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Aspen – MU-5

 

Aspen – MU-5

45’ 3G Single Expando

Switcher: Grass Valley K-Frame X 3G – 4 M/E 64×32
Audio Board: Calrec Artemis Beam (48×48 Analog, 64×64 AES, 640×640 MADI, 128×128 DANTE)
Router: Grass Valley Sirius 840 w/ EVS Cerebrum Control, 46 3G Framesyncs, 336×60 Multiview
Cameras: Sony HDC3500 UHD/HDR
Replay: EVS XTVia

MU-5 45’ HD Single Expando Overview

MU-5 is a 3G HDR single-expando mobile production unit engineered for high-end sports and entertainment broadcasts. It pairs a 4 M/E Grass Valley K-Frame X switcher and Sirius 840 routing under EVS Cerebrum control with a 56-fader Calrec Artemis Beam audio room and Sony HDC-3500 HDR cameras wired for 16 CCUs, and it carries up to four 12-channel EVS XT-VIA servers plus a Spotbox, with wiring for 16 VTR/SSD recorders.

Previously known as Aspen, MU-5 joined the fleet in August 2026 through Live Media Group’s acquisition of Gravity Media’s U.S. mobile-production assets, arriving with a proven record on major U.S. broadcast productions. It now operates alongside more than 40 mobile units across Live Media, TNDV Television, and GameTime Productions, with full access to the group’s engineering, fly-pack, and transmission resources.

Power

Power: Three-phase, 190–240 V, 200 A service
Feeder cable: 200′ (2 × 75′, 1 × 50′)

Production switcher

Grass Valley K-Frame X 3G production switcher with a Kayenne 4-stripe, 35-button panel: 4 M/Es, 64 inputs, 32 outputs, and Image Store with movie playback. That’s enough switching real estate to run program, a clean feed, and screens looks simultaneously.

Replay & record infrastructure

Up to four EVS XT-VIA 12-channel servers and one EVS Spotbox, with the truck wired for 16 VTR/SSD recorders for isolated records, melts, and deliverables alongside the show.

Routing & terminal

Grass Valley Sirius 840 router at 384×288 under EVS Cerebrum control, with 120×120 embedding/de-embedding, 46 channels of HDR frame sync, 768×1536 MADI routing, and 336×60 multiviewer capacity. Fiber I/O includes 16 frame sync/router fiber inputs, 12 router fiber outputs, and 16×16 patchable utility fiber TX/RX, backed by an assortment of AJA converters. One orchestration layer over sources, syncs, and monitoring keeps show-day changes fast and traceable.

Cameras & support

Sony HDC-3500 HDR cameras, wired for 16 CCUs. Other camera and lens configurations are available to fit the show.

Audio facilities

Calrec Artemis Beam digital surround console with 56 faders, 12 dual-fader layers, 564 DSP processing paths, and 340 input channels. I/O includes 48×48 analog, 64×64 mono AES, 640×640 MADI, and 128×128 Dante. The room also has a 64×64 Waves Broadcast Suite, a DaySequerra ILM 8 loudness meter, and Trigger audio playback software.

Communications

256×256 RTS Adam II matrix intercom with 96 analog, 64 OMNEO, and 32 RVON channels (1× RVON+), 64 MADI channels, and eight powered PL plus eight powered IFB channels. Six RTS TIF-4000 telephone interfaces, six Telos HX2 QKT audio couplers, and 18 RTS DBP OMNEO digital beltpacks round out the system.

A/V support

Four deployable field kits: three Hydra 24/8 with Dante, plus one Dante booth kit. Announce positions are covered by four Glensound Minferno/2 Dante boxes, four Studio Tech ST210 analog boxes, and eight Sennheiser HMD26 headsets. The microphone package includes eight MD46 stick mics, six ECM-77 lavs, twelve MKH416 shotguns, six MKH8070 long shotguns, five MKH418 stereo shotguns, and four AT8022 stereo mics.

Cable inventory

Contact Operations for a specific list.

Why MU-5 stands out

  • Replay plus record: up to four 12-channel EVS servers and a Spotbox, with 16 VTR/SSD positions in the same unit.
  • One control layer: EVS Cerebrum orchestration across routing, framesyncs, and multiviewers shortens setup and de-risks show-day changes.
  • A real audio room: 56 faders and 340 input channels of Artemis Beam processing, not a compromise console.
  • Proven, not promised: a working truck with a major-broadcast track record, now backed by Live Media Group’s fleet-wide engineering and support.

Ideal applications

  • Professional and collegiate sports coverage
  • Entertainment specials and awards-style shows
  • Multi-day tournaments and event series
  • Replay-driven formats that need EVS and record capacity onboard

Technical quick reference

Category Specification
Format 3G / 1080p HDR
Switcher GV K-Frame X · 4 M/E · 64×32
Replay Up to 4× EVS XT-VIA 12-ch + 1 Spotbox
Record Wired for 16 VTR/SSD
Router GV Sirius 840 384×288 · EVS Cerebrum control
Multiview 336×60
Frame sync 46 ch HDR
Cameras Sony HDC-3500 HDR · 16 CCUs wired
Audio Calrec Artemis Beam · 56 faders
Intercom RTS Adam II 256×256
Power 3-phase 190–240 V · 200 A

Planning an event? Email solutions@livemediagroup.com or call 833.933.5483 with venue, dates, feed count, and destination platform.

Blue geometric logo with a stylized L followed by the word LIVE in bold blue lettering.

Aspen – MU-5

45’ 3G Single Expando

Aspen – MU-5

45’ 3G Single Expando

Switcher: Grass Valley K-Frame X 3G – 4 M/E 64×32
Audio Board: Calrec Artemis Beam (48×48 Analog, 64×64 AES, 640×640 MADI, 128×128 DANTE)
Router: Grass Valley Sirius 840 w/ EVS Cerebrum Control, 46 3G Framesyncs, 336×60 Multiview
Cameras: Sony HDC3500 UHD/HDR
Replay: EVS XTVia

MU-5 45’ HD Single Expando Overview

MU-5 is a 3G HDR single-expando mobile production unit engineered for high-end sports and entertainment broadcasts. It pairs a 4 M/E Grass Valley K-Frame X switcher and Sirius 840 routing under EVS Cerebrum control with a 56-fader Calrec Artemis Beam audio room and Sony HDC-3500 HDR cameras wired for 16 CCUs, and it carries up to four 12-channel EVS XT-VIA servers plus a Spotbox, with wiring for 16 VTR/SSD recorders.

Previously known as Aspen, MU-5 joined the fleet in August 2026 through Live Media Group’s acquisition of Gravity Media’s U.S. mobile-production assets, arriving with a proven record on major U.S. broadcast productions. It now operates alongside more than 40 mobile units across Live Media, TNDV Television, and GameTime Productions, with full access to the group’s engineering, fly-pack, and transmission resources.

Power

Power: Three-phase, 190–240 V, 200 A service
Feeder cable: 200′ (2 × 75′, 1 × 50′)

Production switcher

Grass Valley K-Frame X 3G production switcher with a Kayenne 4-stripe, 35-button panel: 4 M/Es, 64 inputs, 32 outputs, and Image Store with movie playback. That’s enough switching real estate to run program, a clean feed, and screens looks simultaneously.

Replay & record infrastructure

Up to four EVS XT-VIA 12-channel servers and one EVS Spotbox, with the truck wired for 16 VTR/SSD recorders for isolated records, melts, and deliverables alongside the show.

Routing & terminal

Grass Valley Sirius 840 router at 384×288 under EVS Cerebrum control, with 120×120 embedding/de-embedding, 46 channels of HDR frame sync, 768×1536 MADI routing, and 336×60 multiviewer capacity. Fiber I/O includes 16 frame sync/router fiber inputs, 12 router fiber outputs, and 16×16 patchable utility fiber TX/RX, backed by an assortment of AJA converters. One orchestration layer over sources, syncs, and monitoring keeps show-day changes fast and traceable.

Cameras & support

Sony HDC-3500 HDR cameras, wired for 16 CCUs. Other camera and lens configurations are available to fit the show.

Audio facilities

Calrec Artemis Beam digital surround console with 56 faders, 12 dual-fader layers, 564 DSP processing paths, and 340 input channels. I/O includes 48×48 analog, 64×64 mono AES, 640×640 MADI, and 128×128 Dante. The room also has a 64×64 Waves Broadcast Suite, a DaySequerra ILM 8 loudness meter, and Trigger audio playback software.

Communications

256×256 RTS Adam II matrix intercom with 96 analog, 64 OMNEO, and 32 RVON channels (1× RVON+), 64 MADI channels, and eight powered PL plus eight powered IFB channels. Six RTS TIF-4000 telephone interfaces, six Telos HX2 QKT audio couplers, and 18 RTS DBP OMNEO digital beltpacks round out the system.

A/V support

Four deployable field kits: three Hydra 24/8 with Dante, plus one Dante booth kit. Announce positions are covered by four Glensound Minferno/2 Dante boxes, four Studio Tech ST210 analog boxes, and eight Sennheiser HMD26 headsets. The microphone package includes eight MD46 stick mics, six ECM-77 lavs, twelve MKH416 shotguns, six MKH8070 long shotguns, five MKH418 stereo shotguns, and four AT8022 stereo mics.

Cable inventory

Contact Operations for a specific list.

Why MU-5 stands out

  • Replay plus record: up to four 12-channel EVS servers and a Spotbox, with 16 VTR/SSD positions in the same unit.
  • One control layer: EVS Cerebrum orchestration across routing, framesyncs, and multiviewers shortens setup and de-risks show-day changes.
  • A real audio room: 56 faders and 340 input channels of Artemis Beam processing, not a compromise console.
  • Proven, not promised: a working truck with a major-broadcast track record, now backed by Live Media Group’s fleet-wide engineering and support.

Ideal applications

  • Professional and collegiate sports coverage
  • Entertainment specials and awards-style shows
  • Multi-day tournaments and event series
  • Replay-driven formats that need EVS and record capacity onboard

Technical quick reference

Category Specification
Format 3G / 1080p HDR
Switcher GV K-Frame X · 4 M/E · 64×32
Replay Up to 4× EVS XT-VIA 12-ch + 1 Spotbox
Record Wired for 16 VTR/SSD
Router GV Sirius 840 384×288 · EVS Cerebrum control
Multiview 336×60
Frame sync 46 ch HDR
Cameras Sony HDC-3500 HDR · 16 CCUs wired
Audio Calrec Artemis Beam · 56 faders
Intercom RTS Adam II 256×256
Power 3-phase 190–240 V · 200 A

Planning an event? Email solutions@livemediagroup.com or call 833.933.5483 with venue, dates, feed count, and destination platform.

Contact us for Aspen – MU-5 availability

solutions@livemediagroup.com
833.933.5483

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