MU-27 | 53’ REMI-Only Mobile Unit (Non-Expando)

Dedicated REMI Production Truck for Scalable Remote Broadcasts

The MU-27 is a purpose-built REMI (Remote Integration Model) mobile production unit, designed for today’s evolving at-home broadcast workflows. Built around a non-expando footprint with full camera infrastructure, high-capacity comms, and reliable EVS wiring, MU-27 is ideal for sports, live events, or studio programming where control is split between field acquisition and centralized production facilities. Whether part of a REMI flypack or operating as a standalone capture vehicle, this unit delivers essential field operations with scalability and minimal footprint.

Vehicle Specs

• Trailer Length: 53 ft
• Working Dimensions: 56’ L x 14’ W
• Overall Length with Tractor: 78 ft
• Gross Vehicle Weight (GVW): 80,000 lbs
• Power Requirements:
  • Three Phase, 190–280V, 200A/Leg
  • 200 ft Feeder Cable

REMI Production Infrastructure

MU-27 does not feature an onboard switcher or expanded bay, but is fully wired for signal contribution, camera control, replay ingest, and comms routing. Onboard gear enables signal pass-through, camera control, monitoring, and audio mixing for remote production control room handoff.

• Switcher: Available upon request (field configurable)
• Replay:
  • Wired for (2) 6-Channel EVS + (1) 4-Channel Spotbox
  • EVS units not included by default, but supported via XHub & router infrastructure

Routing & Terminal Equipment

• Ross Ultrix 48×48 3G Video Router with Full Embedding
  • 4 Integrated Multiviewers
  • 48×48 Frame-Sync I/O
  • 2×2 MADI Ports
  • 3 Control Panels for flexible signal mapping
• Ross Sync Generator with Auto Failover

Camera System

• (9) Grass Valley LDX80 Premiere Cameras with Triax Backs
• (1) Grass Valley LDX86 Camera with Dual Triax & SMPTE Fiber Backs
• (9) GV Triax/SM Base Stations
• (6) GV LDK Super XPanders

Lens Package Includes:

• (1) Fujinon 88×9.3 HD Box Lens
• (2) Fujinon 77×9.3 HD Box Lenses
• (3) Fujinon 72×9.3 HD Box Lenses
• (2) Canon 22×7.8 ENG Zooms
• (2) Fujinon 18×7.6 ENG Zooms
• (1) Fujinon 13×5.5 Wide Angle ENG Lens

Tripod Support:

• (3) Vinten Vector 70
• (3) Vinten Vector 75
• (3) Cartoni Gamma Pan Heads
• Wired for 10 CCUs

Audio Facilities

• Calrec Omega Bluefin Digital Audio Console
  • 56 Faders
  • 160 DSP Channels
  • 96 Mic/Line Inputs / 96 Line Outputs
  • 32×32 AES Digital I/O
  • 128×128 MADI I/O
  • 2 Main Program Outs (Stereo or 5.1)
  • 20 Mono or 10 Stereo Aux Sends
  • 8 Stereo Groups / 48 Multitrack Channels

Additional Audio Tools:

• DK Audio Phase Monitor
• (1) DBX 1046 Compressor/Limiter
• (2) 360 Systems DigiCart E (1 w/ SD Reader)
• CD Player
• Genelec & Wohler Monitoring in Production & Audio Suites

Intercom & Communications

• RTS ODIN Digital Matrix (64-Port Licensed)
  • 16 x 4-Wire Ports
  • 16 RVON Channels for VoIP
• RTS Panels:
  • (4) KP-32 Intercom Stations
  • (2) KP-12 Intercom Stations
• Telephony:
  • (3) RTS TIF-2000 Interfaces
  • (1) JK Audio Innkeeper 4-Channel Phone Hybrid
• Belt Packs & Headsets:
  • (9) RTS BP325 Belt Packs
  • (8) RTS 4030 IFB Packs
  • (9) Beyer DT108 Single Muff Headsets
  • (6) Beyer DT109 Dual Muff Headsets

A/V Support Package

• (5) HMD26 Announcer Headsets
• (5) Studio Tech Announcer Boxes
• (5) MD46 Stick Microphones
• (6) MKH416 Shotgun Mics
• (6) MKH807 Long Shotgun Mics
• (4) MKH418 Stereo Shotgun Mics
• (4) 15” SDI Monitors
• (4) 21” SDI Monitors
• (1) LED Light Kit

Cable Infrastructure

• 7000’ Triax Camera Cable
• 3500’ TAC-12 Fiber
• 3000’ DT12 Audio Multicore
• 1500’ XLR Audio Cable
• 2100’ 4-Pair XLR Multicore
• 1000’ Coax Cable
• (2) 150’ 5-Wire Coax Mults

Why MU-27 Stands Out

MU-27 is purpose-built for REMI and hybrid workflows, giving engineering and operations teams a powerful mobile base for field acquisition without the complexity or bulk of traditional expando trucks. With deep camera and audio capabilities, a full IP-ready intercom system, and high-performance router infrastructure, MU-27 enables remote production at scale—ideal for modern live broadcast strategies.

Ideal Applications

• REMI / At-Home Broadcast Workflows
• Regional Sports and eSports Coverage
• Corporate Events with Centralized Switching
• Worship, Festival, and Touring Live Production
• News and Field Studio Contribution

Technical Quick Reference