX 3G router (280×474).
- 96×64 Embedding, Dis-embedding
- 16×16 Fiber to External I/O
- 18 Internal Frame Syncs w/ De-embedding
Evertz EMR Audio Router
- 1024×1024 Madi
- 96×96 Mono AES
- 192×384 Mono Analog246x32 Multiview Capacity
(34) Framesyncs
- 30 AJA FS-HDRs
- 1 FS4 Frame sync w/CC
(8) TX Processors w-U/D/C
These systems provide comprehensive monitoring and routing across all cameras, replay, graphics, and transmission paths.
Communication Infrastructure
Clear and reliable crew communication is maintained through a 208×208 RTS Adam Matrix Intercom system.
Intercom Features:
- 64 OMNEO CH’s,
- 16 RVON CH
- 32 MADI Channels
- 8 Powered PL Channels
- 6 Powered IFB Channels
- (15) Dual Listen BP325 Boxes
- (9) IFB 4030 Boxes
- (15) Single Muff Headsets
- (5) Dual Muff Headsets
- (4) RTS Telephone Interfaces
- (4) QKT Audio Couplers
This ensures seamless coordination among production, engineering, talent, and support teams.
A/V Support
MU-3 includes a full suite of audio-visual support equipment:
Microphones:
- (5) HMD26 Annc Headsets
- (5) Studio Tech Annc Boxes
- (5) MD46 Stick Mics
- (6) MKH416 Shotgun Mics
- (6) MKH870 Long Shotgun Mics
- (4) MKH418 Stereo Shotgun Mics
Monitoring:
- (4) 15-inch SDI monitors
- (4) 21-inch SDI monitors
Lighting:
- LED lighting kits for portable on-site use
Cable Inventory
MU-3 carries an extensive cabling package, allowing flexibility for complex venue layouts.
- 7000’ Triax Cable
- (2) 6x Triax Mults
- 2450’ DT12 Audio Mult
- 600’ 6 Pair Audio Snake
- 3125’ Audio Cable
- 3125’ Single Coax
- (3) 100’ 10 Wire Coax Loom
- 1000’ (1) 500’, (5) 250’, (3) 100’ TAC 12 Cable
This ensures reliable connectivity for productions of any scale.
Why MU-3 Stands Out
MU-3 is more than a production truck — it is a comprehensive, reliable platform that supports high-pressure live environments with ease. Its seamless combination of advanced video, audio, routing, and communication systems makes it a trusted solution for producers seeking quality, stability, and adaptability.
Applications
MU-3 is ideally suited for:
- Live sports broadcasts
- Concerts and music specials
- Award shows
- Corporate events
- Live television productions
Its proven performance across these categories has made it an essential choice for major productions.
Technical Specifications
| Category | Details |
| Switcher | Grass Valley K-Frame 3G |
| Replay & Playback | EVS XT3 servers, X-Hub3 |
| Cameras | Grass Valley LDX 86 WorldCam |
| Audio Console | Calrec Artemis Light Bluefin 2 |
| Routing | Evertz EQX 3G (280×474 matrix) |
| Intercom | RTS Adam Matrix (208×208) |
| Monitoring | 15″ & 21″ SDI monitors |
The MU-3 45’ 3G Single Expando stands as a top-tier mobile production solution, integrating advanced systems across video, audio, routing, communications, and monitoring. Its versatility, reliability, and technical depth make it a leading choice for producers who demand world-class performance in live broadcast environments.